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01. GARY WILSON & TREDICI BACCI - Intro
02. GARY WILSON & TREDICI BACCI - New York Surf
03. GARY WILSON & TREDICI BACCI - You Keep On Looking
04. GARY WILSON & TREDICI BACCI - 6.4 = Make Out
05. GARY WILSON & TREDICI BACCI - When You Walk Into My Dreams
06. GARY WILSON & TREDICI BACCI - A Very Small Town
07. GARY WILSON & TREDICI BACCI - Linda Wants To Be Alone
08. GARY WILSON & TREDICI BACCI - Gary Saw Linda Last Night
09. GARY WILSON & TREDICI BACCI - I Wanna Lose Control
10. GARY WILSON & TREDICI BACCI - Newark Valley
11. GARY WILSON & TREDICI BACCI - You Think You Really Know Me
12. GARY WILSON & TREDICI BACCI - Chromium Bitch
13. GARY WILSON & TREDICI BACCI - When I Spoke Of Love
14. GARY WILSON & TREDICI BACCI - Forgotten Lover's Ending (Fanfare)
ARTIST
TITLE
Another Lonely Night In Brooklyn
FORMAT
CD

LABEL
CATALOG #
FTR 319CD FTR 319CD
GENRE
RELEASE DATE
6/2/2017

"Totally great live LP by Gary Wilson (the world's forgotten boy) with a cover photo that makes him look like a dead ringer for the late Mike Kelley, back when Mike was a fake hippie. Anyway, Gary shouldn't need much of an introduction. If you don't know him, you might well access one of the many other LPs of his we've done. But then again, Another Lonely Night In Brooklyn might be just the place to start your own little wagon rolling down the road of Gary Wilson fandom. The tunes on this album are representative of the live set Gary's been doing lately, with a heavy emphasis on tracks originally recorded around the time of his 1977 breakout LP, You Think You Really Know Me (FTR 236LP). What lifts things to a higher-than-usual level is the lovely musical backing provided by Tredici Bacci. This New York City unit formed to perform classic-era faux Italian film music, but they really find their own special place as Gary's backing group. Wilson's best songs of longing and loss have always been built around strong narrative centers as much as melodies, but Tredici Bacci's expansive accompaniment manages to give these narratives a width that is positively cinematic. And I'm not trying to put down Gary's other backing bands or anything, but I think anyone who's familiar with Wilson's work will have a similar response. The songs are not re-cast, but they feel a lot less compressed now, and this open-ness gives them a universality they didn't always have. No one would ever dare suggest that Wilson isn't a weirdo of the first order, but the sound of this album (and the jocularity of Gary's on stage raps) might well bring him to a whole new audience. Let the era of Wilson-Mania begin." --Byron Coley, 2017