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                ARTIST 
            
            
                TITLE 
                
             
            
                
                    Mukunguni: New Recordings from Coast Province, Kenya 
            
                FORMAT 
                
             
            
                
                    CD 
            
            
                LABEL 
            
            
                CATALOG # 
            
                
                    HJR 068CD
                 
                    HJR 068CD 
            
                GENRE 
            
            
                RELEASE DATE 
            
                
                    4/16/2013 
            
            
                
                 
                
                    
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                            Field recordings of the Mijikenda tribes, made in different spots in and around Mukunguni village, coastal Kenya, throughout September 2011: mostly healing music (especially for mental problems), but also love-songs, and spiritual contributions to weddings and burials; mostly in the Sengenya style which evolved in the early 20th century, adding pace, new Tsikitsi rhythms and extra drums to the traditional Dumbwi forms of the Duruma tribe. Besides the Sengenya drums -- bumbumbu, dahdahe, chapuro, vumi, ngoma -- there are lungo and dena (metal rings), kayamba (raft rattle), njunga (bells), ukaya (metal tray), bamba (metal guiro), and bottle-tops. Our album opener is solo dena, played to sound like a bat and heal the village sick, with the ear for frequency and timbre of a stringent minimalist. There are the piercing, reeded nzumari oboe and bung'o horn, sounding like fierce free-jazz improvisation; and two gently stunning marimba solos, with complex, overlaid melodies and rhythms, played in polyphonic accents, almost like talking drums. Most of the recordings here are songs, with strong tunes, robustly delivered, different solo voices leading the group -- to heal; to chase away Pepo Mlume, the devil who poisons the imagination; to get you on your feet, dancing; to celebrate dowry payments and weddings; to bring the Mijikenda cultural inheritance to life. Matatizo (trans. "Worries") -- was recorded spontaneously at a bus-stop, waiting for a ride: it's a Swahili love-song, with a plaintive female vocal performed to the accompaniment of five or so people rubbing their palms together in tight rhythmic patterns. Includes photos and the musicians' own introductory notes, snatches of translation, and brief track-by-track commentary.
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