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01. Derek Bailey & Tony Coe - Kuru
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02. Derek Bailey & Tony Coe - Sugu
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03. Derek Bailey & Tony Coe - Itsu
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04. Derek Bailey & Tony Coe - Koko
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05. Derek Bailey & Tony Coe - Ima
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06. Derek Bailey & Tony Coe - Sarinu
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07. Derek Bailey & Tony Coe - Omoidasu
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08. Derek Bailey & Tony Coe - Chiku
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09. Derek Bailey & Tony Coe - Taku
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10. Derek Bailey & Tony Coe - Toki
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11. Derek Bailey & Tony Coe - Burgundy
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12. Derek Bailey & Tony Coe - Bourbon
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13. Derek Bailey & Tony Coe - Dumaine
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14. Derek Bailey & Tony Coe - Chartres
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15. Derek Bailey & Tony Coe - Lafitte
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16. Derek Bailey & Tony Coe - South Rampart
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17. Derek Bailey & Tony Coe - Basin
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ARTIST
BAILEY & TONY COE, DEREK
TITLE
Time
FORMAT
2LP
LABEL
HONEST JON''S RECORDS
CATALOG #
HJR 208LP
HJR 208LP
GENRE
JAZZ
RELEASE DATE
2/15/2019
2022 repress. Honest Jon's Records present a reissue of
Derek Bailey
and
Tony Coe
's
Time
, originally released on Incus in 1979. Multi-reedist Tony Coe was born in 1934, four years after guitarist Derek Bailey. He cut his teeth as a career jazzman with
Humphrey Lyttleton
, before an extended stint with the
Kenny Clarke/Francy Boland Big Band
. On this rare 1979 duo outing, he sticks to clarinet. And though that instrument has an illustrious jazz pedigree, Coe's playing here is something else. It's worth noting that the clarinetist has also played under the baton of arch-modernist
Pierre Boulez
, the kind of composer Derek Bailey enjoyed taking to task in his book Improvisation. You might think the Frenchman's uncompromising serialism and the free playing Bailey defended with such passion all his life would have little in common, yet both men were hugely influenced by
Anton Webern
. It's an influence you can hear right through Bailey's career in his obsessive exploration of tight parcels of registrally-fixed pitches, notably those trademark ringing harmonics. Meanwhile, Coe's meandering semitones and sinuous arabesques here recall both Boulez's clarinet writing in
Domaines
, and the harmonic world of Boulez's own teacher
Olivier Messiaen
. Still, no traditional classical musical notation could ever render the extraordinary rhythmic subtlety and timbral complexity of this music. It's at one and the same time dazzlingly virtuosic -- Coe and Bailey are on stellar form throughout, and have enough sense to, yes, accompany each other where needs be -- and supremely lyrical and spacious. An absolute delight.
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