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01. Tara Jane O'Neil - Medusa Smack
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02. Eleh - Circle Four: 100 Gongs for Arieto
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ARTIST
ELEH/TARA JANE O'NEIL
TITLE
Split
FORMAT
LP
LABEL
IMPORTANT RECORDS
CATALOG #
IMPREC 430LP
IMPREC 430LP
GENRE
ELECTRONIC
RELEASE DATE
12/18/2015
Sound sculptures and gongs by
Harry Bertoia
unite the sides of this split LP from
Tara Jane O'Neil
and
Eleh
. O'Neil's composition was commissioned by
Venessa Renwick
for her
Medusa Smack
video installation (originally screened in 2012 at the Oregon Biennial). The piece is partially created from sounds recorded by Bertoia on his own Sonambient sound sculptures, as well as O'Neil's recording of
Athanasius Kircher
's Bell Wheel at the Museum of Jurassic Technology. Eleh's side consists of 100 gongs synthesized on a Serge modular system to honor the 2015 centennial of Bertoia's birth. Vanessa Renwick recalls the conception of
Medusa Smack
: "In the '70s I was a bike messenger in Chicago and whenever I had downtime, I would hang out in front of the huge Bertoia sound sculpture outside of the Standard Oil Building. The winds off Lake Michigan whipped his masterpiece about, clanging and banging. Years later, in Oregon, I came across a small Bertoia sound sculpture, I clasped its rods together within my hands and released them. The exquisite noise they made immediately whispered Tara Jane O'Neil to me. I knew that someday I would make a film and Tara would incorporate this very noise into the score. Along came my idea to create a giant mother-jellyfish-shaped screen, the Medusa Smack, for people to lay beneath, with moon jellies and pacific sea nettles projected upon it. I asked Tara to create the score, and incorporate Bertoia's own sound recordings into it. Harry Bertoia's son,
Val
, granted his permission. This beauty to lull you away to the deep is the result." Packaged in deluxe letterpress-printed jackets. Edition of 700.
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