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01. Experimentalstudio des SWR - Guai ai gelidi mostri: Part I
02. Experimentalstudio des SWR - Guai ai gelidi mostri: Part II
03. Experimentalstudio des SWR - Guai ai gelidi mostri: Part III
04. Experimentalstudio des SWR - Guai ai gelidi mostri: Part IV
01. Experimentalstudio des SWR - Quano stanno morendo. Diario polacco N. 2: Part 1a
02. Experimentalstudio des SWR - Quano stanno morendo. Diario polacco N. 2: Part 1b
03. Experimentalstudio des SWR - Quano stanno morendo. Diario polacco N. 2: Part 1c
04. Experimentalstudio des SWR - Quano stanno morendo. Diario polacco N. 2: Part 2a
05. Experimentalstudio des SWR - Quano stanno morendo. Diario polacco N. 2: Part 2b
06. Experimentalstudio des SWR - Quano stanno morendo. Diario polacco N. 2: Part 2c
07. Experimentalstudio des SWR - Quano stanno morendo. Diario polacco N. 2: Part 3a
08. Experimentalstudio des SWR - Quano stanno morendo. Diario polacco N. 2: Part 3b
09. Experimentalstudio des SWR - Quano stanno morendo. Diario polacco N. 2: Part 3c
ARTIST
TITLE
Guai Ai Gelidi Mostri
FORMAT
2CD/SACD

LABEL
CATALOG #
NEOS 10801-2CD NEOS 10801-2CD
GENRE
RELEASE DATE
7/2/2013

Stereo/5.1 multichannel hybrid CD/SACD release that can be played on any CD player. Features "Guai ai Gelidi Mostri (1983, for 2 altos, flute, clarinet, tuba, viola, violoncello, contrabass and live electronics) and "Quando Stanno Moredno. Diario Polacco n. 2" (for four female voices, bass flute, violoncello and live electronics). "In March 1983, Nono wrote to a close friend, the painter Emilio Vedova, while staying in the Black Forest: 'I felt at the time, and still feel that I have to compose unforeseen and unforeseeable music for the Carnevali. What interests me personally is [...] not only the grey, not only the prefabricated ruptures, but also the beautiful newness that explodes -- tragically -- also violently -- but which aspires towards the most gentle newness.' At that time, Nono was in a preparatory phase at the Freiburg Experimentalstudio of the Heinrich Strobel Foundation where, together with director Hans-Peter Haller, he was able to explore new possibilities of structuring time and space and to study live electronics."