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IN STOCK
01. Mats Erlandsson - Synthetic Crystal
02. Mats Erlandsson - Mascara
03. Mats Erlandsson - Heads Sealed With Silver
04. Mats Erlandsson - Description Was The Star
05. Mats Erlandsson - Enough Mourning This Old World
ARTIST
TITLE
Hypodermic Letters
FORMAT
CD

LABEL
CATALOG #
PRTLS 014CD PRTLS 014CD
GENRE
RELEASE DATE
10/5/2018

Mats Erlandsson's new collection of sound work, Hypodermic Letters, released on Portal Editions, embodies a vast array of sonic multiplicities, seamlessly blending texturized harmonicities with harmonized textures. Like light magically made audible, while in continuous disintegration, oscillating between the real and the illusory, the works contained in Hypodermic Letters insistently highlights the in-between only to forcefully push us to the beyond. By challenging conventional ways of structuring the sensory into categories, e.g. the pure and the impure, the changing and the unchanging, or the unitary and the manifold, Erlandsson's work provides an opportunity to let go and to dwell in unstructured phenomenality. Hypodermic Letters is a shimmering interplay of the extremely remote and the radically proximate, the vast and the intimate. A sense of substantial materiality and referential stability is established momentarily only to face its immediate dissolution. Erlandsson's use of ambiguity reveals a fundamental fragility at the core of certainty. But fear not, although elegantly masquerading as ambiguity, the dominating affective state of Erlandsson's Hypodermic Letters is that of clarity. The instrumentation of Hypodermic Letters is a careful combination of synthesized sounds, all of which were generated by analog means, recorded acoustic sounds of stringed instruments and the employment of algorithmic processing techniques. Erlandsson's display of the molding of multi-stable textures with continuities of intervallically modulating modalities ultimately lends itself to a listening experience as intense as it is pure: a non-referential melancholia, a sorrow beyond sorrow. With close attention to the most subtle facets of the sonic and a use of intonation and tuning as an integral part not only of harmony, but of the total field of sound itself, Erlandsson's work makes us aware -- that is, if you truly listen -- of your capacity to enter worlds, or modes of being, and perhaps more importantly, of our capacity to leave our dysfunctional constructions behind.