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01. GRISCHA LICHTENBERGER - 1011_11_ss1
02. GRISCHA LICHTENBERGER - 1110_01_lv _1b
03. GRISCHA LICHTENBERGER - 0811_09_re_0211_08
04. GRISCHA LICHTENBERGER - 1210_08_4+
05. GRISCHA LICHTENBERGER - UU78
06. GRISCHA LICHTENBERGER - 0112_01_st_rm
07. GRISCHA LICHTENBERGER - 1011_27_#5b
08. GRISCHA LICHTENBERGER - 0811_11_re_0411_08_mas_rm3
09. GRISCHA LICHTENBERGER - rearr_re
10. GRISCHA LICHTENBERGER - 0611_29_1b
11. GRISCHA LICHTENBERGER - 1011_22_lv_1b
12. GRISCHA LICHTENBERGER - 12_11_13_lv_1_c
13. GRISCHA LICHTENBERGER - 0311_01 re 0510_24
14. GRISCHA LICHTENBERGER - 0811_09 re 0611_29_lv_1b
15. GRISCHA LICHTENBERGER - 1011_11104_v_re_61011s1b
16. GRISCHA LICHTENBERGER - 66 audio
17. GRISCHA LICHTENBERGER - globalbpm
18. GRISCHA LICHTENBERGER - 0111_05_z red
19. GRISCHA LICHTENBERGER - 91028_v1
20. GRISCHA LICHTENBERGER - sysolrot
21. GRISCHA LICHTENBERGER - ssfl
ARTIST
TITLE
And IV (Inertia)
FORMAT
CD

LABEL
CATALOG #
R-N 143CD R-N 143CD
GENRE
RELEASE DATE
10/30/2012

With And IV (Inertia), Grischa Lichtenberger presents his first full-length record on Raster-Noton after his participation in the Unun series. For his musical production, he uses field recordings of his environment which are manipulated and broken down to their bare nakedness until only fragments are left. Apart from analog sources, he also uses digital sound data which is likewise turned and twisted until the boundaries between analog and digital are blurred. The arrangement of these atomic elements results in a rather rough and brute, machine-like cut-up sound with an outstanding dynamic -- almost none. It seems that the 21 tracks only consist of a minimal set of elements, but which are rearranged in a virtuous manner and with a high degree of variation. Broken beats and dribbling basses allude to downbeat tunes, let one stumble because of their arrhythms, to eventually take up the underlying groove again. Equally, there are fierce and harsh technoid elements. And towards the second part of the record, there is also room for new developments where more introverted and airy songs take over. Lichtenberger's musical production on And IV (Inertia) goes in line with his general artistic work, which also comprises other artistic genres such as installations and paintings. There is a mental attitude behind all this, and while the music sounds abstract, one may still identify his personal touch. In this way, And IV (Inertia) is the extension of a concept he already started with his ~Treibgut EP, "to define aspects of legitimization for an artistic work in engagement with the concreteness of one's living situation."