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IN STOCK
01. ZANESI, CHRISTIAN - Grand Bruit (1991)
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02. ZANESI, CHRISTIAN - Stop ! l'horizon (1983)
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ARTIST
ZANESI, CHRISTIAN
TITLE
Grand Bruit/Stop ! l'horizon
FORMAT
LP
LABEL
RECOLLECTION GRM
CATALOG #
REGRM 020LP
REGRM 020LP
GENRE
ELECTRONIC
RELEASE DATE
3/23/2018
Christian Zanési
on
Grand Bruit
(1991): "The great mobile sound bodies have an ordinary yet amazing ability to place the listener-traveler within, as if he or she was inside a giant double bass, in this case a train stroked by a double bow: the rails and the air. In 1991, I explored this phenomenon during my daily commute from the studio to my home. I used only a 21 minutes recording and treated it as a single sound object. I then processed and enhanced it as a photographer would have done, immersing it in successive 'baths'. The title I chose for this singular form was
Grand Bruit
."
Christian Zanési on
Stop ! l'horizon
(1983): "Saturday morning, nine o'clock as I reach the studio. No one here. I only turn on the spotlights as the fluorescent tubes are too noisy. I switch the power on, shut the door, unplug the telephone. I then switch the mixing desk on, which sends an electronic impulse into the amps. The four speakers react individually with a very brief and low hiss. A kind of presence. I haven't listened to anything since the evening before and my ear is refreshed by a night's sleep. I feed the original mix into the master recorder and sit down in the center. Remote control: PLAY With the first sound I close my eyes. The studio instantly vanishes. Another place, a much larger space opens up. I enter it. I have the very distinct feeling that music is merely a 'great noise', chiseled inside with a thousand details. It opens up like a living organism to let my hearing wander across it. A magnetic relation quickly occurs and all the sounds that constitute this great noise draw me towards the East. I accept this direction. Later, much later, I reach a distant point on the horizon which pulls me towards it."
Cut by CGB at Dubplates & Mastering, Berlin, June 2017; Digital transfer by
Jonathan Fitoussi
; Translations by
Valérie Vivancos
; Layout by
Stephen O'Malley
; Coordination GRM -
Daniel Teruggi
and
François Bonnet
; Executive Production -
Peter Rehberg
.
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