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PRICE:
$35.50
$35.50
IN STOCK
01. Amancio D'Silva - A Street In Bombay
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02. Amancio D'Silva - What Maria Sees
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03. Amancio D'Silva - A Song For Francesca
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04. Amancio D'Silva - Konkan Dance
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ARTIST
D'SILVA, AMANCIO
TITLE
Konkan Dance
FORMAT
LP
LABEL
THE ROUNDTABLE
CATALOG #
SIR 021LP
SIR 021LP
GENRE
JAZZ
RELEASE DATE
3/3/2023
2023 repress. 2021 release. Following in the footsteps of the landmark 1966 double-quartet recording by
Joe Harriott
and
John Mayer
, Indian born musician
Amancio D'Silva
produced some of the most adventurous and sophisticated recordings within the canon of "Indo-jazz", a term used to define a pioneering east meets west synthesis that reflected the shifting musical and cultural landscape of post-war Britain. An experiment which reached a pinnacle in 1972 with D'Silva's seminal recording
Dream Sequence
by
Cosmic Eye
, an adventurous fusion of modal jazz and Indian classical music viewed through the psychedelic lens of swinging London. Exotic third-stream jazz conceived by a visionary composer whose virtuosic technique and deeply emotive guitar playing defined his two earlier and now legendary 1969 UK jazz albums
Integration
and
Hum Dono
with Joe Harriott, both recorded for the much-celebrated Lansdowne label. Also recorded in 1972, although not released at the time, was
Konkan Dance
, an unofficial sequel to
Dream Sequence
that further explored the unchartered possibilities of an Indian music-jazz fusion. Featuring many of the same personnel, this session also included support from
Don Rendell
and
Alan Branscombe
, two giants of the UK jazz scene who add serious credentials to D'Silva's singular and intimate compositions. For reasons unknown the album was cancelled by Lansdowne at the time and never saw the light of day until being resurrected again in the 2000s. The Roundtable showcase this important artist and present a new addition of this incredible and almost forgotten piece of the Amancio D'Silva story. Includes liner notes and rare photos. Custom 1960s-style flip-back sleeve; 180 gram vinyl.
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