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IN STOCK
01. The Locust - Heal
02. The Locust - Make A Difference
03. The Locust - Believe In The One
04. The Locust - Sweet Sky
05. The Locust - What Do You Care?
06. The Locust - Separate
07. The Locust - Wrong
08. The Locust - Impossible Adventure
09. The Locust - Haze
01. The Locust - Presence And Gifts
02. The Locust - Create, Dissolve And Recreate
03. The Locust - Faith Grows From Trees
04. The Locust - Distopian
05. The Locust - Strings That Bind Or Drop
06. The Locust - Playing With Time
07. The Locust - Night Navigation
08. The Locust - Candle Wishes
09. The Locust - Conversations Beyond The End Of The Sky
ARTIST
TITLE
Wrong
FORMAT
2CD

LABEL
CATALOG #
TO 051CD TO 051CD
GENRE
RELEASE DATE
10/22/2001

"Mark Van Hoen's second for Touch after The Last Flowers from the Darkness. The instrumentation is purely electronic analog synthesizers, edited and manipulated in Digidesigns' Protools. Mark Van Hoen, who programmed and produced the LP, wanted to invoke some of the spirit of late '70s British electronic music, combining that sound with his now familiar brand of electronics for which he became known during the '90s. The fragility and unpredictability of vocalist Holli Ashton's personality and vocals, combined with the decayed and warped quality of the sound offer a warmth rarely found in such pure electronic music. Imperfections are the source of that warmth and there are several connections here between the late 70's (the period which first inspired Mark to make music) and the last few years. Electronic music in the late '70s was forced to become more inventive because the limitations of the instruments of the time needed the musician to craft each sound by hand, and the instruments often went wrong; out of time and out of tune. These same instruments were used on this album; there are no samplers, guitars or anything else but analog synthesizers and vocals on this recording. More recently, artists such as Ryoji Ikeda, Pan Sonic, and Hazard have sought to bring out imperfections in digital music, and those influences are here, too. Even the second CD, to be played simultaneously with the first is a 'misuse' of technology, yet it makes a beautiful sound."