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01. Louis Philippe & The Night Mail - Living On Borrowed Time
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02. Louis Philippe & The Night Mail - Once In A Lifetime Of Lies
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03. Louis Philippe & The Night Mail - Rio Grande
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04. Louis Philippe & The Night Mail - Willow
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05. Louis Philippe & The Night Mail - Fall In A Daydream
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06. Louis Philippe & The Night Mail - Thunderclouds
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07. Louis Philippe & The Night Mail - Love Is The Only Light
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08. Louis Philippe & The Night Mail - Alphaville
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09. Louis Philippe & The Night Mail - No Sound
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10. Louis Philippe & The Night Mail - The Man Who Had It All
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11. Louis Philippe & The Night Mail - The Mighty Owl
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12. Louis Philippe & The Night Mail - Do I
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13. Louis Philippe & The Night Mail - When London Burns
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ARTIST
PHILIPPE & THE NIGHT MAIL, LOUIS
TITLE
Thunderclouds
FORMAT
CD
LABEL
TAPETE RECORDS
CATALOG #
TR 481CD
TR 481CD
GENRE
ROCK
RELEASE DATE
12/18/2020
Key figure of the baroque pop/chamber pop genre
Louis Philippe
's musical output seems to follow a spasmodic timetable. This year has already seen the release of
The Devil Laughs
(PICI 019CD/LP), his critically acclaimed second collaboration with
Young Marble Giant
Stuart Moxham
, now followed by
Thunderclouds
, on which he is joined by
The Night Mail
, a three-man band made up of
Robert Rotifer
(guitar), former Acid Jazz artist
Andy Lewis
(bass), and ex-member of
Thrashing Doves
and
Death in Vegas
,
Ian Button
(drums). Philippe and Rotifer have been close friends for many years. At the end of the first lockdown period, Rotifer went to see Philippe at his flat to go through the endless pile of musical sketches the latter had amassed during his prolonged hiatus. In early September the whole band finally got together for two rehearsals before decamping to Rimshot Studios in rural Kent to record the backing tracks for all thirteen songs as well as overdubbing strings (played by violinist
Rachel Hall
from
Big Big Train
) and trumpet parts (by
Shanti Jayasinha
), followed by another session overdubbing vocals, keyboards, percussion, and some more guitars, expertly engineered by
Andy Lewis
at Rotifer's home studio in Canterbury. The result is an album that evokes that city's fabled brand of whimsical prog just as much as Philippe's deep roots in French song-craft and a shared love for the autumnal side of sunshine pop. "Living on Borrowed Time", a catchy, bass-driven, sounds like the theme tune to a lost
Lemmy Caution
movie. While the album's title track cloaks the anticipation of a coming storm in heavily jazz-tinged
Wyatt
esque chords magically rising out of the singing noise emanating from a building site next to Louis Philippe's Shepherd's Bush home, light-footed waltzes like "Fall In A Daydream" and "Once In A Lifetime Of Lies" manage to make London feel like Paris, before the closing track "When London Burns" invites the listener onto an imaginary dance-floor where an anglophone
Michel Polnareff
meets disco boffin
Biddu
. In between all that, you traverse the eerie aural cityscapes of "Alphaville", the wide dynamic range of two song suites ("The Man Who Had It All" and "Rio Grande"), the Tropicalia/folk-flavored subtlety of "The Mighty Owl", the surprising gospel grooves of "Love Is The Only Light", the arresting stop-and-start dramatics of "No Sound", the unexpected Celtic tones of "Do I" and the equally loony and beautiful semi-instrumental "Willow".
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