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IN STOCK
01. WILLIAM FOWLER COLLINS - First Breath
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02. WILLIAM FOWLER COLLINS - The Light In The Barn
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03. WILLIAM FOWLER COLLINS - Premonition At Dusk
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04. WILLIAM FOWLER COLLINS - Abattoir
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05. WILLIAM FOWLER COLLINS - Warm Transport
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06. WILLIAM FOWLER COLLINS - Embracing Your Own Annihilation 1
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07. WILLIAM FOWLER COLLINS - Embracing Your Own Annihilation 2
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08. WILLIAM FOWLER COLLINS - Ghost Choir
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ARTIST
COLLINS, WILLIAM FOWLER
TITLE
The Resurrections Unseen
FORMAT
LP
LABEL
TYPE
CATALOG #
TYPE 103LP
TYPE 103LP
GENRE
ROCK
RELEASE DATE
12/6/2011
There are dark forces at work deep in the deserts of New Mexico.
William Fowler Collins
has been hard at work since his last full-length effort, but collaborations with
Gog
and
Aaron Turner
(of
Isis
) haven't deterred him from crafting this pitch-black follow-up. The ingredients won't surprise fans of
Perdition Hill Radio
(TYPE 046CD/LP), but on
The Resurrections Unseen
, Collins further damages and buries his palette of sounds beyond all recognition. Howling field recordings are trapped between walls of tape hiss while white noise and twisted guitar suffers through overdub after overdub, leaving only the picked carcass of what was once a discernable sound. Much was made of its predecessor's deconstruction of black metal, but
The Resurrections Unseen
takes this to another level entirely. The album is, for all intents and purposes, a black metal record -- but any traces of blast beats, hoarse, blood-curdling vocals or shrill distorted guitar have been totally obliterated. What remains are bleak, windswept textures, spine-chilling rituals and the kind of doom-laden ambience that'll have you double-bolting your doors and checking your phone lines. This is not theater though; Collins never resorts to the typical horror tropes, instead opting to suggest fear with the most restrained hand. As rolling hiss emerges from a muddy puddle of dank sub bass, it might take a few listens to pick out exactly what you're hearing at all, but the terror is there from the very beginning. Many artists attempt dark music, but few really succeed -- Collins has managed it by merely suggesting what our brains already know. A frightening thought, indeed. Cut at Dubplates & Mastering, limited to 500 copies only.
Other releases on TYPE
Other releases by COLLINS, WILLIAM FOWLER