Last Updated 12/26/2024 07:24 PM EST
LOG IN
CART
Cart Items :
Sub Total :
artist
label
title
catalog #
any field
advanced
New Releases
Artists
Labels
Forthcoming
Best Sellers
Reviews
Jobs
soundclips
[All Countries]
Argentina
Australia
Austria
Belgium
Brazil
Canada
Chile
China
Colombia
Croatia
Czech Republic
Denmark
Egypt
Europe
Finland
France
Germany
Greece
Hong Kong
Hungary
Iceland
Ireland
Israel
Italy
Jamaica
Japan
Korea
Liechtenstein
Lithuania
Luxembourg
Netherlands
New Zealand
Nigeria
Norway
Peru
Philippines
Poland
Portugal
Puerto Rico
Romania
Russian Federation
Scotland
Senegal
Slovenia
Spain
Sweden
Switzerland
Taiwan
Thailand
Turkey
UK
Ukraine
United States
Uruguay
World's Leading Terrorist State
World's Misleading Terrorist State
[All Formats]
Book
Cassette
CD
Clothing
Digital
DVD
MISC
VHS
Vinyl
[All Genres]
CLASSICAL
COMEDY
ELECTRONIC
EXPERIMENTAL
HIPHOP
JAZZ
Misc
ROCK
WORLD
artist
catalog #
label
title
any field
Tweet
Send Email
PRICE:
$12.00
$12.00
IN STOCK
ARTIST
DAVIDSON, LOWELL
TITLE
Trio
FORMAT
CD
LABEL
ESP-DISK
CATALOG #
ESPDISK 1012CD
ESPDISK 1012CD
GENRE
JAZZ
RELEASE DATE
9/1/2008
Lowell Davidson
recorded this singular session on July 27th, 1965 with
Gary Peacock
and the ever amazing
Milford Graves
. Sadly, the only recording ever released by Davidson, it remains fresh and exciting 40 plus years later. On
Ornette Coleman
’s recommendation, ESP-Disk’ owner
Bernard Stollman
signed up pianist Lowell Davidson (then majoring in biochemistry at Harvard) for this album without having heard him play. Davidson came to New York and got to work with the elite rhythm section of drummer Milford Graves and bassist Gary Peacock, both stalwarts of the ESP catalog. The interplay among the members of the trio is dazzling, but in all ways the pianist is the star of the album. His playing inevitably drew comparisons to
Cecil Taylor
(can’t blame the critics too much, as there just weren’t that many pianists going this far out in 1965, so there weren’t many comparisons available), but he is his own man stylistically, and puts more space around his notes. He’s equally likely to unleash complexly intertwining two-handed runs, spicy dissonances, shimmering Impressionism, or poignant lyricism. When European labels licensed this album for CDs, the sound was a bit grimy, but on the 2008 remaster, all the instruments -- even bass -- sound much more present, making this secret classic of avant-jazz more enjoyable than ever.
Other releases on ESP-DISK