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01. Terrence Dixon - Lost Communication Procedure
02. Terrence Dixon - We Can Rebuild Him
03. Terrence Dixon - Don't Panic
04. Terrence Dixon - Found In Space
05. Terrence Dixon - Spectrum Of Light
06. Terrence Dixon - Remarkable Wanderer
07. Terrence Dixon - Unconditional Love
08. Terrence Dixon - Program Weight
09. Terrence Dixon - Earth Station
10. Terrence Dixon - Framework
11. Terrence Dixon - By Land
12. Terrence Dixon - The Horizon Project
13. Terrence Dixon - I'm Away In Detroit
14. Terrence Dixon - Victory
15. Terrence Dixon - Rotation (Delay Mix)
ARTIST
TITLE
From The Far Future Pt. 3
FORMAT
CD

LABEL
CATALOG #
TRESOR 321CD TRESOR 321CD
GENRE
RELEASE DATE
3/26/2021

Tresor Records announces From The Far Future Pt. 3, a new album from Terrence Dixon. Continuing the story of his previous two iterations on this title, it is a serene undertaking of unrivalled Motor City rhythms and sound. It finds the Detroit producer oscillating, from excursions in paradises of synth pointillism to husky storytelling and Dixon's peculiar beat work. A master in letting shapes find their form, Dixon allows the listener to wallow in recurring scenes. "Lost Communication Procedure", "Found In Space", and "Remarkable Wanderer" etch a sound world of choral vibrations and cinematic dirge. Where gaseous clouds scrape the natural sonic pastures of such environments, the hypnotized listener staggers a drunken step, moving sideways by 0 or 1 or -1 into new scenes. Not least an expert in industrial abstraction, a human silhouette permeates Dixon's sound. His ethereal storytelling portrays the heart-rending romance of "Unconditional Love" and unearths in "I'm Away In Detroit" monologuing moodscapes recalling our GPS voice assistants. "Out of Darkness" initially recalls Kraftwerk's "Geiger Counter", as from pure signal data and feedback spells an unceasing locomotive wormhole. Hazy, dense grooves drive across bleak city scenes in "We Can Rebuild Him", into the raw vibe of "Framework" and the rude stabs of "Spectrum of Light". The varying presence of Dixon's work is one of his textural signatures, at arm's length, brushing right within, and far out. The bumping mood of "Earth Station" is one such moment, close enough to isolate the diving bass somewhere within, simultaneously from afar it becomes positively gravitational. The first two records of the series are rightfully considered among the finest embodiments of contemporary minimalism, symbolic documents of Afro-futurism. This new work revives the classic series, continuing the relationship between Tresor and the undisputed master of Detroit techno into the present day.