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01. ENSAMBLE POLIFONICO VALLENATO/SEXTETO LA CONSTELACION DE COLOMBIA - Intro
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02. ENSAMBLE POLIFONICO VALLENATO/SEXTETO LA CONSTELACION DE COLOMBIA - Son
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03. ENSAMBLE POLIFONICO VALLENATO/SEXTETO LA CONSTELACION DE COLOMBIA - Cumbia
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04. ENSAMBLE POLIFONICO VALLENATO/SEXTETO LA CONSTELACION DE COLOMBIA - Puya
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05. ENSAMBLE POLIFONICO VALLENATO/SEXTETO LA CONSTELACION DE COLOMBIA - Merengue
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06. ENSAMBLE POLIFONICO VALLENATO/SEXTETO LA CONSTELACION DE COLOMBIA - Chandeath
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07. ENSAMBLE POLIFONICO VALLENATO/SEXTETO LA CONSTELACION DE COLOMBIA - Pa Abajo
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08. ENSAMBLE POLIFONICO VALLENATO/SEXTETO LA CONSTELACION DE COLOMBIA - Muerte Lenta (Logistica Y Procedimientos Para La Epidemia)
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09. ENSAMBLE POLIFONICO VALLENATO/SEXTETO LA CONSTELACION DE COLOMBIA - Puya (Mayami Brass)
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10. ENSAMBLE POLIFONICO VALLENATO/SEXTETO LA CONSTELACION DE COLOMBIA - Fiesta, Que Viva La
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ARTIST
ENSAMBLE POLIFONICO VALLENATO/SEXTETO LA CONSTELACION DE COLOMBIA
TITLE
Fiesta, Que Viva La
FORMAT
CD
LABEL
STAUBGOLD
CATALOG #
STAUB 134CD
STAUB 134CD
GENRE
WORLD
RELEASE DATE
10/28/2014
The first-ever release of mythic Colombian groups
Ensamble Polifonico Vallenato
and
Sexteto La Constelacion De Colombia
. A full-length album of exclusive archive recordings featuring members of the
Meridian Brothers
,
Frente Cumbiero
,
Ondatropica
,
Romperayo
and
Los Piranas
. Bland rock and pop music took over Colombia in the 1980s. For a country with so much musical heritage, this was blasphemy. Ensamble Polifonico Vallenato and Sexteto La Constelacion de Colombia were two groups who, in the late 90s, fought to redress the balance. Ensamble Polifonico Vallenato started as a joke, a parody of the bad vallenato music a bunch of university students would hear on the bus into campus. Their idea was simple: "to play whatever and see what happens." The resultant music was as heavy as rock, as acidic as punk and as far-out as the most left-field free-jazz. At the heart of it all was fiery accordion and acerbic vocals, often playing in call-and-response, just like the classic vallenatos of yore. The lyrics formed a big part of the group's identity; they were deep, sarcastic and surrealistic, and revelled in toying with Colombian clichés. The music soon stopped being a parody. The students began to learn more and more about Colombian folklore and their sound evolved. Soon, they ditched the accordion, replacing it with flutes from Colombia's Caribbean coast, and renamed the group Sexteto La Constelacion de Colombia. The musicians were now more mature, though no less experimental. Both groups were rebellious, counter-cultural and added to their reputations with anarchic live shows. At the time, the reaction was mixed. To quote the group, they were "approved by a few but disapproved by a lot." For many musicians who saw them play during their short lifespans, they offered an alternative, a new form of Colombian music that was rooted in their country's heritage but could be as innovative and experimental as any jazz or rock. A seed was sown that started a new branch of Colombian tropical music. The band members now play in groups like Meridian Brothers, Frente Cumbiero, Ondatropica, Romperayo and Los Piranas -- bands that have released albums and toured internationally, as well as won critical and public approval while maintaining the revolutionary spirit that will ensure that the evolution of Colombian music is not ready to stop yet.
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