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PREORDER
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01. ESKORBUTO - Maldito País
02. ESKORBUTO - Mucha Policía, Poca Diversión
03. ESKORBUTO - Enterrado Vivo
04. ESKORBUTO - Mi Degeneración
05. ESKORBUTO - ¡Oh No! (Policía En Acción)
06. ESKORBUTO - Busco En La Basura
07. ESKORBUTO - Eskizofrenia
08. ESKORBUTO - No Kiero Kambiar
09. ESKORBUTO - Os Engañan
10. ESKORBUTO - Busco En La Basura
11. ESKORBUTO - El Exterminio De La Raza Del Mono
12. ESKORBUTO - Tamara
13. ESKORBUTO - De Bastardos Está Infectada La Prensa
14. ESKORBUTO - Hipócritas
15. ESKORBUTO - El Enterrador
16. ESKORBUTO - Cualkier Lugar
17. ESKORBUTO - ¿Dónde Está El Porvenir?
18. ESKORBUTO - ¡Oh No! (Policía En Acción)
19. ESKORBUTO - Tamara (2)
20. ESKORBUTO - Vomitar
21. ESKORBUTO - Terroristas
22. ESKORBUTO - Sociedad Korrupta
23. ESKORBUTO - ¡Oh No! (Policía En Acción)
24. ESKORBUTO - Enterrado Vivo
25. ESKORBUTO - Escupe A La Bandera
01. ESKORBUTO - Mierda Mierda Mierda
02. ESKORBUTO - Maldito País
03. ESKORBUTO - Iros A La Mierda
04. ESKORBUTO - Os Engañan
05. ESKORBUTO - La Increíble Vida De Un Ser Vulgar
06. ESKORBUTO - Mucha Policía, Poca Diversión
07. ESKORBUTO - El Exterminio De La Raza Del Mono
08. ESKORBUTO - Mi Degeneración
09. ESKORBUTO - Sociedad Insociable
10. ESKORBUTO - Ratas Rabiosas
11. ESKORBUTO - Terroristas (Censurada)
12. ESKORBUTO - ¡Oh No! (Policía En Acción)
13. ESKORBUTO - A La Mierda El País Vasco
14. ESKORBUTO - Maldito País
15. ESKORBUTO - Mierda Mierda Mierda
16. ESKORBUTO - Escupe A La Bandera
17. ESKORBUTO - Dios Patria Rey
18. ESKORBUTO - Ratas En Bizkaia
19. ESKORBUTO - Enterrado Vivo
20. ESKORBUTO - Criaturas Al Poder
21. ESKORBUTO - ¡Oh No! (Policía En Acción)
22. ESKORBUTO - Mucha Policía, Poca Diversión
23. ESKORBUTO - Rogad A Dios Por Sus Almas
24. ESKORBUTO - Soldados
ARTIST
TITLE
Maldito País: Primera Época 1982-84
FORMAT
2CD

LABEL
CATALOG #
MR 297CD MR 297CD
GENRE
RELEASE DATE
2/13/2026

In Santurtzi, on the left bank of the Nervión estuary, a unique band was born: Eskorbuto. Iosu Expósito and Jualma Suarez lived in working class neighborhoods that had grown fast. Both Kabiezes and Mamariga were, in the '50s, mainly rural areas of Santurtzi. In the '60s, industrialization and rampant development transformed them into urban areas without any investment in urbanism. Some elements for the alchemy led to the explosion: intelligent young guys who were nevertheless incapable of adhering to school discipline, a country in full swing towards freedom after 40 years of dictatorship. It was a context very familiar with the turbulence of the "Basque conflict," with neighbors seduced by the "armed fight" and the "liberation of Euskal Herria," with the question of "identity" constantly present, traumatic episodes of killings, tortures and imprisonments. One day at the end of the '70s they decided to start a band. The first period of Eskorbuto's life, before the damage done by the needle became noticeable, was incredibly fruitful. They soon found a rehearsal space, thanks to their first drummer, and there the first songs were born. Iñaki Laiseka played bass for them, and that role was also taken by "Seni" and "Garlopa", two precursors of "left bank" punk that played some gigs with them. Later on they found Paco Galán, who also came from a similar neighborhood to theirs (Repélega, in Portugalete). Paco always was the necessary engine, the piece around which the rest revolved, which guaranteed continuity. His drumming also added an apparently chaotic element to the already unbridled guitar melodies and visionary texts, halfway between dirty realism and Edgar Allan Poe's nightmares. These recordings are taken from those early times of excitement and vertigo, of journeys to Madrid under a train's seat and endless trips up and down the left bank looking for "someone that I've heard is selling an amp". Now the Reina Sofía Museum exhibits their Impuesto Revolucionario LP and there's no Spanish speaking country without legions of fans.