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PRICE:
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IN STOCK
01. FEATURE - Psalms
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02. FEATURE - Jealous
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03. FEATURE - Reeling
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04. FEATURE - Fresh Pillow
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05. FEATURE - Gatekeeper
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06. FEATURE - Prefeel
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07. FEATURE - Memory
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08. FEATURE - Schedules Align
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09. FEATURE - Twins
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10. FEATURE - Feature Theme
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ARTIST
FEATURE
TITLE
Banishing Ritual
FORMAT
LP
LABEL
UPSET THE RHYTHM
CATALOG #
UTR 093LP
UTR 093LP
GENRE
ROCK
RELEASE DATE
5/19/2017
Liv Willars
(guitar) and
Jen Calleja
(drums) met while living in Brighton via
Richard Phoenix
of
Sauna Youth
-- a band Jen would join soon after -- and pretty much immediately promised to start a band with each other when they had both fulfilled plans to move to London. They performed as a duo for nearly two years before
Heather Perkins
(of
Slowcoaches
) joined on bass after she moved from Nottingham to London in 2014. Initially inspired by the addictive quality of the motoric
Cold Pumas
and jagged doom of
Vision Fortune
alongside the otherworldly radio pop of
Ariel Pink
,
Feature
's first release was a four-track demo recorded by Richard Phoenix and released on
Lindsay Corstorphine
's (also of Sauna Youth) tape label Cazenove Tapes. This was followed by The
Culture Of The Copy
EP released by Sheffield label Tye Die Tapes (2014). Self-described as melodic-punk and drone-pop, on their debut album
Banishing Ritual
, they strike from bare, menacing punk to harmonious post-punk to blisteringly fast garage-pop to ponderous instrumentals, showing not only their overlapping music tastes, but also how the band has gained broad influences over the years, representative of the diversity of the UK DIY scene from
Joey Fourr
to
Good Throb
. Calleja's lyrics are sparse narratives: a love song for a twin consumed in the womb, the stalking of a doppelganger, a rallying cry against the lack of belief in women's ability to be artists, a tongue-in-cheek look at jealousy and bitter competitiveness. Though Calleja provides a leading vocal throughout, all three members sing on most songs to create unmatchable and unexpected vocal harmonies, plus friend and fellow London DIY musician Joey Fourr provides his immense vocal range on two tracks. The band has always been vocal and present on issues regarding women in the DIY scene and wrote/co-wrote a number of essays on themes including sexism in music journalism, musical influence, non-musician roles bodied by women in the music industry, and the representation of women on mainstream versus DIY bills, which was published by Pitchfork.
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