Last Updated 11/18/2024 07:22 PM EST
LOG IN
CART
Cart Items :
Sub Total :
artist
label
title
catalog #
any field
advanced
New Releases
Artists
Labels
Forthcoming
Best Sellers
Reviews
Jobs
soundclips
[All Countries]
Argentina
Australia
Austria
Belgium
Brazil
Canada
Chile
China
Colombia
Croatia
Czech Republic
Denmark
Egypt
Europe
Finland
France
Germany
Greece
Hong Kong
Hungary
Iceland
Ireland
Israel
Italy
Jamaica
Japan
Korea
Liechtenstein
Lithuania
Luxembourg
Netherlands
New Zealand
Nigeria
Norway
Peru
Philippines
Poland
Portugal
Puerto Rico
Romania
Russian Federation
Scotland
Senegal
Slovenia
Spain
Sweden
Switzerland
Taiwan
Thailand
Turkey
UK
Ukraine
United States
Uruguay
World's Leading Terrorist State
World's Misleading Terrorist State
[All Formats]
Book
Cassette
CD
Clothing
Digital
DVD
MISC
VHS
Vinyl
[All Genres]
CLASSICAL
COMEDY
ELECTRONIC
EXPERIMENTAL
HIPHOP
JAZZ
Misc
ROCK
WORLD
artist
catalog #
label
title
any field
Tweet
Send Email
PRICE:
$16.50
$16.50
NOT IN STOCK
NO RESTOCK ESTIMATE
ARTIST
FOXX AND THE MATHS, JOHN
TITLE
Interplay
FORMAT
CD
LABEL
METAMATIC
CATALOG #
META 028CD
META 028CD
GENRE
ELECTRONIC
RELEASE DATE
8/21/2015
2011 release.
Interplay
is a collaboration between
John Foxx
and electronic composer and synthesizer collector,
Benge
(
Ben Edwards
). Edwards is best known for his 2007 album
Twenty Systems
, which
Brian Eno
described as "a brilliant contribution to the archaeology of electronic music." Moody and atmospheric, but also full of songs that are actually more pop than avant-garde,
Interplay
pulls various strands of electronic music together -- from early-'80s electro to '70s Krautrock, with flashes of
Cabaret Voltaire
and John Foxx's first band,
Ultravox!
One track, "Watching a Building on Fire" features
Mira Aroyo
from
Ladytron
, who also came up with the original synth riff. Although
Interplay
sounds nothing like the ambient experiments of
Twenty Systems
, both albums are based around the waves, frequencies, and vibrations of analog synthesizers. Many of the songs on
Interplay
started with an electronic rhythm from a 1960s Moog system built into Benge's studio, with the pair then coming up with ideas live in the studio. As Benge says, "the idea of
Interplay
is in the lyric from the title-track. 'We calculated everything, but not the interplay.' In the studio we left a lot of things to chance and let the various combinations of sounds and colours and connections trigger our imaginations."
Other releases on METAMATIC