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IN STOCK
01. THE FUN YEARS - Breech On The Bowstring
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02. THE FUN YEARS - Division Of Labor (TV Track)
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03. THE FUN YEARS - Makes Sense To Me
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04. THE FUN YEARS - Psychic Career
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05. THE FUN YEARS - Little Vapors
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06. THE FUN YEARS - And They Think My Name Is Dequan
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07. THE FUN YEARS - Get Out Of The Obese Crowd
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08. THE FUN YEARS - Precious Persecution Complex
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ARTIST
FUN YEARS, THE
TITLE
God Was Like, No
FORMAT
LP
LABEL
BARGE RECORDINGS
CATALOG #
BRG 009LP
BRG 009LP
GENRE
ELECTRONIC
RELEASE DATE
12/7/2010
Ben
&
Isaac
began
The Fun Years
in 2004. In the intervening years, they have made some of the most memorable and distinctive drone-pop albums to have come our way, evolving from layered ambience to a hybrid sound that's impossible to pigeonhole. Their setup of synths, turntables and guitar has lent their music a quality that's halfway between the haunted loops of
Philip Jeck
and the porous wall of sound so typical of
My Bloody Valentine
, without really sounding like either. Their drones are forever engaging and never quite follow the trajectory you'd assume or expect, often bursting into violent shards of sound. After 2008's critically-acclaimed
Baby, It's Cold Inside
, several festival appearances and contributions to Kompakt's
Pop Ambient
series, The Fun Years now return with a new album, their finest to date. Ben and Isaac haven't lived in the same city for several years, so their recording sessions have necessarily become less frequent and more intense. Splitting time between Ben's makeshift recording studios and Isaac's bedroom tomb, The Fun Years spent marathon recording sessions constructing, blurring and honing their sound. These sessions, coupled with some adventurous road tests performing the pieces in such uncharted venues as an air traffic control tower and the guts of a
Richard Serra
sculpture, imbues the album with a rich patina seldom heard in new drone experiments. This is most visibly displayed in the first half of the record, where shorter songs fizz with melodic repetition and almost traditional structures. The second half, by contrast, showcases a more harsh and artificial tone, offsetting the serenity of the opening with a more aggressive sound palette punctured with slow and dense skittering decaying into sparse passages and layered synth meditations, acting as a visceral yet cathartic fade-out for this wonderful album. Limited one-time only vinyl pressing of 500 copies for the world. Unique artwork and labels for the LP version.
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