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01. GEIOM - 1 Button
02. GEIOM - Rhode Rage
03. GEIOM - Pucker Lips
04. GEIOM - Besk
05. GEIOM - B-Spoke
06. GEIOM - White Screen
07. GEIOM - Row2Land
08. GEIOM - Cask Riddim
09. GEIOM - Osceola
10. GEIOM - Pharaonic
11. GEIOM - Megaprophet
12. GEIOM - Adhafera
13. GEIOM - Stel Duma
14. GEIOM - Black Screen
ARTIST
TITLE
Black Screen
FORMAT
CD

LABEL
CATALOG #
FRJ 001CD FRJ 001CD
GENRE
RELEASE DATE
12/4/2012

Black Screen is Geiom's third album, and also the very first long form release on Frijsfo Beats. Average producers take rhythms straight off the shelf. Geiom takes his prefabricated units apart and builds improbable machines with them, capable of transforming, interlocking and changing speed. The second striking feature of Geiom's music is his signature melodic style: a strange, sweet and sour tonality that can't be mistaken for the work of anyone else. He has already released nearly 20 12" records with unique strains of dubstep, UK garage, house, funky, and drum 'n' bass running through them, interwoven with a fabric of microtones and strange harmonics. 2007's Island Noise was his ticket into the dubstep scene. His tracks appeared on the Skull Disco and Deep Medi labels and the Dubstep Allstars mix CDs. But before that was 2001's Sellotape Flowers, a freeform collection of electronica for Neo Ouija (a label which Metamatics, Xela, and Apparat have also called home). On Black Screen this whole history comes together -- but the album certainly doesn't showcase Geiom's repertoire in a museum-like sense. Instead it's a fertile cross-pollination of his work's many different facets, fully combining for the first time. This is just an outsider's interpretation, however. Geiom himself says the title came out of the dying moments of a mobile phone, when he imagined its "digital life flashing before its eyes" and lost conversations leaking into the ether. It also relates to "ancient studio technology" which he uses despite its unreliability. "One of my sampling keyboards will sometimes play ghost versions of sounds that were deleted years ago," he says. This kind of crosstalk runs through the album, which buzzes with hordes of chattering sonics, while the haunted keyboard appears on interludes credited to Geiom's alias Hem. The Hem tracks form interferences in the flow of the album, enabling it to switch between tempos of 130, 140 and 170 beats per minute. The longer sections in between are coherently mixed together, making the whole thing into a seamless network of music. In 2007 it was unusual to hear an album at the forefront of UK dance music like Island Noise. Lately the pendulum has swung the other way, arguably, with consistent and inventive full length releases counting for more than 12"s and EPs. Nonetheless Black Screen stands out in a crowded field. If its predecessor was judged on its quality and individuality, then Geiom's latest is due even more attention.