|
PREORDER
Ships When IN STOCK.
|
|
|
|
|
ARTIST
TITLE
Multiply Your Absurdities
FORMAT
12"
LABEL
CATALOG #
TRESOR 372EP
TRESOR 372EP
GENRE
RELEASE DATE
11/15/2024
|
With Multiply Your Absurdities, Helena Hauff delivers her long-awaited 12-inch debut on Tresor: a multi-colored inauguration, masterfully crafted by the inimitable Hamburg producer and DJ. The title track "Multiplying My Absurdities" opens the record, with a slow burn of magnetic synths and numbing acid drops. Through its simple yet thrilling dynamics, it occasionally falls into playful skepticism, creating something truly unique, uncompromised, and beautiful. "Punks in the Gym" is named after an infamous climbing route in Australia. As its namesake, the track mercilessly rises to a techno summit. It gets steeper and steeper with every bar, resembling a volcanic dance where 303 earthquakes shake the ground before eruptions. Once you're halfway in, there's no turning back; all you can do is keep moving forward. The closing track, "Humanoid Fruit," transports to an even darker prehistoric landscape. Synths bursts remind of fossilized Pterodactyls revived -- a challenging but rewarding trip through acidic rain and the alleys of your mind. Originally released as the soundtrack for Teslaism by artist and filmmaker Bahar Noorizadeh, a third person musical racing game featuring Elon Musk and his self-driving car/lover and life coach, as they drive towards a shareholder meeting in a post-gamified Berlin landscape. It premiered at the Tresor 31: Techno, Berlin und die große Freiheit exhibition in 2022 and deals with stimulating skepticism about the emergence of a new era after Post-fordism that she calls Teslaism: "an upgrade to the system of production and consumption predicated on advanced storytelling, financial worldbuilding, and imagineering 'the look of the future.'" What has been once inspired by Helena Hauff's dystopian sound has now been made into an official music video for the track. Much like the video, Multiply Your Absurdities represents a journey into futuristic uncertainty.
|
|
|