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PREORDER
Ships When IN STOCK.
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ARTIST
TITLE
All Living Things
FORMAT
CD
LABEL
CATALOG #
GB 165CD
GB 165CD
GENRE
RELEASE DATE
6/6/2025
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All Living Things is a tender and profound meditation on the miracle of life. It is suffused with reverence and gratitude for the chance to simply be a living being on this planet at this time. Park Jiha explores this vision through idiosyncratic and deeply personal methods. Like its critically acclaimed predecessors, Philos (2018) and The Gleam (2022), All Living Things features her playing every instrument, meticulously overdubbed and layered in the studio to create sumptuous sound worlds. She employs an array of Korean instruments -- piri, yanggeum and the saenghwang -- alongside flute, glockenspiel, bells, her voice and, most crucially, electronics. On All Living Things, her music has undertaken a decided turn towards sonic experimentation and contemporary sound design. The opening track, "First Buds," is the perfect example of this approach. As the title suggests, it feels like a gentle opening up, delicate and full of promise, the acoustic instruments intertwining with more elusive and otherworldly textures. The track that follows is "Grounding," a hypnotic composition that evolves in luminous cycles and reveals Park Jiha's stylistic debt to minimalism. "Growth Ring," is a dialogic game between the saenghwang and piri, both instruments bringing a distinctive atmosphere to a composition that represents maturity; a concept that expands as the album continues. The first single, "Blown Leaves," features a seductive saenghwang melody that is doubled by shimmering and escalating electronics. The record's final track, "Water Moon" with its softly struck glockenspiel, creates a childhood, music box innocence that hints at new beginnings and a sense of having come full circle. The album as a whole manifests Park's deeply personal take on the lifecycle, evolving from birth to growth, maturity to decline and finally death. This conceptual structure deliberately encourages listeners to engage with the album from start to finish. As she puts it, the album itself is "a cycle expressing the hope and beautiful uncertainty that I tried to bring into the music."
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