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PRICE:
$38.00
$38.00
IN STOCK
01. Love Child - Asking For It
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02. Love Child - Know It's Alright
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03. Love Child - He's So Sensitive
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04. Love Child - Diane
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05. Love Child - Cigarette Ash
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06. Love Child - Sofa
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07. Love Child - Crocus Says
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08. Love Child - Slow Me Down
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09. Love Child - Fortune Cookie
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10. Love Child - Nice Toes
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11. Love Child - Escalator
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12. Love Child - Willpower
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13. Love Child - Company
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14. Love Child - Church Of Satan
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15. Love Child - Chris Told Missy
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16. Love Child - Obsessive Compulsive
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17. Love Child - AAA XXX
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18. Love Child - Sleepyhead
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19. Love Child - Something Cruel
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20. Love Child - Wait And See
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21. Love Child - Stumbling Block
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22. Love Child - Permission
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23. Love Child - Six Of One
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24. Love Child - Erotomania
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25. Love Child - Greedy
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26. Love Child - All Is Loneliness
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ARTIST
LOVE CHILD
TITLE
Never Meant To Be : 1988-1993
FORMAT
2LP
LABEL
12XU
CATALOG #
12XU 136LP
12XU 136LP
GENRE
ROCK
RELEASE DATE
3/8/2024
Restocked. "At the very dawn of the '90s,
Love Child
's debut 7" made a splash on the burgeoning scene of shambolic bands and lo-fi recordings. Back then, they were mentioned in the same breath as
Pavement
,
Sebadoh
, or
Beat Happening
. But Love Child's two great albums and sparkling singles have become the stuff of record collectors, unavailable vis streaming and out of print, until now.
Never Meant to Be: 1988-1993
pulls from these releases and some unreleased radio sessions, unearthing a trove of lost gems by a band that could be the best of all of the '90s buried treasures. Culled from their smashing debut 7", their two full-length albums, another great single, and some unreleased radio sets (including a
Peel
session),
Never Meant To Be
has catchy hooks, gritty noise, sneakily-deft playing, brainy but blunt lyrics, and lots of other awesome stuff. Love Child were part of lo-fi's beginnings, but also had the NYC pedigree to absorb predecessors like the
Velvet Underground
, the
Voidoids
and
Teenage Jesus and the Jerks
.
Will Baum
started Love Child while a student at Vassar College, bringing on classmates
Rebecca Odes
and
Alan Licht
. All three members were happy to trade roles and instruments from song to song, but they also had some specific chops. Licht was a bit of a guitar prodigy, having taught himself how to tap like
Eddie Van Halen
, but versed enough in punk to know simplicity could be just as powerful. Odes' bellowing bass was equally prominent, and her vocals could veer quickly from sweet to snarling, like
Kim Deal
or
Georgia Hubley
with a jagged edge."
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