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01. Jake Muir - High Tide
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02. Jake Muir - Lapis Lazuli
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03. Jake Muir - Shoal
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04. Jake Muir - Yaupon
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05. Jake Muir - Peacock's Tail
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06. Jake Muir - Green Eyes
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07. Jake Muir - Buoy
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08. Jake Muir - Drifter
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09. Jake Muir - Lanterns Below
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ARTIST
MUIR, JAKE
TITLE
Lady's Mantle
FORMAT
LP
LABEL
SFERIC
CATALOG #
SFERIC 003LP
SFERIC 003LP
GENRE
ELECTRONIC
RELEASE DATE
8/24/2018
Sferic cruise the best coast with
Jake Muir
's solo debut, arriving in pursuit of the immersive ambient-architextural themes which also influenced
Space Afrika
's warmly received
Somewhere Decent To Live
LP (SFERIC 002LP, 2018) and
Echium
's lush
Synthetic Space
side (SFERIC 001LP, 2017). Jake Muir is a sound designer and artist from Los Angeles, California, where he's previously recorded and released albums under the
Monadh
moniker for Further Records and Dragon's Eye Recordings, the latter of which recently lead to his inclusion on the Touch compilation
Live At Human Resources
(2018), where he took part in a beautiful group tribute to
Jóhann Jóhannsson
along with a number of solo contributions. On
Lady's Mantle
Muir unfurls a poignant sound image crafted from samples of a well-loved American pop group and later smudged with field recordings made everywhere from Iceland to California. In nine succinct scenes, the results loosely limn a wide sense of space and place with its fading harmonic auroras and glinting, half-heard surf rock melodies rendered in an abstract impressionist manner that suggests a fine tracing of in-between-spaces, perhaps describing metropolitan sprawl giving way to vast mountain ranges and oceanic scales. In effect, the album recalls the intoxicated airs of
Pinkcourtesyphone
(aka L.A. resident
Richard Chartier
) as much as
Andrew Pekler
's sensorial soundscapes and even the plangent production techniques of
Phil Spector
. But for all its implied sense of space, ultimately there's a paradoxically close intimacy to proceedings which feels like you're the passenger in Muir's ride, and he patently knows the scenic route. Mastered by
Lawrence English
.