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01. Peter Rehberg - Liminal States
ARTIST
TITLE
Liminal States
FORMAT
LP

LABEL
CATALOG #
EMEGO 315LP EMEGO 315LP
GENRE
RELEASE DATE
1/31/2025

Peter Rehberg is known for his pioneering electronic work with computer software which over time evolved into a modular set up alongside running MEGO and then Editions Mego labels. Rehberg was a prolific collaborator, with other musicians and with contemporary dance and theatre productions, most notably with French artist and choreographer Gisèle Vienne, with whom he created a series of soundtracks from Showroomdummies, released under the name DACM in 2002, to Crowd in 2017. Editions Mego now presents a previously unreleased theatre soundtrack made for Icelandic choreographer Margrét Sara Guðjónsdóttir, whom Rehberg had a decade long collaboration with until his untimely passing in 2021. The original composition for Liminal States was created by Rehberg for the performance Pervasive Magnetic Stimuli in 2018 and then revisited as a catalyst for the concepts behind Liminal States. This work is based on an ongoing artistic research conducted by the choreographer into altered states of perception through phenomenological embodiment. It is the last in a trilogy dealing with the notion of larger forces that act on listeners beyond their conscious mind. The trilogy consists of Pervasive Magnetic Stimuli (2018), Boundless Ominous Fields (2024), and now Liminal States (2024). Rehberg's score for Liminal States is a vast canvas of spectral ambience at once tangible and unfathomable in its constantly shapeshifting lysergic dread. The results are a psychological journey through the mental effects of sound on space and subsequently the mind. The first part presents cascading waves of shimmering electronics laying the groundwork for the second part where the psychological illusion splinters into all manner of sonic effects taking the listener on a deep mental voyage. Unlike any other release in Rehberg's output Liminal States is a single long form work which, despite the form, retains Rehberg's idiosyncratic sound vision. Guðjónsdóttir and Rehberg's collaboration blurs that relationship into a greater force which truly enables the theme of liminal states to unfold in a brave new fashion. Rich in timbre and sonic invention this is powerful work easily holding its own outside of the intended performance whilst still complimenting the mission statement entirely. This profound collaboration has the cumulative effect where the concept and soundtrack are one and may be one of the strongest works in the entire Rehberg canon.