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01. JONAS REINHARDT - Old Kaizen
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02. JONAS REINHARDT - Brigade of Mignight Minions
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03. JONAS REINHARDT - Shattered Remains of Orr
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04. JONAS REINHARDT - Androma
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05. JONAS REINHARDT - Go Sceptre Go
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06. JONAS REINHARDT - Eccentric Invokations
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07. JONAS REINHARDT - Noctornum
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08. JONAS REINHARDT - Omat Principle Decay
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ARTIST
REINHARDT, JONAS
TITLE
Palace Savant
FORMAT
LP
LABEL
FURTHER RECORDS
CATALOG #
FUR 097LP
FUR 097LP
GENRE
ROCK
RELEASE DATE
9/18/2015
On his sixth album,
Palace Savant
, Brooklyn producer
Jonas Reinhardt
(aka
Jesse Reiner
) undergoes a profound solo odyssey. The record may be the most spectacular realization of Jonas Reinhardt's outward-bound sonic aspirations. These eight tracks draw on 14th-century architect
Peter Parler
's breathtaking St. Vitus Cathedral in Prague. "St. Vitus is a statement to the future by the rulers at the time," Reiner says. "It's surreal, grandiose, psychedelic -- and the sheer scale of human ambition involved is almost beyond comprehension." Parler reportedly deviated from the cathedral's initial blueprint and elevated the Gothic style to heretofore-unimagined, bizarre levels. With
Palace Savant
, Reiner projected Parler's handiwork into
Thomas Edison
's era of electricity. "I envisioned [Parler] retrofitting his cathedral with excesses of incandescent light, preparing for a coming age of electronics.
Palace Savant
is what a contemporary electronic performance in that space might sound like." Recorded on tour and in New York over the course of a year and mixed at Transmitter Park Studio in Greenpoint,
Palace Savant
begins with the instant attention-grabber/pulse-accelerator "Old Kaizen." At once claustrophobic and spacious, it possesses an urgent, chase-scene synth throb that would make
John Carpenter
or
Bernard Fevre
jealous. The turbulent "Shattered Remains of Orr" sounds like
Edgar Froese
's kosmische-ambient masterpiece
Aqua
(1974) tossed into shark-infested waters. On "Androma," Reiner's expertly-modulated arpeggios contrast low and high frequencies, revealing his ability to create suspense with a chiaroscuro of whirs and pulsations.
Palace Savant
achieves two towering peaks. The first is "Go Sceptre Go," a swiftly-moving, heavenly droner that veers off on a tangent into a much darker, more chaotic direction. The second is "Noctornum," a burbling and soaring piece that's at once aquatic and astral, before an emphatic rhythm forms, pushing things into menacing
Szajner
-esque territory. The album closes with the mid-tempo arpeggios and muted, wailing siren-tones of "Omat Principle Decay," a moving finale to a record that's taken you so far and tingled your senses so intensely. A high point in Jonas Reinhardt's large canon, the dramatic and majestic
Palace Savant
does exquisite justice to St. Vitus Cathedral's grandeur. Album artwork by
Andy Gilmore
. Mastered by
Rashad Becker
at Dubplates & Mastering.
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