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01. TEENAGE JESUS & THE JERKS - Less of Me
02. TEENAGE JESUS & THE JERKS - My Eyes
03. TEENAGE JESUS & THE JERKS - Popularity is So Boring
04. TEENAGE JESUS & THE JERKS - Orphans
05. TEENAGE JESUS & THE JERKS - Eliminate by Night
06. TEENAGE JESUS & THE JERKS - Freud in Flop
07. TEENAGE JESUS & THE JERKS - Burning Rubber
08. TEENAGE JESUS & THE JERKS - I Woke Up Dreaming
09. TEENAGE JESUS & THE JERKS - Crown of Thorns
10. TEENAGE JESUS & THE JERKS - Baby Doll
11. TEENAGE JESUS & THE JERKS - Race Mixing
12. TEENAGE JESUS & THE JERKS - Don't Talk About Love
13. TEENAGE JESUS & THE JERKS - No Morality
14. TEENAGE JESUS & THE JERKS - Instrumental
15. TEENAGE JESUS & THE JERKS - Baby Doll
16. TEENAGE JESUS & THE JERKS - Freud in Flop
17. TEENAGE JESUS & THE JERKS - Race Mixing
18. TEENAGE JESUS & THE JERKS - Crown of Thorns
19. TEENAGE JESUS & THE JERKS - Red Alert
20. TEENAGE JESUS & THE JERKS - The Closet
21. TEENAGE JESUS & THE JERKS - Instrumental
22. TEENAGE JESUS & THE JERKS - Freud in Flop
23. TEENAGE JESUS & THE JERKS - Burning Rubber
24. TEENAGE JESUS & THE JERKS - Red Alert
25. TEENAGE JESUS & THE JERKS - Orphans
26. TEENAGE JESUS & THE JERKS - Eliminate by Night
27. TEENAGE JESUS & THE JERKS - The Closet
ARTIST
TITLE
Live 1977-1979
FORMAT
LP

LABEL
CATALOG #
OP 035LP OP 035LP
GENRE
RELEASE DATE
12/4/2015

LP version. "Teenage Jesus and the Jerks began to formulate their visionary brand of aural catharsis sometime during the first half of 1977, amidst the sordid ruins of a then fully down-and-out Lower Manhattan. The mastermind behind this juggernaut of sonic libertinage was a barely pubescent but world-weary runaway who called herself Lydia Lunch. Influenced strongly by the Marquis de Sade and Henry Miller, Lunch shrewdly decided to graft the existential horror of her own writing onto harsh, atonal music after being exposed to the room-clearing live output of other contemporary rock-music deconstructionists like Suicide and Mars. With an agenda of conjuring nightmarish intensity in lieu of technical instrumental ability, Teenage Jesus instantly made the supposedly 'nihilistic' and 'raw' current wave of so-called Punk acts sound like slick, good-timey pop music by comparison. Teenage Jesus and the Jerks were The Texas Chainsaw Massacre, Ilsa, She Wolf of the SS, and Salò, or the 120 Days of Sodom, transliterated into a blatant mockery of the increasingly tired, basic rock-band format. Posthumously, there have been numerous reissues of the primary Teenage Jesus corpus, namely the first side of the Lydia Lunch double compilation album Hysterie (CD Presents, 1986), a very incomplete anthology titled Everything (Atavistic, 1995) and Shut Up and Bleed (Cherry Red/Atavistic, 2008), which also featured Beirut Slump tracks. These less-than-fastidious documents contained reverb-laden transcriptions of the studio cuts directly from vinyl copies, as well as random live tracks of mediocre fidelity. This particular collection about to be released on Other People is meticulously edited and mastered from rare bootlegs taped during the initial 1977-1979 period of the classic band, and only one title ('Crown of Thorns' from January 17, 1979) has been legitimately released to date, albeit in a completely different sound quality. Almost every known Teenage Jesus and the Jerks composition appears on this compendium and Ms. Lunch herself is quite satisfied that this just might be the final nail in the coffin... If it is the sound of deliberately organized and deployed agony you are seeking, your bath has been drawn and the razor awaits." --Weasel Walter, Brooklyn, NY, June 30, 2015