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01. THREE DAY BAND (JOHN FAHEY/AYAL SENIOR) - Untitled 1
02. THREE DAY BAND (JOHN FAHEY/AYAL SENIOR) - Untited 2
03. THREE DAY BAND (JOHN FAHEY/AYAL SENIOR) - In These Stories
04. THREE DAY BAND (JOHN FAHEY/AYAL SENIOR) - How I Tell Stories
05. THREE DAY BAND (JOHN FAHEY/AYAL SENIOR) - The Great Koonaklaster
06. THREE DAY BAND (JOHN FAHEY/AYAL SENIOR) - Entertainers Prt. 1
07. THREE DAY BAND (JOHN FAHEY/AYAL SENIOR) - The Factory Prt. 1
08. THREE DAY BAND (JOHN FAHEY/AYAL SENIOR) - The Factory Prt. 2
09. THREE DAY BAND (JOHN FAHEY/AYAL SENIOR) - The Factory Prt. 3
10. THREE DAY BAND (JOHN FAHEY/AYAL SENIOR) - Collectors
11. THREE DAY BAND (JOHN FAHEY/AYAL SENIOR) - Entertainers Prt. 2
12. THREE DAY BAND (JOHN FAHEY/AYAL SENIOR) - Entertainers Prt. 3
13. THREE DAY BAND (JOHN FAHEY/AYAL SENIOR) - The Spirit of Seriousness Kills Misfits
14. THREE DAY BAND (JOHN FAHEY/AYAL SENIOR) - Record Collecting
15. THREE DAY BAND (JOHN FAHEY/AYAL SENIOR) - Religion
16. THREE DAY BAND (JOHN FAHEY/AYAL SENIOR) - Creativity
ARTIST
TITLE
Three Day Band
FORMAT
CD

LABEL
CATALOG #
IMPREC 185CD IMPREC 185CD
GENRE
RELEASE DATE
4/28/2008

"John Fahey and Ayal Senior laid down the tracks for Three Day Band in a Woodburn Hotel room at some point in 1999. These tracks show an undocumented improvisational side of Fahey. It's certainly not early period Fahey but not TOTE era, either. At night after the recording sessions commenced, Ayal would record Fahey reading and discussing selected excerpts from his writing. Fifteen tracks of spoken word Fahey are included. From Ayal Senior's liner notes: 'I think I first met John Fahey at a Vince Martin gig in Manhattan at some point in 1998. He was sitting in the back of CBGB's 'other' space, listening to the gig and painting with fat bright markers in a notebook he carried around with him. I kept in touch with Fahey and he picked me up at the airport in Salem with a blind friend whose name I think was Terry. We popped in a tape of my latest jams from the psych shack into his deck and Terry was really digging it. He definitely said it sounded like Hendrix. Fahey said he liked it too and then I think we went to a Denny's for some french fries and shakes. Readers of Vampire Vultures will no doubt recall my futile attempts to describe or comprehend the state of Fahey's motel room during this period. It was basically a crime scene. Empty fruitcups, wet paint on the carpet... My journal from that week records that Fahey's motel room was not cleaner than his car. We cruised the Value Village scene looking for records. It was during a trip to one of these thrift stores one morning that we bumped into a younger acquaintance of John's who said he'd want to jam with us back at Fahey's motel room. I think his name was Barry. Nice guy. We went to his place and grabbed some kazoos and other hobo instruments he had and threw them in Fahey's car. Next thing you know, we've got some guitars and amps and headed back to the Woodburn Inn with two pretty, young ladies. We closed the curtains and I pressed record. I had brought a 4 track minidisk recorder with me with the intention of hopefully doing some spoken word recordings of John but had no idea that I would be laying down some molten hot psych with thee Fahey. On tape, John's smoking away on electric guitar, but this ain't Womblife. There's three other people in the room besides us and I don't remember any of their names. I don't remember what they looked like or what the hell they were playing but we were definitely channeling some sort of highway poltergeists. I'm playing guitar as well, tweaking about a bit. For some reason, I kept myself from listening to it or playing it for anyone for a long time. Why? At night, Fahey would lie in bed and I'd record him reading various excerpts from his writings. He reminded me a lot of Kurt Vonnegut in his cynicism and gallows humor. I think they would have gotten along great.'" --Ayal Senior