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LOW STOCK LEVEL
1-2 Weeks
01. Franck Vigroux - Swinging Total
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02. Franck Vigroux - Atotal010
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03. Franck Vigroux - Lame
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04. Franck Vigroux - Accelerando
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05. Franck Vigroux - Perdu
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06. Franck Vigroux - Communication
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07. Franck Vigroux - Desarticulé
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08. Franck Vigroux - Pipe
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09. Franck Vigroux - Paranoïa
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10. Franck Vigroux - Side Total
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11. Franck Vigroux - Total Primus
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ARTIST
VIGROUX, FRANCK
TITLE
Atotal
FORMAT
LP
LABEL
AESTHETICAL
CATALOG #
AES 004LP
AES 004LP
GENRE
ELECTRONIC
RELEASE DATE
8/19/2022
LP version. New full-length album of
Franck Vigroux
's uncompromising signature sound of colossal electronic music.
Atotal
gathers material from Franck's latest live A/V of the same name. Working with his longtime visual partner
Antoine Schmitt
,
Atotal
is an audiovisual performance aiming to reconstruct in order to better deconstruct the processes of imposition of will by repetition and absolute synchronism, to propose a breach to a potentially life-saving de-coincidence. The total work of art, when pushed to its paroxysm of absolute coincidence of the perceptions of a captive spectator, is similar to the techniques of mental manipulation of totalitarian regimes, proceeding by annihilation of the critical mind, repetitive semantic pounding, subliminal messages. The ideal of a deterministic universe of
Newton
in which everything rationally stems from its causes, in which everything is predictable like a totality for Laplace's daemon, where everything can be considered already written, has been undermined in the infinitely small of the uncertainties of
Heisenberg
which tell us that it is impossible to know everything about a particle, in the quantum mechanics of
Schrödinger
which reveals to us that the looker affects the looked-at, and in the infinitely abstract of
Gödel
's incompleteness which explains to us that certain things are literally unexplainable. The show
Atotal
slips into these flaws and, like a clinamen of
Lucretia
, deviates the visual and audio atoms from their destiny. Mastering by
Denis Blackham
. Artwork by
Mostafa Khaled
.
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