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GG 460CD
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$19.00
PREORDER
RELEASE DATE: 1/10/2025
"Scattered Order were formed in 1979 in Sydney, Australia, by Mitch Jones on vocals, guitar and bass guitar, Michael Tee on guitar, and Simon Vidale on drums. Jones worked as a live sound engineer for the Birthday Party and Pel Mel. The band formed their own record label, M Squared. They were joined in Scattered Order by Patrick Gibson on guitar and synthesizer in January of the following year. According to Australian musicologist, Ian McFarlane, their 'aim was to combine all manner of 'found sounds' and loose song structures with a perverse absurdist sense of humor (in the Snakefinger/Residents vein) and set them to a rock backing.' Career of the Silly Thing appeared in September 1985, and represented something of a breakthrough release, revealing a shift towards a more conventional and melodic yet still challenging sound. It was then described as being 'their most interesting and accessible record so far, with a more harmonious synthesis of noise and beat than they had previously achieved; it reveals an obsession with the grotesque on the part of major songwriters.' Mitch Jones said 'Dru and I got married. This is our honeymoon album. A lot of the lyrics were written on our honeymoon. I'm fascinated with the grotesque.' They toured with fellow Sydney-based label mates, Severed Heads, and supported United States group, the Residents, on their Australian tour. As a bonus to the original album comes the whole Selling The Axe To Buy The Wood EP."
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GG 477CD
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$19.00
PREORDER
RELEASE DATE: 1/10/2025
"Un Drame Musical Instantané were founded in 1976, featuring Jean-Jacques Birgé, Bernard Vitet, and Francis Gorgé. Their aim was to promote collective musical creation, co-signing their albums, which they consider as artworks in themselves, or their live shows which they tried to renew every time they played. Their sound was created with many influences: They borrowed their sources from rock (synthesizer player Birgé and guitarist Gorgé, both authors of the album, Défense de); jazz (trumpeter Vitet who founded the first free jazz band in France, together with François Tusques, as well as Michel Portal who played with many American and European jazzmen); classical modern music; as well as movies or world news; they were the first in France to give a new impetus to live music on silent movies. After having improvised freely for many years, they led a fifteen-piece orchestra from 1981 to 1986, and from 1989 onwards they produced multimedia shows (live video remix on a giant screen, fireworks, choreographies). Still their music was the most important technique, they called their recordings 'blind cinema.' The Drame used to mix acoustic and electronic instruments in real time as well as original instruments built by Vitet (a reed trumpet, a multiphonic French horn, a variable tension double-bass, a giant balafon with frying pans and flower pots keyboard, a fire organ, plexiglas flutes, etc.). After Francis Gorgé left the band in 1992, Birgé and Vitet went on recording and producing with other musicians close to the 'family' such as percussionist, Gérard Siracusa, or multi-instrumentalist, Hélène Sage. Un Drame Musical Instantané always remained independent (they always owned their own recording studio and record label GRRR) and stopped its activities in 2008, with 2022 seeing the return of the group with a new album. Tchak! presents the group's last recordings with Bernard Vitet."
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2CD
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GG 490CD
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"The Residents are an American art collective best known for their over 60 studio albums that were recorded over a period of over forty years. They also created some outstanding multimedia works, mainly three CD ROM projects and ten DVDs. Working as an anonymous collective, their identities were kept secret until in 2017 Hardy Fox revealed himself as their primary composer. Hardy died in October 2018, but the group continue to record and perform. In 2021, the band wanted to depart on a European tour called Dog Stab! but the Covid pandemic put a halt to it. 2022 wasn't any luckier, but early in 2023, The Residents finally made it to Europe stopping in Amsterdam, Brussels, London, Dublin, Oslo, Berlin, Vienna and many others. The concert presented here is the show at Kampnagel, Hamburg. The tour now offered a wider retrospective of The Residents' work, with less emphasis on Metal, Meat & Bone and Duck Stab! than had been seen in the earlier Dog Stab! shows. Instead the concerts focused on the Duck Stab material, with an additional greatest hits part thrown in for good measure. After the tour, The Residents parted ways with their long-time collaborator, guitarist Nolan Cook. Although Cook was planned to join the group on a UK/Europe mini-tour of their theatrical show God In 3 Persons: Live! in April 2024, those shows were ultimately cancelled, leaving the last date of the Faceless Forever tour as Cook's final performance with The Residents."
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GG 479CD
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"Founded in 1992 after Robin Storey left Zoviet France, Rapoon soon became an outstanding ethno-dark ambient project that has gained a cult following all over the world. More than 80 albums have been released over those nearly 30 years, some more beat driven, others more playful and with ambient sounds and ethnic influences. Rapoon has never stopped evolving -- think of Cultural Forgeries, an album full of unplugged acoustic music. Or Downgliding, full of compositions on the piano. Recent Klanggalerie albums include Waiting by the River, an album that introduced vocals to the Rapoon sound, or Little Rocket Man which was inspired by the political situation in 2018 with Trump as president in the United States. Moka Efti is the fictional name of a night club in the series Babylon Berlin. Set in the decadence and turmoil of the 1920s the series incorporates real historical events into an imaginary narrative. This set of recordings is a modern take on that era set in the declining West of 2024. Tracks vary wildly but are all unified within the same setting. An aural cabaret of sounds that depict and define a certain moment. A moment that has already existed in the past, exists in the present and will exist in the future, varying only slightly in time and space, the expressions are the same in intent and purpose. Moka 24 is an escapist world existing outside of the prevailing social clamor. Not in rebellion against the contemporary more, but rather ignoring it."
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GG 475CD
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"Elisabeth Harnik, an Austrian based pianist and composer has created a multi-faceted body of work by blurring genre boundaries through various collaborations in the field of improvised music, interdisciplinary projects and contemporary compositional works. She studied classical piano and later -- with Beat Furrer -- composition at the University of Music and Performing Arts, Graz. As an improviser she works within an electro-acoustic inspired sound-world, using specific preparations and extended techniques while pushing the limitations of the piano. Amongst others she has collaborated with Frank Gratkowski, Sainkho Namtchylak, Dave Rempis and Michael Zerang, Joelle Leandre, and Ken Vandermark. Udo Schindler is a German musician in the improv scene playing bass clarinet, sax, flute, cornet, accordion, guitar and drums. In the 1970s he first appeared as a rock and rock-jazz musician before studying flute Nuremberg conservatory. Afterwards, he studied architecture in Munich and worked as an architect. In the 1990s he began playing an important role in New Music and Improvised Music. Next to his musical activities he also worked as a director, actor and composes soundtrack music for the theatre. In Munich, he also initiated a series of improvised music concerts. This is the first recording by this German-Austrian duo."
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GG 473CD
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"Sainkho Namtchylak is a singer originally from Tuva, an autonomous republic in the Russian Federation just north of Mongolia. She is known for her Tuvan throat singing or Khöömei. Her music encompasses avant-jazz, electronica, modern composition and Tuvan influences. Once the Soviet Union had collapsed, she moved to Vienna, making it her base, although she traveled widely, working in any number of shifting groups and recording a number of discs that revolved around free improvisation. Amongst them are collaborations with Evan Parker, Ned Rothenberg, The Moscow Composers Orchestra, and Wolfgang Puschnig. Lost Rivers 2 is the follow-up album to Sainkho's seminal release on FMP in 1991. The album is divided into three parts, all of which are focusing on the singer's experimental work of sound poetry and the extreme use of the human voice to express the strong power of nature, the human scream. Such techniques were an important resource in extraordinary situations, for example at the beginning of a tribe hunting or the start of hostilities. The first part is a recording of Sainkho with Ned Rothenberg on clarinet. Part two is the trio of Sainkho, Hamid Drake on drums, and William Parker on double bass. Part three is the purest version of Lost Rivers: Sainkho's voice combined with self-made instruments by Slumberland. An album that will appeal to fans of free improvisation and jazz, but also lovers of extreme music and noise."
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GG 463CD
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"Thierry Müller is a multi-instrumentalist and composer who is best known for his projects Ilitch and Ruth. He uses unconventional guitars as well as keyboards and other electronic devices to create unusual textures and sounds. A Parisian graphic designer, he began making recordings in the early 1970s using prepared guitars, harmonium and tape recorders as instruments. Since 1978, his albums with multiple and unclassifiable universes (Periodik Mindtrouble, 10 Suicides) have been erected as cult classics by people like Lee Ranaldo, Steven Stapleton, Edward Ka-Spel. He has collaborated with, among others, Valentina Fanigliulo (Mushy), Nick Littlemore (Empire Of The Sun), Aaron Moore (Volcano The Bear), Jac Berrocal, and Quentin Rollet. Pepe Wismeer is a duo living in the Ardennes led by Anne-Laure Therme and Damien Van Lede. Since 1999 they have released about twenty albums, all relatively unclassifiable and deep, on the borders of experimental, industrial, dark-folk and ambient. In their icy or hot universe where a subtle mixture of anguish and melancholy crouches, emerging from a multitude of organic and analog sounds, the languid voice, the piano and the sometimes-epic effects breathe melodies and frames of a irresistible beauty. Steven Stapleton of Nurse With Wound chose them for his compilation of versions of 'Two Shaves And A Shine.' Thierry Müller and Pepe Eismeer met during a showcase in a Paris record shop and started chatting. They soon decided to work together and have previously released one collaborative album."
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GG 457CD
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"The Legendary Pink Dots are an Anglo-Dutch experimental rock band formed in London in August 1980. In 1984 the band moved to Amsterdam, playing with rotating musicians and having, as core members, singer/songwriter/keyboardist Edward Ka-Spel and keyboardist Phil Knight aka The Silverman. The band was originally called One Day... but subsequently changed the name to The Legendary Pink Dots, apparently inspired by pink dots on certain keys of the band's main recording studio piano. In the 1980s the band released albums on Mirrodot and In Phaze; in 1985 they signed with Play It Again Sam for the release of The Lovers. Their music touches on elements of neo-psychedelia, ambient music, electronic music, tape music, industrial, psychedelic folk, synthpop, post-punk, progressive, jazz, noise, pop, and goth rock, with a distinctly experimental/avant-garde bent; their sound has evolved over time and remains distinctive, making it difficult to place the group into a concise style or genre. The group's overall sound combined with Ka-Spel's distinct lyrics and singing have earned comparisons to Pink Floyd and Syd Barrett; the group also has links to the sounds of krautrock bands such as Can, Faust, Brainticket, Magma, or Neu! The first cassette Only Dreaming was an edition of nine copies, two of which had beautiful three-dimensional handmade covers. Only Dreaming was abandoned rather than deleted as the recorded output by The Dots expanded massively within months of the band's inception. The Traumstadt series collects compilation appearances by the group, with Traumstadt 2 maybe being the best of these collections. It focuses on rare tracks from 1984 to 1988 and was originally released on cassette by the band's own Mirrordot label. For this CD re-issue, it has been remastered once again and this much-loved album now sounds better than ever before."
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GG 220-2CD
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"Snakefinger surely needs not much of an introduction. Born Philip Charles Lithman in London, he moved to San Francisco in 1971. His roots lie in the British blues scene, but he soon became friends with The Residents who also gave him the name Snakefinger based on a photograph of Lithman performing, in which his finger looks like a snake about to attack his violin. In 1972 Lithman returned to England and formed the pub rock band Chilli Willi and the Red Hot Peppers. After the lack of success of the second album, he returned to the states and work on his first solo album began. Chewing Hides The Sound came out in 1979 on Ralph Records. It includes classics such as his Kraftwerk cover 'The Model,' 'What Wilbur?' and 'Picnic In The Jungle.' The songs on the album were co-written with The Residents. The music showcased Lithman's distinctive slide guitar playing and often surreal imagery. At the same time, a string of singles was released. All tracks that were exclusive to these releases are added as bonus tracks here. Very recently, a so far unknown remix of the whole album was discovered in the Residents' archive. It was made in 1987 in preparation for the Snakey Wake by The Residents and has never been published in any form. Klanggalerie present this lost gem for the first time ever on this double CD."
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GG 458CD
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"This project started four years ago with the intention of rediscovering the messages behind a book that seems never to be truly understood but somehow appears as an evergreen source of purity, a message of hope for humanity that seems to forget its real motivations. Even during his lifetime, Zarathustra himself, as written in the Avesta, was always opposed by the mediocrity of the common thought of his contemporaries, fighting against ritualism, respecting animal life and nature especially in a period in which non-violence was not even idealistic. Four different languages to give a multicultural vision of Nietzsche's text from four important old and new cultures, somehow connected to that book: the German, the English, the Iranian and the Russian one. For Nietzsche 'Der Grosse Mittag' was a secondary option for the title of Also Sprach Zarathustra. The main person behind Zarathustra is Mirco Magnani, a Berlin-based Italian composer and producer, co- founder of the bands Minox, Technophonic Chamber Orchestra, and 4DKiller. Mirco has performed onstage with Steven Brown, Blaine L. Reininger, Luc Van Lieshout of Tuxedomoon, Lydia Lunch, Krisma, Mad Professor, and been remixed by Murcof, Nobukazu Takemura, The Gentle People, and Daedelus. Recent important publications have been the collaborative improvisation sessions with Polish-Berlin friend Lukasz Trzcinski. Guest vocals come from Steven Brown and Nikolas Klau (Tuxedomoon), Sainkho Namtchylak, and Paganland."
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GG 461CD
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"Originally, Hastings of Malawi were Heman Pathak, David Hodes, and John Grieve. They recorded the album in one night in 1981 with no plan and no idea of what they were doing. They played drums, clarinet, synthesizer and piano but also made use of things that they found lying around the studio -- old records, cookery books, telephone directories and a telephone. The recordings were played down the phone to randomly dialed numbers and the reactions added to the recording. All three had been involved in the recording of the first Nurse with Wound album Chance Meeting On A Dissecting Table Of A Sewing Machine And An Umbrella and had contributed metal scrapings, piano, effects, clarinet and guitar during the session. The band split up after the first album but reformed 35 years later with a string of new albums. In June 2023, Hastings Of Malawi were invited to play the Klang 30 festival in Vienna, Austria. This was only the second time the band graced a stage, 38 years after the first performance. This outstanding rare opportunity was recorded and is now presented on CD."
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GG 459CD
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"Kevin Tomkins is best known for his work in Whitehouse and his own group Sutcliffe Jugend, now called Sutcliffe No More. He also worked with Bodychoke, Inertia, and Patient K. Most of his music has its background in the power electronics scene that evolved in Great Britain around the label Come Organisation and the group Whitehouse. Power electronics is a style of noise music that typically consists of static, screeching waves of feedback, analogue synthesizers making sub-bass pulses or high frequency squealing sounds; with screamed and distorted vocals. The genre is noted for its influence from industrial. It is generally atonal, like most noise music and also features a lack of conventional melodies or rhythms. To match its sonic excess, power electronics relies heavily upon extreme thematic and visual content: whether in lyrics, album art, or live performance actions. For his solo work, Kevin sometimes uses a very different style to his group work. An autoharp or chord zither is a string instrument belonging to the zither family. It uses a series of bars individually configured to mute all strings other than those needed for the intended chord. In summer 2023, Kevin played a rare solo show in Vienna at Klanggalerie's 30th birthday bash. It was based on his autoharp album using that very instrument plus voice and an arrangement of gimmicks and tools. A week later, he created an album based on the performance and his time in Vienna."
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GG 453CD
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"Paul Taylor is one half of Sutcliffe No More, formerly Sutcliffe Jugend. He is and was also a member of Inertia, Bodychoke, and Slaves No More. Most of his music has its background in the power electronics scene that evolved in Great Britain around the label Come Organisation and the group Whitehouse. Power electronics is a style of noise music that typically consists of static, screeching waves of feedback, analogue synthesizers making sub-bass pulses or high frequency squealing sounds; with screamed and distorted vocals. The genre is noted for its influence from industrial. It is generally atonal, like most noise music and also features a lack of conventional melodies or rhythms. To match its sonic excess, power electronics relies heavily upon extreme thematic and visual content: whether in lyrics, album art, or live performance actions. For Submerged, a very private and introspective album, Paul lets the psyche dive deep into the depths of the ocean. The music is dark, droney and meditative."
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GG 442CD
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"Blurt was founded in Stroud, UK, in 1979 as part of the post-punk movement by poet, saxophonist und puppeteer Ted Milton along with Milton's brother Jake, formerly of psychedelic group Quintessence, on drums and Peter Creese on guitar. After three albums Creese left the band to be replaced by Herman Martin on synthesizers who, after a year of constant touring left the band, and was replaced by Steve Eagles, former member of Satan's Rats, The Photos, and Bang Bang Machine. Shortly thereafter Jake Milton left to be replaced by Nic Murcott, who was subsequently replaced by Paul Wigens. Most of Blurt's compositions feature simple, repetitive, minimalistic guitar and/or saxophone phrases, but they can also explore more abstract musical territories, often serving as an atmospheric backdrop for Ted Milton's existentialist poetry. The music has been described as dada-avantgarde-jazz or paranoid jazz-mutant funk. Practically impossible to pigeonhole. In the early 1990s, Ted Milton released a small run of self-made lyrics books, amongst them Pagan Strings. The first two volumes contained the lyrics to the Blurt album of the same name. The first edition of this came as an art edition with card backing and plastic sleeve, the standard edition was released on the band's own Toeblock label in 1992. The year after, Blurt took the album on the road. At Tilos brings you a formerly unavailable recording of a fantastic show in Budapest in 1993. It shows the band in full form."
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GG 450CD
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"Impetus Group is Dirk Serries' big band formation. The band name naturally refers to the Latin meaning: urgency, driving force, but even more spiritually to the moving language and strength of each musician in the ensemble to realize this free improvisational music. Impetus group is also a tribute to the improvisation scene of the sixties and seventies, more specifically the London scene led by guitarist Derek Bailey with his Company group. The album title describes exactly what the music brings to the listener. Intense pointillism in sound -- moving rapidly or introspectively from one theme to another, musicians challenging themselves and each other. London based saxophonist Colin Webster is known for working from extreme sonic palettes -- from minimal to maximal, constantly pushing boundaries. Equipped with a razor-sharp, punk spirit, and ferocious technique, Webster has established himself as a unique voice on the European avant-garde scene, regularly collaborating with many of the key figures in improvised and experimental music. Dirk Serries is hardly your average improvising musician. He is a master of texture, a skill which he's been able to forge and refine for more than 30 years (as vidnaObmana, Fear Falls Burning, Microphonics). Martina Verhoeven has been working on the development of her own abstract photographic style for more than 15 years now. Now she's fully dedicated to the piano, establishing herself as a unique and fierceful performer on the keys. Teun Verbruggen first picked up the drums by the age of eight. His search for a personal touch and wanting to explore all possibilities of playing drums, his lack of boundaries and trying to find fresh sounds in collective improvisation made him work with countless bands and musicians. Tom Jackson is a proficient clarinetist active in modern classical music and free improvisation."
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GG 454CD
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"A surprise solo album by Renaldo M. Called They Blessed The Body Breadcrumbed it is a 13-track collection of original songs, most of which were started during the period Renaldo & The Loaf were not together. It features guest musicians Nolan Cook, Mike Howlett, and Frank Pahl. With some very extended gaps in between, it has taken over 30 years to complete but is finally done! Renaldo M. aka Brian Poole is half of British eccentric avant-garde group Renaldo & The Loaf. They are an English musical duo active since the late 1970s, consisting of a pathologist (David Janssen or Ted the Loaf) and an architect (Brian Poole or Renaldo Malpractice). By their own assertion, they achieved their unique sound in part by striving to get unnatural synthesizer-like sounds using only what instruments they had available (acoustic ones). To that end they routinely used muffled and de-tuned instruments, and, often to striking effect, tape loops and manipulation. In 2018 they played their first ever live show at Klang 25 in Vienna, documented on the album Long Time Coming. In 2016 the group recorded a brand-new album entitled Gurdy Hurding. David Janssen aka Ted the Loaf has released some solo albums under the name The Darkening Scale and as a duo called The Tapeworm Vessel. Renaldo M. has so far contributed vocals to many songs by other artists, but this is his first album as a solo artist. It was recorded over a period of 30 years and is now finally available in finished form."
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GG 448CD
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"Olaf Rupp plays improvised music on the acoustic and electric guitar. The organic flow of his music is guided neither by chance nor by dominant, willful decisions. To him the same level of focus and attentive energy should be present in loud and fast music as well as in softer, more subdued kind of playing. In all his music he explores how motion-clusters can be perceived as one agglomerated sound in motion by using spectralistic fields of tones. Meinrad Kneer is a double bass player, composer, improviser, band-leader and label owner. His music moves along the musical boundaries of jazz, improvised, contemporary-composed and ethnic music. He studied double bass and music in the Netherlands (conservatories of Hilversum and Amsterdam), where he quickly entered the Dutch jazz- and subsequently the international scene of free improvisation. Rudi Fischerlehner plays drums in various different musical projects that fall between improvised and experimental music, jazz and post-rock. He also composes and produces music for bands, film and performances. Born in 1977 in Austria he was introduced to the drums in his childhood and started playing in bands as a teenager around Linz. Following a brief period studying classical percussion he moved to Vienna, travelled to Africa and China, spent a few months in New York and now resides in Berlin. Puna is the trio's first album as a group."
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GG 455CD
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"Philip Sanderson first started releasing music as part of Storm Bugs in the late 1970s as captured on the A Safe Substitute CD. He also set up his own Snatch Tapes cassette label releasing music by David Jackman and Alien Brains amongst others. Reviews in The Wire magazine of the instrumental tracks described them as being akin to 'a boiling vat of electronic music that occasionally sounds like the work of a mad scientist,' whilst the songs have a 'flavor of what Kevin Ayers might cook up if he were alive and forced to work with the Residents.' Philip has also released music under the names of Claire Thomas & Susan Vezey, Ice Yacht, Maids Of The Marsh, and Vote Police. In summer 2023, Philip played one of his very rare concerts at the Klang 30 festival in Vienna, Austria. This album presents the music played at the gig, plus music that was influenced by or created in Vienna while his stay."
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GG 449CD
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"The Residents are an American art collective best known for their over 60 studio albums that were recorded over a period of over forty years. They also created some outstanding multimedia works, mainly three CD ROM projects and ten DVDs. Working as an anonymous collective, their identities were kept secret until in 2017 Hardy Fox revealed himself as their primary composer. Hardy died in October 2018, but the group continue to record and perform. Sam's Enchanted Evening is a theatrical performance by Randy Rose, lead singer of The Residents. It was performed between October 2011 and March 2012 in Berkeley, California and New York City. Rose's only companion on stage was long-time Residents collaborator Joshua Raoul Brody on piano. A one-man cabaret performance consisting largely of re-interpreted renditions of popular songs from the mid-to-late 20th century, interpreted by Rose in the guise of 'Sam the Stranger,' it was the first Residents-related performance piece to be credited to an individual member of the group."
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GG 445CD
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"MX-80 Sound is an eclectic American art-rock band founded in 1974 in Bloomington, USA, by guitarist Bruce Anderson. Considered one of the most out-of-step but prescient bands of its time, MX-80's signature sound consists of breakneck metallic guitar combined with atonal chord structure, cross-rhythmic percussion and dispassionate vocals. Notoriously difficult to categorize -- the band has been labeled noise rock, post-punk, acid punk, and heavy-metal -- MX-80's sonic mélange set the stage for bands such as Swans, Sonic Youth, Codeine, and Shellac. After a musical journey spanning five decades, MX-80 Sound announces the release of their final opus, Better Than Life, featuring MX-80's dense, extra-beefy sound, emotional guitar work, and free-associative vocals. For the album Bruce Anderson merged his rock trio, Rattletrap, with the talents of MX-80 Sound resulting in big bang sonics including two drummers (Nico Sophiea and John Morman), two bassists (Dale Sophiea and Chris Xefos), and two guitars (Bruce Anderson and Jim Hrabetin), along with vocals and horn by Rich Stim. In a remarkable feat, Better Than Life was recorded amidst the COVID-19 lockdown at 25th Street Recording in Oakland with Matt Boudreau engineering. The album was mixed by Steve Albini, in collaboration with MX-80 Sound, at Electrical Studios in Chicago. Sadly, Bruce Anderson, MX-80 Sound's founder, died in 2022."
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GG 438CD
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"GBK are an Austrian free jazz trio that isn't afraid of being groovy. The band was founded in 2007 after a first meeting the year before, being thrown together in an improvised music session. They performed many years under the name of KGB before changing their name recently due to Russian war against Ukraine. All three musicians are happy to swap roles in their trio, therefore abstract experimental sounds have the same place in their repertoire as groove and melody. Drummer Didi Kern works both in jazz and in alternative rock music. His best-known band is Bul Bul, and he also played a long time in Industrial performance outfit Fuckhead. He recently released an album on Klanggalerie with Elisabeth Harnik and Jaap Block. Susanna Gartmayer is a bass clarinet player, but also composer and graphic designer. She started her career in the early 2000s in an art rock band. She is a permanent member of The Vegetable Orchestra, a group that performs exclusively on vegetables, as the name suggests. Recently she released an album on Klanggalerie with Christof Kurzmann. Thomas Berghammer studied the trumpet in Linz and Graz and resides in Vienna. He has performed in all kinds of genres, playing amongst others with Wolfgang Mitterer, Oskar Aichinger, Georg Graewe, Ken Vandermark, Mats Gustafson, and Mars Williams. The three members of KGB also run a weekly improvisers' session in Vienna."
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GG 408CD
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"Geins't Naït was founded in Nancy, France, in 1986 by Thierry Merigout and Vincent Hachet, both students at the Architecture School of Nancy. A year later Laurent Petitgand joined the band. Their sound is often described as an equivalent of bands like Einstürzende Neubauten, Coil or Test Dept., but Geins't Naït is not pure classic industrial. While Geins't Naït offers rough pieces of music as an extension of its punk attitude, Petitgand refines them to create some musicality within the post-industrial collages, adding guitars, piano, and classical instruments. Geins't Naït and Laurent Petitgand sharpen sounds, giving them a kind of balance and density and ensuring that the musical language evokes a deep experience. Their music is raw and fascinating, and largely influenced by Surrealists and Situationists. Their early albums were released by French label Permis De Construire, with Fishes being the band's fifth album, originally released in 1989. It features fifteen tracks which have been carefully remastered for this first ever CD re-issue by Martin Bowes."
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GG 436CD
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"Maurizio Bianchi is an Italian pioneer of industrial music and dark ambient, originating from Milan. Bianchi was inspired by the music of Tangerine Dream, Conrad Schnitzler and Throbbing Gristle. He wrote about music for Italian magazines before beginning to release his own cassettes under the name of Sacher-Pelz in August 1979. He released four cassettes as Sacher-Pelz before switching to his own name or simply MB in 1980. Bianchi corresponded with many of the key players in the industrial music and noise music scenes including Merzbow, GX Jupitter-Larsen, SPK, Nigel Ayers of Nocturnal Emissions and William Bennett of Whitehouse. After this exchange of letters and music, his first LPs were released in 1981. Symphony For A Genocide was released on Nigel Ayers' Sterile Records label after Bianchi had sent Ayers the money to press it. Each track on the LP was named after a Nazi extermination camp. The cover featured photographs of the Auschwitz Orchestra, a group of concentration camp prisoners who were forced to play classical music as people were herded into the gas chambers. The back cover included the text 'The moral of this work: the past punishment is the inevitable blindness of the present.' By 1983 and the release of the Plain Truth LP on U.K. power electronics label Broken Flag, Bianchi had become a Jehovah's Witness. At the end of 1983 Bianchi announced his withdrawal from music. In 1998, encouraged by Alga Marghen label head Emanuele Carcano, who offered him a label of his own, Maurizio Bianchi resumed making music. The label was EEs'T Records, through which he released new editions of old MB albums and many new recordings. Never Existed Before Consequently It Will Never Exist After is credited to MB & Nisi Quieris, with the latter being another pseudonym for Maurizio Bianchi himself. The album introduces him on vocals next to the electronics this opening a new chapter for MB."
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GG 443CD
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"Francisco Meirino is a sound artist based in Switzerland. His music explores the tension between programmable material and the potential for its failure. His interest lies primarily in what is not supposed to be recorded: the end of life of electronic devices, electrostatic noise, magnetic fields and the unconventional use of music hardware and sound systems and how to exploit these sonic failures in radically different ways in his sound pieces. His music combines intricate textures, sonic precision, wide spatial panning and is fascinating by its physical intensity and detail precision. Born April 1966, in Marseille, Jérôme Noetinger discovered experimental music under the influence of the Déficit Des Années Antérieures in Caen. He is a composer/improviser/sound artist working with electroacoustic devices. Composing sometimes musique concrete in the studio, and performing improvised music using electroacoustic devices such as: the reel-to-reel tape recorder Revox A77 and magnetic tape, analogue synthesizers, mixing desks, speakers, microphones, various electronic household objects and home-made electronica. Performing both solo and in ensembles, and collaborating often, and touring extensively internationally. Jerome is also the director of Metamkine, a non-profit organization dedicated to the distribution of improvised and electroacoustic music, which operates with an on-line mail order catalogue. The music on this CD was recorded by the duo in 2019 in Switzerland."
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GG 446CD
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"Michael Fischer is an Austrian musician, composer and instant composition conductor. He works on the immanence of language within sounds, their sculptural and dramatic evidence, on the tenor saxophone, the violin, on cd-player setting and conducted instant compositions, in improvised and experimental music. Since 1999 he connects the electro-acoustic phenomenon feedback with acoustic instrumentation by creating and playing the feedback saxophone. He also collaborations with literary writers, dance productions, performance, installation and video. Fischer also launched the Vienna Improvisers Orchestra in 2004. Valentin Duit is the drummer of various ensembles, among them for example Dsilton, Robert Unterköfler Quintett, Coastline Paradox, Duit and Gadermaier, and Gnigler/Duit. In 2018 he released his first solo drum set record Mashevene. He has been performing as a duo with Michael Fischer for quite some time and two of their most recent concerts in Vienna were recorded for this, their debut duo CD. Its free jazz with an electronic and noisy touch. Unique!"
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