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LP
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BS 120052V-LP
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Reissue, originally released in 1981. An outstanding yet obscure release by two Art Ensemble of Chicago members, multi reeds player Joseph Jarman and drummer Don Moye, along with legendary bassist Rafael Garret (mostly remembered for his presence on Coltrane's masterpiece Kulu Se Mama) and young lion Craig Harris on trombone. Four great individuals digging deep between ancient African rituals and modern urban multidimensional grooves. A tribal ecstatic sound based on a multitude of instruments: reeds, bamboo flutes, didgeridoo, trombone, conch shell, panpipes, and a sea of percussion. A beautiful example of AACM "Ancient to the Future" aesthetic. A magic mixture of elements from the African American music continuum.
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LP
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BS 120113LP
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Reissue, originally released in 1990. This was Old and New Dreams, a legendary quartet and possibly one the most important line-up in the post-Ornette Coleman continuum! Recorded live in Atlanta in 1987 and first released in 1990, their second Black Saint release stands as the group final statement. A high-quality recording capturing an outstanding performance as homage to Ed Blackwell, one of the greatest drummers in the history of jazz. A strong and sensitive musician who managed to integrate the New Orleans rhythm tradition with the propulsive drive of free jazz. This was an amazing concert based on a great setlist including three Coleman's originals "Happy House", "Law Years", and "Street Woman", plus Blackwell's "Togo" and Dewey Redman's "Dewey's Tune". Personnel: Dewey Redman - tenor sax, musette; Don Cherry - pocket trumpet; Charlie Haden double bass; Ed Blackwell - drums.
"All of the musicians are in top form on this no-changes music, creating fresh and intuitive melodies with both freedom and hints of the tradition" --AllMusic.
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LP
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BS 520002V-LP
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Reissue. Recorded in 1976 and originally released in 1977, this was the debut album by the legendary Don Cherry, Dewey Redman, Charlie Haden, and Eddie Blackwell quartet. Old and New Dreams spans the whole late '70s post-free universe with passion and lucidity. From the fast harmolodic phrasing of Ornette Coleman's "Handwoven" to the deep lyricism of Charlie Haden's "Chairman Mao". This is timeless music performed at maximum energy and profound inspiration. Personnel: Dewey Redman - tenor sax, musette; Don Cherry - pocket trumpet; Charlie Haden - double bass; Ed Blackwell - drums.
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LP
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BS 120134-LP
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Originally released in 1991 this was Henry Threadgill's new band's debut release. That's where Threadgill introduced the unique concept of dual tubas and dual electric guitars. In Very Very Circus's ultra-layered sound world all roles melt equally into an unprecedented sound experience. A big step forward in modern jazz from one of the greatest composers of our time. Personnel: Henry Threadgill - alto saxophone, flute; Curtis Fowlkes - trombone; Brandon Ross - electric guitar; Marcus Rojas, Edwin Rodriguez - tuba; Gene Lake - drums.
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LP
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BSR 005LP
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2021 restock. Black Saint Vinyl present a reissue of Frank Lowe's The Flam, originally released in 1975. Frank Lowe, one of the most powerful tenor sax voices in the post-free jazz era and one of the main figures in the mid-70s NY jazz loft scene. The Flam recorded and released on Black Saint in 1975 stands as one of Lowe's best albums ever. This is highly Intense music with deep meaning and timeless message performed by an amazing collective featuring Frank Lowe (tenor sax), Leo Smith (trumpet, flugelhorn, wood flute), Joseph Bowie (trombone), Alex Blake (bass, electric bass), and Charles "Bobo" Shaw (drums).
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LP
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BSR 057LP
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Black Saint present a reissue of John Carter Octet's Dauwhe, originally released in 1982. Dawhe is the first chapter in John Carter's Roots and Folklore saga. A five-part epic journey through the African American heritage conceived by the great clarinetist-composer and performed by a stellar line-up featuring Carter himself, Bobby Bradford (cornet), James Newton (flute), Charles Owens (soprano sax, oboe, clarinet), Red Callender (tuba), Roberto Miranda (bass), William Jeffrey (drums), and Luis Peralta (percussion). This is a highly integrated form of jazz, based on the processing of different musical forms and related topics. From the ancient African mythology through the Blues experience towards the open land of creative jazz. A strong musical and cultural statement from one of the greatest west coast modern jazz composers.
"Highly recommended for open-eared listeners" --Scott Yanow, All Music Guide.
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LP
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BSR 002LP
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Black Saint present a reissue of Archie Shepp's A Sea of Faces, originally released in 1975. Recorded in Milan (Italy), A Sea of Faces stands as one of Shepp's strongest recordings of the '70s. A highly varied program, covering Shepp's entire spectrum and performed by an all-star line-up featuring Archie Shepp (tenor & soprano sax, piano, vocals), Charles Greenlee (trombone, tambourine, vocals), Dave Burrell (piano), Cameron Brown (bass), Beaver Harris (drums, tambourine, vocals), Rafi Taha (vocals), and Bunny Foy (vocals, maracas, percussion). The album includes the famous 26-minute long "Hypnosis," a groovy extended jam in full spiritual Jazz mode.
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BSR 109LP
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Black Saint present a reissue of Sonny Clark Memorial Quartet's Voodoo, originally released in 1986. Voodoo shows the Sonny Clarke soulful hard bop conception as seen through the oblique perspective of a NY Downtown all-star quartet featuring John Zorn (alto sax), Wayne Horvitz (piano), Bobby Previte (drums), and legendary bassman Bill Drummond. This unique and iconic album stands as one of Zorn's first declared tributes to the art of an influential musician and composer. All compositions are by Sonny Clark including such hits as "Cool Struttin'" and "Something Special" both from his classic late '50s/early '60s Blue Note sessions. A full catalog of opened up hard bop structures and advanced jazz modes.
"Quartet masterminds Zorn and Wayne Horvitz spit fire, never allowing this heartfelt tribute to get too reverential... Here Zorn sounds like he's having serious fun" --Scott Yanow, All Music Guide.
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LP+CD
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BS 520004LP
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One of the essential albums of '70s jazz. The music of the late great saxophonist and composer Julius Hemphill presents a strong combination of blues roots, free energy and bop complexity. Recorded in New York in 1977, Raw Materials and Residuals explodes with the tension generated between Hemphill's unique reeds, Abdul Wadud's deep pizzicato, and Don Moye's frantic drive. "One of the great titles in modern jazz chronology." --All Music Guide; Includes a CD copy of the album.
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