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LP
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BLACKBALL 003LP
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$36.00
PREORDER
RELEASE DATE: 3/20/2026
"Clear vinyl. Note new price. The long-anticipated collection of rare A-sides, B-sides, covers and unreleased outtakes from influential punk rock favorites and emo granddaddies Jawbreaker. A twenty-track Alpha-Omega of rare and previously-impossible-to-find songs presented chronologically from their first demo in November of '88 (before they were even named Jawbreaker) to their final studio recording, a version of 'Boxcar' re-worked at the end of the DGC Dear You sessions. Beautifully packaged with inviting artwork and track-by-track commentary and lyrics (printed courtesy of Aaron Cometbus). 24-Hour Satisfaction Therapy, indeed."
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LP
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BLACKBALL 010LP
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2024 restock. "Received a 9.1 Best New Reissue rating from Pitchfork. One of the most popular and successful underground bands of the early- /mid-'90s, California's Jawbreaker was comprised of Blake Schwarzenbach (guitar and vocals), Chris Bauermeister (bass) and Adam Pfahler (drums). The band melded raw vocals, a driving rhythm section and grinding guitar with complex song structures and literary lyrics, forging a distinctive style that has since, along with Schwarzenbach's subsequent band Jets to Brazil, influenced a generation of independent music. By the end of 1993, Jawbreaker was in full stride. The band had completed a full US tour in the summer, played several shows that October with Nirvana, and was attracting significant major label attention. 24 Hour Revenge Therapy, released in early 1994, was Jawbreaker's third album. After the more 'progressive' Bivouac, the trio had returned to a straightforward, poppier sound, and the resulting full-length is widely regarded as their best. The bulk of the recording was done by noted independent producer Steve Albini (though it is officially credited to Albini's cat, Fluss). Following the mainstream success of fellow Californians Green Day and Rancid, Jawbreaker decided to sign with DGC. They released a final studio album, Dear You, before calling it quits in 1996. A feature-length documentary on the band is currently in the works."
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LP
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BB 009LP
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2026 repress. "Green vinyl pressing. Received an 8.8 Best New Reissue rating from Pitchfork. Blackball Records presents the 20th anniversary edition of Jawbreaker's Bivouac. Originally released in 1992, this groundbreaking album has been remastered by John Golden from the original tapes, and the increased sampling rate boosts some of the bottom end and mid-range. The vinyl version is available for the first time in years; the CD and download versions include the songs from the Chesterfield King 12-inch as well as two bonus tracks from the original studio session. The reissue also features restored original artwork, and all formats include additional band photos from the time of recording. 'Shield Your Eyes,' 'Parabola,' 'Chesterfield King' and 'Bivouac' remained set list staples throughout Jawbreaker's run. The album wound up on a lot of fanzine top ten lists and Rolling Stone listed it as one of the 'Ten Most Influential Emo Albums of All Time.'"
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LP
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BB 007LP
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2024 repress. Orange peach vinyl. "Blackball Records presents the 20th anniversary edition of Jawbreaker's beloved 1990 debut album Unfun -- twelve groundbreaking tracks (sixteen on the CD) that captured the very inception of emo's big band and launched a galaxy of young, earnest bands and the scenes that love them. Unfun has been remastered by John Golden from the original analog tapes; the increased sampling rate boosts some of the bottom end and mid-range. It sounds fucking awesome. The vinyl version is available for the first time since 1992, and the CD and download versions of the record include the three-song Whack & Blite EP, as well as the 7-inch mix of 'Busy' as an unlisted bonus track. This reissue features restored original artwork, and all formats include additional band photos from the time of recording. 'Want' and 'Fine ' "" were in heavy rotation on college radio back in the day, and remained set list staples throughout Jawbreaker's run. Unfun wound up on a lot of fanzine top ten lists, and even the mainstream press took notice. Rolling Stone called it 'a feast of heavy melody and righteous braying that roars along with all the spit and spirit of Husker Du's New Day Rising.'"
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