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viewing 1 To 6 of 6 items
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LP
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BM 007LP
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$29.00
PREORDER
RELEASE DATE: 8/22/2025
"Originally released in 1989 on the band's own Thwart Productions label, Tangle was the first vinyl release from Thinking Fellers Union Local 282. Coming after their debut cassette, Wormed, By Leonard, it shows the band leapfrogging stylistically into a more mature phase of their patented surreal compositional modus operandi. Tracks like the opener, 'Sister Hell,' foreshadow the band's later evolutionary mutations and was a minor hit in the underground circuit at the time. The rest of the album is a sleek maelstrom of crackpot dissonance, noise-rock power balladry, schizo-telepathic improv and some of the finest underground music of the era. In short, Tangle is a template and Proclamation of Intent that presages TFUL's classic '90s releases. Originally produced by their longtime engineer and thaumaturge, Greg Freeman, this reissue is impeccably remastered from the original master tapes by Mark Gergis. New and contemporary artwork ties a saucy bow around this astonishing reissue. Limited edition of 500 copies!"
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LP
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BM 006X-LP
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$29.00
PREORDER
RELEASE DATE: 8/22/2025
"World of Pooh immensely brightened the dark corners of San Francisco, California during the years 1983-1990, with their most recognized guise being the MMF trio that existed and thrived during the years 1986-1990. This is the lineup you'll hear documented on this exceptional collection of 45s, compilation tracks and assorted ephemera. The band has ranged from being a footnote for some to a fondly-regarded memory for others to a turnstile, door-opening band for still others. They arrived in my life as they were slowly exiting theirs, and I eagerly attended a half-dozen shows of theirs circa 1989-90 around San Francisco moments after I moved there. They were instantly my favorite local band, one I was instantly duty-bound to see whenever and wherever they played. Their jagged and discombobulated take on underground pop music was exceptionally fertile, feral and fetching, and it served as a personal gateway drug that flowered my own appreciation for many different kinds of subtle musical tension. I also spent at least five glorious years watching Jay Paget, who drummed for World of Pooh and later the Thinking Fellers Union Local 282, ply his rhythmic trade with much aplomb. And I'll admit to an untoward admiration of (and fascination with) World of Pooh founder, guitarist and singer Brandan Kearney from the moment I met the guy. Everything he and his band were doing, along with the mind-boggling DIY gunk he was pushing through his record label, Nuf Sed, and via his multiple other bands (among them: Caroliner & Archipelago Brewing Company, with several more to follow), made me extremely curious and not a tiny bit jealous about these wiser, weirder and musically more daring freaks who were making art, love and war in the relatively grittier and non-gentrified San Francisco of the day. What I've learned in the 35 years since the band broke up is just how highly regarded they were (and remain) by not only those who saw them, but by a now-considerably larger group of humans who've subsequently heard & loved their records. I know that their place in the late 1980s was a small but special one, and I've seen plenty of online clamoring for more, more, more about this ephemeral and poorly-documented band. And rightly, here it is, lovingly assembled: their two hard-to-come-by 45s, a handful of comp tracks, and a quartet of phenomenal songs just coming to light for the first time, including that Half Japanese cover that dimly existed in my memory as a live song they naturally pulled off with sangfroid, from a time and space when we were all a little younger." --Jay Hinman
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LP
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BM 004LP
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"The Funeral Pudding originally came out as a CD-only release on the Dutch label Brinkman to promote Thinking Fellers Union Local 282's 1994 European tour. For the domestic release, the band chose Chicago's Ajax Records -- which had already released two TFUL282 singles in 1990 -- to press a 12-inch mini-LP. Comprising a selection of songs masterfully recorded and produced by Greg Freeman right after the sessions that yielded 1993's Admonishing The Bishops EP, The Funeral Pudding could be thought of as a sister release to that EP; indeed, the band originally considered combining tracks from both sessions into a single album. Had it been released, that record would've followed the pattern of the previous album in which the band's pop and avant-garde leanings are yoked together cheek by jowl. Instead, Admonishing showcases the band at its most accessible while The Funeral Pudding flaunts their more expansive, abrasive and absurdist side without forfeiting the earlier EP's miraculously high standards for songwriting and sonic clarity. What makes The Funeral Pudding a unique feather in the Fellers' cap is that most of the tracks are sung by bassist Anne Eickelberg and guitarist Hugh Swarts -- a notable departure from the Davies/Hageman vocal dominance on most of the other albums. With Eickelberg's soaring vocals leading the proceedings, tracks like 'Waited Too Long' and 'Heavy Head' are some of the most beloved in the band's discography. And '23 Kings Crossing' is a whiplash-inducing psych/prog stunner that adds another metric ton to the burden of proof demonstrating that TFUL282 was creating some of the most thrilling, enduring and sonically autonomous music of its era."
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2LP
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BM 003LP
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"Bulbous Monocle focuses its lens further into the legacy and archives of the Thinking Fellers Union Local 282. These Things Remain Unassigned -- a phrase coined by Brian Hageman, one of the band's musical snake appendages emanating from its Medusa crown -- is presented as a double LP (gatefold jacket with a twelve page libretto). It gathers together the band's singles, compilation tracks, outtakes and never before released gems encompassing the arc of TFUL's musical corpus. Every track has been surgically remastered by Mark Gergis (Porest / Sublime Frequencies / Mono Pause) with his signature craftsman approach. This collection is an auditory and visual feast. The extensive booklet included features band ephemera, concert flyers, photographs, and commentary about each track from Mark Davies. Beyond the rare singles and unreleased tracks from the TFUL archives, are cover versions from such disparate artists and composers as Ennio Morricone, Krzysztof Komeda, The Residents, The Shaggs, Caroliner Rainbow and Pérez Prado." "... In addition to these compilation one-offs, there were also a few studio recordings that were never quite completed or released. Throw in an alternate mix or two and the handful of singles that came out on various labels over the years, and you end up with what I feel works well as its own body of work, a bunch of adopted oddballs that somehow fit together as a family. I hope youʼll agree with me that these things are now no longer unassigned, but part of a somewhat cohesive whole, stitched together into something mysterious and glistening." --Mark Davies (2023)
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LP
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BM 001LP
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"Bulbous Monocle, a new label focused on the legacy of the Thinking Fellers Union Local 282 and the scene from which it reveled in between the years 1986-1996, is honored to launch the label with arguably the most lauded and concise testament from the band. 1993's mini-masterpiece Admonishing the Bishops. Originally released on the Matador Records label, this title and most of the 'Fellers' discography has been out of print for over 25 years. Now, newly remastered by Mark Gergis (Sublime Frequencies et.al) this perfect EP is sounding better than ever!" "Formed in San Francisco in 1986, Thinking Fellers Union Local 282 had the bad luck to display a range of cultural and musical reference points shared by relatively few members of that era's archconservative 'underground culture.' On any given day, you might hear that their records were too manicured or too chaotic, too cerebral or too absurd, too personal or too impersonal, too experimental or too pop. Above all, they were derided as 'self-indulgent' by critics who expected artists to tiptoe deferentially around their audience's blind spots. To be fair, their early recordings had about as much relation to their in-the-flesh grandeur as a dripping faucet does to Iguazu Falls. Against steep technical odds, Greg Freeman of Lowdown Studio made their LPs work beautifully as aural monuments. But listeners who hadn't seen the Fellers' live could be forgiven for finding these albums a bit forbidding. Which brings us to Admonishing the Bishops -- a wholly unexpected breakthrough release comprising four down-home, crowd-pleasin' tracks engineered by Volcano Suns/Shellac bassist Bob Weston during the Fellers' epochal tour with Sun City Girls in fall 1992. 'The studio was in Steve Albini's basement, and we stayed there at his house for a couple days while we recorded and mixed,' vocalist/guitarist/bassist/banjoist/trombonist/etceterist Mark Davies explains. The relaxed, low-stakes atmosphere -- along with the band's tour-hardened performances and what Mark calls 'the joy of getting our minds blown every night' by Sun City Girls -- yielded tracks that were polished and approachable without sacrificing any of the band's complexity or ferocity. Back in San Francisco, they decided to release these tracks as a 10-inch EP rather than saving them for a full album. Mark notes that bassist Anne Eickelberg spearheaded the project: 'She wanted to put out something concise after the somewhat bloated double-LP.' Upon its release in 1993, Admonishing the Bishops' concision, clarity and accessibility went over like a duralumin-and-fabric zeppelin. With its 20/20 focus on the band's songcraft, it's an ideal introduction for curious neophytes and a natural choice for the first installment of Bulbous Monocle's highly anticipated TFUL282 reissue series. Long-time listeners, meanwhile, will appreciate this reissue's meticulous remastering by Mark Gergis of Sublime Frequencies. Or else." --Brandan Kearney, Portland, OR 2022
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LP
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BM 002LP
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Sold out, no repress. "Bulbous Monocle presents a first-time vinyl reissue of The TFUL 282 masterpiece LP originally released in 1994 on Matador Records. Even in a catalog that bristles with pinnacles, Strangers from the Universe remains pinnaclier than most. Somehow harnessing influences from Bali to Cinecittà to Memphis to the wobbly Sunday morning organ at Oakland's Rose of Sharon Missionary Baptist Church without feeling contrived or showoffy, Strangers is possibly and/or indisputably the most successful shotgun marriage of the Fellers' disparate pop sensibilities with their outlandish song structures, their acre-feet of tape snippets with their hydra-headed arrangements, and their individual compositional and instrumental skills with their congenitally peculiar joint sensorium. Eager as always to experiment with unconventional (i.e., daft and cumbersome) approaches to writing and recording, the Fellers fine-tuned their working methods for Strangers, assigning individual members as 'sheriffs' to oversee the arrangement of promising morsels into coherent compositions. Even more daringly, they decided to let Greg Freeman, their long-suffering engineer, control his own mixing board. 'The result was a much more cohesive sound than we'd ever gotten with our usual approach,' says TFUL282 multi-instrumentalist and vocalist Mark Davies. The Fellers' 1994 tour saw the band in full flight bringing the Strangers material to their growing fanbase. Sharing bills with Matador labelmates Pavement and Jon Spencer Blues Explosion for more high-profile gigs, TFUL 282 tore through the US playing from coast to coast and sharing stages with kindred spirits the Sun City Girls, Fly Ashtray, and a host of regional bands who stood in awe at the overwhelming spectacle and furious sonic and visual onslaught that this band could generate on a nightly basis. 'I've always thought of Strangers and the fall tour for it as a pinnacle of sorts,' Mark says. It's easy enough to cite some highlights as evidence: 'Hundreds of Years,' a blossom-garlanded Tower of Song erected at the intersection of Abbey Road and Jalan Kajeng; the galvanic sputter of 'Socket' and 'February' (the latter titled after a handy mnemonic for 'Fingered Eastern Banjo'); Brian Hageman's oddly moving 'The Operation,' which Mark calls 'one of the most sonically dense/confused things we ever did.' Bulbous Monocle's long-overdue reissue puts every single one of this millipedal LP's best feet forward with meticulous remastering by the golden-eyed and gimlet-eared Mark Gergis, making it an essential acquisition for the diffident toe-dipper as well as the seasoned bathyscaphist."
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