|
|
|
|
|
|
|
|
|
LP
|
|
CRP 117LP
|
2012 release. The classic 1975 album that introduced Italian prog rock band Banco to the world/ After the success of Italy's P.F.M., Emerson, Lake & Palmer and Manticore Records began paying a little more attention to the Italian prog scene. This attention soon paid off in the form of another fine Italian band for their roster called Banco del Mutuo Soccorso (soon shortened to Banco), led by the charismatic front man Francesco Di Giacomo (who interestingly also appeared in Fellini's Satyricon and Amarcord), and the dueling keyboards of the Nocenzi brothers, Vittorio and Gianni. Although this album is the first anyone had ever heard of Banco outside of Italy, it was actually the band's fourth release.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
CRP 203LP
|
2021 restock. Originally released in 1968, and selling less than 500 copies -- according to Robert Fripp's royalty statements -- The Cheerful Insanity of Giles, Giles, & Fripp is, of course, the pre-cursor to King Crimson. Drawing its influence from folk, pop, classical, and religious music, the album is a masterpiece on par with the greatest records that the British psychedelic and progressive movements had to offer. Reissued on LP by Cherry Red Phonograph.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
CRP 114LP
|
2012 release. Premiata Forneria Marconi, better known in English speaking countries as P.F.M., were arguably the finest Italian progressive rock band of the 1970s and certainly one of the most well known. A successful act in their home land, they came to international attention when they signed to Emerson, Lake and Palmer's label Manticore in 1973. They recorded the album The World Became The World in 1974. With English lyrics, some penned by ELP and King Crimson lyricist Pete Sinfield, this edition of PFM's second album for Manticore has been re-mastered from the analogue tapes. Includes lyrics and fully restored artwork.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
CRP 201LP
|
2013 release. Featuring significant contributions from his Soft Machine band mate Elton Dean, amongst others, The End Of An Ear is one of the more adventurous titles in Robert Wyatt's catalog. It's an album much more in line with the electronic jazz experimentation of Miles Davis, and the avant-garde, than the singer-songwriter material Wyatt would later be known for. Despite being a very serious record, Wyatt's playful nature and sense of humor still shine through. The End Of An Ear is an absolutely essential piece of the Canterbury prog scene and Wyatt's canon, lovingly reissued here on LP by Cherry Red Phonograph.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
CRP 204LP
|
2014 release. The House Of Love were one of the most successful and critically acclaimed bands to grace Creation Records in the late 1980s. Equally inspired by the ?60s pop of The Left Banke, Beatles, Kinks, Zombies, etc. and the more distorted sounds of bands like The Velvets and contemporaries, The Jesus And Mary Chain, The House Of Love is the group's first and most fully realized album. A half hour of blistering, melodic noise pop and one of the greatest British records of the late ?80s, Cherry Red Phonograph is pleased to reissue it here on LP with 2 bonus tracks (demo versions of the classic singles, "Shine On", and "Christine").
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
CRP 116LP
|
Although they never broke through to mass success, the all girl Runaways did make a major mark on the rock field and in doing so laid the foundations for other all girl groups like the Go Go's, Girlschool and the Bangles to build on as they knocked down the doors of prejudice of the then traditionally male dominated rock world.1978's And Now...The Runaways was the band's fourth album in just two years and their first not to be produced by svengali Kim Fowley. Joan Jett and Lita Ford would soon part ways to pursue solo careers, and both would go on to become huge stars in the following decade.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
CRP 202LP
|
2013 release. Three years gone from their massive hit, "Gloria," only one original member remained in the band; lead singer Jim Sohns. Thinking the world wasn't done with him yet, he assembled a band and inked a deal with the hit-makers Jerry Kasenetz and Jeff Katz and cut a record, which produced one final hit for the group in "Shake" and this self-titled LP. A bit of a hit chasing LP, it's all over the map stylistically, from the expected snotty R&B to psychedelic excursions to hard rock to pop. Although this might sound off-putting at first, the album rewards with later listens as the record has some of the best songs of the Shadows of Knight's brief career. Reissued here on LP by Cherry Red Phonograph.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
CRP 111LP
|
2011 release. "Cherry Red Phonograph is proud to present a fully re-mastered edition of the classic 1976 album Softs, by one of the most influential exponents of the British underground, Soft Machine. This album was the band's second for the Harvest label (Pink Floyd and later Wire) and featured a new line-up of Karl Jenkins (piano, synthesizers), John Marshall (drums), Roy Babbington (bass), John Etheridge (guitar), and Alan Wakeman (sax). Seven of the album's eleven tracks were composed by Jenkins, who had taken over keyboard duties from Mike Ratledge (who makes his last appearance here on 'Song Of Aeolus' and 'Ban-Ban Caliban'), so the band at this stage was largely a vehicle for Jenkins' own vision. Also, taking Alan Holdsworth's place on guitar is John Etheridge, whose jaw-dropping speed and prowess made it quite obvious that he was no second fiddle. This is an album of exquisitely executed instrumental jazz fusion that has unfortunately often been overlooked over the years (leaving it un-issued on vinyl for over two decades)! Re-mastered from the original tapes and featuring the original artwork."
|