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DEX 015CD
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Reissue of a key minimalist masterwork. Dreyblatt's documentation in the past has been slim, with albums on Hat Art, Tzadik and Table of the Elements. This album features a 39 minute performance by Arnold's group known as The Orchestra of Excited Strings, recorded in 1981/82 Dreyblatt, Michael Hauenstein (bass violas with Excited Strings), Peter Phillips (Midget Upright Pianoforte), Kraig Hill (Portable Pipe Organ) & Greg Lewis (Hurdy Gurdy). "Dreyblatt only had one record Nodal Excitation (on the mostly post-AACM jazz label India Navigation), before he packed and moved to Berlin, were he concentrated on other activities, making only 2 more records over the next 10 years. But for those who caught the action, Arnold was the man. He was more rock than any of the other minimalists combined, and he was also the only one to really tap into that massive proto-minimal sound that Conrad had squelched out of his tin-contact mic violin in the early 60s. Indeed, in the early 70s, after being in school in Buffalo, where Conrad taught, Dreyblatt moved into Manhattan to work for LaMonte Young, where he witnessed first hand, and listened first-ear to those legendary recordings of the Theatre of Eternal Music. He got interest in long string sounds, and bought a bass that he wired with piano wire. By hitting the strings instead of bowing them, Dreyblatt was able to get those ringing overtones, but he also had added something new: pure rhythm...So what you have here is Dreyblatt's freshman record, a slice of minimal history that is as potent now, if not more, as it was then. It was a lighthouse that was aiming the wrong way when the tugboat came by, but now it's shining right in your face."
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DEX 009CD
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"Originally released in 1976, Corrected Slogans presents the first audible stirrings of Red Crayola since their 1968 God Bless the Red Crayola and All Who Sail With It. In the intervening years, Mayo Thompson made what has been hailed as the finest album in the history of rock music (Corky's Debt To His Father), moved from Texas to NY, and began to collaborate with the group of artists known collectively as Art & Language. As a provisional propaganda piece, Corrected Slogans is rancorously, unabashedly, and gloriously wordy. It's work-driven quality most closely recalls Kangaroo? (the next Crayola collaboration with Art & Language). While Kangaroo? was a pop album, Corrected Slogans takes a sparse acoustic setting, allowing the many voices of the Art & Language troop to represent a socialist-style collective voice of the common man."
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DEX 012CD
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2022 restock, all-time classic. "First issued in 1970 by the German label Wergo, What?? (as we would call it here in America) was obscure even among the avant company it kept in; labelmates such as Stockhausen, Ligeti and Cage overshadowed Rabe from the start." Rabe: "About 85% of the material is made up of electronically generated tones, which however are never present in their static, original form. Each partial has been specifically treated in itself, which can at times yield a very rich result. What?? was created in the late summer of 1967, and was realized by me in the electronic studio of the Swedish Radio...the second What?? is the same as the first, but at half-speed, ie. one octave lower. This may seem a lousy way to fill up a CD, but in fact through the years I have been using both versions in performances. With the kind of sound material used in What??, it does not simply sound half-speed. In a way it becomes another piece of music -- mellower, and the single events of course easier to distinguish."
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DEX 006CD
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1996 release on Jim O'Rourke's old label, surprisingly repressed for 2008. First non-reissue on this label -- an unreleased companion to the 1990 Alchemy label masterpiece. "The designation 'Rainbow' contrasts with the odd colorlessness of the many noise records. Like Voice Crack, this is power electronics at its most detailed, most subtly varied, and most exhaustively kinetic. It doesn't stop. It's a thrill every two seconds, for seventy-five minutes... It splits into halves, quarters, and more unwieldy f(r)actions. It splits prime numbers... it's the closest we've found to an infinite palette."
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