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ECHO 2090CD
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Flatt & Scruggs, live on the radio, at New River Ranch Rising Sun, Maryland 1959-1961. Lester Flatt and Earl Scruggs were among the greatest bluegrass performers. Recorded for broadcast at the New River Ranch in Rising Sun, Maryland between 1959 and 1961, this CD documents the pair in their prime. The wide assortment of material includes standards like "Foggy Mountain Breakdown", "Orange Blossom Special", and "Gotta Travel On", as well as favorites from their early recording career like "Dim Lights, Thick Smoke" and "I'll Go Stepping Too." Includes the entire FM radio broadcast, digitally remastered, with background liners.
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ECHO 2068CD
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Albert King, featuring Dickey Betts, live at the Bottom Line on September 29th, 1976. "Everybody has the blues, everybody understands the blues." A lasting statement from an immensely revered blues icon who passed from this life on December 1st, 1992 and who left a hole in the music world that has yet to be filled and most certainly, never will be. King related the blues to a whole new world of listeners, mainly white, young kids from across the Atlantic and at home who would embrace the blues and the Kings with a feverish passion. Here are two of those legends. Echoes presents the entire WNEW-FM broadcast of Albert King featuring Dickey Betts live from the Bottom Line, New York on September 29th, 1976. Professionally remastered original broadcast with interviews, background liners, and rare archival photos.
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ECHO 2082CD
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Hoodoo Rhythm Devils, live at the Old Waldorf on May 12th, 1977. Originally signed to Capitol Records in 1971, Hoodoo Rhythm Devil's debut LP, Rack Jobbers Rule went by largely unnoticed, but simultaneously helped in launching the band's live career, which was certainly more successful than their recorded legacy. Capturing a band like HRD live is no mean feat, but their appearance at the Old Waldorf is one that is relatively unmatched in this area. The band was hailed at the time by the Berkeley press as "A local natural resource fueled by bar-be-que sauce." Echoes present the entire KSAN FM broadcast of the Hoodoo Rhythm Devils live from the Old Waldorf, San Francisco 12th May 1977. Originally aired on May 17th, 1977. Professional remastered with background liners and rare archival photos.
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ECHO 2070CD
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Considered by many to be the world's best blue-eyed soul singer, Eddie Hinton wrote, produced, arranged, and played on one more classic records than many realize. His guitar is heard on albums by Elvis Presley, Aretha Franklin, Bobby Womack, Dusty Springfield, and countless other iconic greats, and while he's not as well known by name, his contribution to music will never be forgotten. This 1979 recording finds him guesting with the legendary Nighthawks at Rose's Cantina in Atlanta, Georgia. It's an extravaganza of pumped-up soul and R&B, with broken strings and adrenaline, down to the bone, presented here in its entirety as originally broadcast on WLIR-FM. Professionally remastered sound; includes background liners, interviews, and rare archival photos.
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ECHO 2078CD
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Dave Van Ronk, live at the Main Point, Bryn Mawr on February 17th, 1978. A man once described as "a tall, garrulous, hairy man of three-fifths Irish descent... he resembled an unmade bed strewn with books, record jackets, pipes, empty whiskey bottles, lines from obscure poets, finger picks and broken guitar strings." Also known as the "Mayor of Greenwich Village", but always known as one of America's leading legends whose life reaches far beyond the "garrulous" and "hairy" frame that housed the talent. Philadelphia had always offered the warmth of a familiar sanctuary for folk artists ever since Mrs. Campbell opened its doors amidst a 1964 blizzard. Dave Van Ronk, in particular, was no stranger to its walls that had kept so many players shielded from a temperamental climate. Van Ronk's habitual return in 1978 presented another intimate chapter between listener and song, an exchange between with the author. Presented here is the entire, original WIOQ 102.1 FM broadcast, professionally re-mastered, with expansive liners, interviews and rare archival images.
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ECHO 2077CD
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Pete Seeger and Big Bill Broonzy, live at Cahn Auditorium, Northwestern University, Evanston, Chicago on October 25th, 1956. American author, historian, actor, broadcaster and Pulitzer Prize winner Louis 'Studs' Terkel was the perfect point of communication between poet and people. The Studs Terkel Program was broadcast each weekday between 1952 and 1997 when he interviewed guests as diverse as Martin Luther King, Leonard Bernstein, Mort Sahl, Bob Dylan, Tennessee Williams and Big Bill Broonzy ("our land's most distinguished singer of 'undressed' blues"). Chicago's WFMT were invited to record Big Bill Broonzy's authentic, high octane blues alongside Pete Seeger's observational folksong for Stud Terkel's weekly "Almanac" broadcast in 1956. Broonzy and Seeger pair up on Lead Belly's "Midnight Special" to close the show with Terkel declaring, "Broonzy and Seeger are of disparate cultures, yet share the big common denominator: they are free in song." Studs Terkel also remarked, "The program was unplanned. We approached the WFMT mike, and let come what did." Echoes presents the entire original WFMT-FM broadcast of Pete Seeger and Big Bill Broonzy together in song at Cahn Auditorium, Northwestern University, Evanston, Illinois in 1956. Professionally re-mastered original FM broadcast with expansive liners and rare archival photos.
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ECHO 2067CD
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Echoes very proudly presents the entire WBEZ-FM broadcast of Koko Taylor, "Queen of the Blues", live from the 11th annual Chicago Blues Festival on Sunday June 5th, 1994. Before her roar was silenced in 2009, the "Queen of the Blues" reigned over the annual Chicago Blues Festival weekend. In 1994, she had just released a new album Force of Nature (1993) and was honored by the mayor of Chicago as well as being awarded with the W.C. Handy Contemporary Blues "Female Artist of the Year". Koko Taylor was also about to open her own club in Chicago but she put time aside to headline the last night of this Blues Festival. As with all of her performances, it's a jubilant and powerful Taylor that stands at the mic spreading an education and joy to others. Professionally re-mastered original FM broadcast. Includes background liners with interviews and rare archival photos.
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ECHO 2041CD
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Muddy Waters arrived in Boston on June 15, 1976, where he was met with open arms by city mayor Kevin White. During Muddy Waters's appearance at Paul's Mall that night, the mayor proudly proclaimed June 15 Muddy Waters Day. Muddy Waters has his invaluable band behind him here with Pinetop Perkins, "Steady Rollin'" Bob Margolin, Calvin "Fuzz" Jones, Luther "Guitar Junior" Johnson, Jerry Portnoy, and Willie "Big Eyes" Smith. With a staggering combination of fluency and bite, they take on numerous chunks of Muddy Waters's iconic songbook. Muddy Waters's legacy is almost unmatched, not only in terms music, but also in terms of the fabric of a whole generation and the culture it came to define. Echoes proudly presents the entire original WBCN-FM broadcast of Muddy Waters and his band live from Paul's Mall, Boston, MA, on June 15, 1976 (Muddy Waters Day). Professionally remastered original broadcast with background liners and rare archival photos.
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ECHO 2054CD
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Jo Jo Gunne always came across as a lot smarter than a good deal of their boogie counterparts during the early '70s when the band occupied the throne of that genre for a brief spell. Their instrumental and arranging prowess had been earned on the back of their previous incarnation as Spirit, the revered post-psychedelic blues and jazz collective from LA. This blistering performance at Ultrasonic Studios, New York, in 1973, promoting their recently released Bite Down Hard album, emphasizes a force in boogie rock that gravitates toward the likes of Cactus and early Blackfoot. While their explosive best may be confined to their first two albums, one can't help feeling that with a more consistent and less fractured line-up, the destiny of Jo Jo Gunne may have been wholly different. Echoes proudly presents the entire original WLIR-FM broadcast of Jo Jo Gunne live at Ultrasonic Studios, Long Island, New York, 1973. Professionally remastered original broadcast with background liners and rare archival photos.
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ECHO 2033LP
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180-gram vinyl. Includes insert. This unique show offers up a slice of QMS history, with most of the band following other pursuits shortly after its occurrence. Valenti carried on his solo career while Cipollina took Skip Olsen into various offshoot projects. Duncan relocated to Hawaii, Ellmore dropped into the background, and Lewis ventured deep into the disco scene, the conclusion of a period that had promised so much more. Many of the shows on the Solid Silver "comeback" tour of 1975/'76 brought Quicksilver back into the club scene, playing in more intimate surroundings such as My Father's Place in Roslyn, New York. The tour harkened back to their days as psychedelic protagonists from San Francisco. Their appearance at My Father's Place on January 31, 1976, allowed the band to enjoy their respected repertoire that had brought them the deserved attention in the late 1960s. Echoes proudly presents the entire FM broadcast this performance in professionally remastered sound with background liners and rare archival photos.
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ECHO 2043LP
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180-gram vinyl. Lou Reed's 1976 album Rock and Roll Heart wasn't a showcase for the usual diverse aspects of his musical outpouring; it was a shower of bullets, shot at any given interested targets. Unfortunately for Reed, most of the shots missed, but we can be certain that the gun was loaded. His Boston show from October 1976 at the Orpheum Theatre drew the usual suspects with a snapshot of young punks, and included a performance of "Heroin" that differs remarkably from the more familiar versions rolled out on stage in the early days with Nico et al. and on Transformer (1972). WBCN-FM's presence warranted expectations that Reed may not have wanted or respected, but his vision is rarely blurred. The familiar resolute figure took the stage with the singular demeanor he was authorized to parade, but with the quiet seduction and subdued authority that always set him apart. Echoes proudly presents the entire original WBCN-FM broadcast of Lou Reed's astonishing performance at the Orpheum Theatre in Boston, Massachusetts, on October 29, 1976. Professionally remastered original FM recording with background liners and rare archival photos.
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ECHO 2043CD
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Lou Reed's 1976 album Rock and Roll Heart wasn't a showcase for the usual diverse aspects of his musical outpouring; it was a shower of bullets, shot at any given interested targets. Unfortunately for Reed, most of the shots missed, but we can be certain that the gun was loaded. His Boston show from October 1976 at the Orpheum Theatre drew the usual suspects with a snapshot of young punks, and included a performance of "Heroin" that differs remarkably from the more familiar versions rolled out on stage since the early days with Nico et al. and Transformer (1972). WBCN-FM's presence warranted expectations that Reed may not have wanted or respected, but his vision is rarely blurred. The familiar resolute figure took the stage with the singular demeanor he was authorized to parade, but with the quiet seduction and subdued authority that always set him apart. Echoes proudly presents the entire original WBCN-FM broadcast of Lou Reed's astonishing performance at the Orpheum Theatre in Boston, Massachusetts, on October 29, 1976. Professionally remastered original FM recording with background liners and rare archival photos.
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ECHO 2048CD
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The Sons of Champlin are an often overlooked but essential ingredient in the heady cocktail of Marin County's rich musical heritage. The band were more R&B-rooted than their notorious guitar-driven counterparts such as the Grateful Dead and Jefferson Airplane, but their musicianship and formidable talent was recognized and revered by these same icons. The Sons were a mainstay of Bay Area folklore to many although their commercial fortunes cast them into the shadows under the second tier of bands like Big Brother and Quicksilver. The Sons' legendary appearance at the Marin County Civic Center in San Rafael, California, on November 28, 1975, displays a potent psychosis of musical styles in which the band brandish their psychedelic soul-funk stew with a selection of material showcasing their most recent album, The Sons of Champlin (1975), and their follow-up, forthcoming at the time, A Circle Filled with Love (1976). The complete FM radio broadcast of this performance is presented here in professionally remastered sound with background liners and rare archival photos.
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ECHO 2036CD
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By 1979, The Flamin' Groovies were still riding high from their 1976 album Shake Some Action, a devastating record that shone a wider light on the band and guaranteed their status as underground icons. Their influence would be felt in the ensuing years with numerous alternative bands both at home and across the world absorbing the band's look, sound, and attitude. Eternal champions of the raw punk of the 1960s that re-emerged on Greg Shaw's Pebbles series and Lenny Kaye's groundbreaking Nuggets, The Flamin' Groovies paid homage to the sound and the songs with an explosive live set as is evident from their appearance at Keystone in Palo Alto, CA, in August 1979. The complete radio broadcast of this performance is presented here in professionally remastered sound with background liners and rare archival photos.
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ECHO 2033CD
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This unique show offers up a slice of QMS history with most of the band following other pursuits shortly after. Valenti carried on his solo career while Cipollina took Olsen into various offshoot projects. Duncan relocated to Hawaii, Elmore dropped into the background and Lewis ventured deep into the disco scene, the conclusion of a period that had promised so much more. Many of the shows on the Solid Silver "comeback" tour of 1975/76 brought Quicksilver back into the club scene, playing in more intimate surroundings such as My Father's Place in Roslyn, New York. It harked back to their days as psychedelic protagonists from San Francisco. Their appearance here in 1976 reflects times gone by and allows the band to enjoy their respected repertoire that had brought them the deserved attention in the late 1960s. Echoes proudly presents the entire FM broadcast of QMS' January 1976 appearance at My Father's Place in New York. Professionally re-mastered original broadcast with background liners and rare archival photos.
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ECHO 2011LP
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180 gram vinyl. At a point in time when Johnny Winter had only recently recovered from past addictions and blues giant Muddy Waters faced a decline in his career brought on by illness and the 1975 collapse of Chess Records, it was Steve Paul of Blue Sky who appeared as savior to both musicians. The results of his investment soon paid off and Winter's childhood dream of playing alongside his hero Muddy Waters came to fruition on Waters' 1977 comeback album Hard Again, a return to Waters' original Chicago sound. Its raw, expressive feel harkened back to his Chess Records days, and the outstanding musicianship and intimate exuberance exceeded all expectations, earning Waters a Grammy. The Hard Again tour combined the respected powerhouse of Waters, Winter, and James Cotton with musicians from the Hard Again sessions. Although this particular collaboration was short-lived, it has provided blues fans a rare opportunity to indulge in the work of two hugely important musical figures whose respect for each other is evidently unflinching. Two live albums, Muddy "Mississippi" Waters Live and Breakin' It Up, Breakin' It Down, have allowed a glimpse of the concerts from 1977 and '78, but this Boston performance has never previously seen the light of day. Echoes proudly presents the entire WBCN-FM broadcast of a performance at the Boston Music Hall on February 26, 1977, digitally remastered, with in-depth liner notes and rare photos.
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ECHO 2028LP
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Stevie Ray Vaughan's guest slot for Robert Plant on the Non Stop Go tour was not at all representative of his worth in terms of bill position, or a true reflection of his talent, but was ultimately prestigious enough considering the continuing legacy of Led Zeppelin and their iconic front man. Vaughan and his band Double Trouble were already enjoying the formation of their own legacy, which would grow in stature on the strength of the 1986 album Live Alive, and Vaughan's past collaborations with David Bowie and Jackson Browne. The set-list performed here is in places reminiscent of the songs chosen for the 1986 album, but the relaxed mood of this 1988 performance captures the early sobriety of his formative shows and a tender ferocity, allowing for a more honest picture of the legendary guitarist. This double LP includes the entire broadcast of Stevie Ray Vaughan and Double Trouble's appearance at The Spectrum, Philadelphia, on May 23rd, 1988. Originally broadcast by Washington DC FM for their Superstar Concert series, this rare recorded performance reveals a seminal artist at work. Professionally remastered FM broadcast with background liners and rare archival photos.
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ECHO 2006LP
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Ry Cooder needs little introduction. Since starting out in the '60s with the Rising Sons, Cooder has specialized in guitar sounds that harken back to primal bottleneck blues, country, jazz, Hawaiian slack-key guitar, Bahamian folk music, and countless other styles. He's combined various musical idioms into his own eclectic style as one of the world's foremost performers of roots music. Cooder's pioneering musicianship can never be overestimated, nor can his profound influence on many of his contemporaries. Echoes presents the entire WMMS-FM broadcast of Cooder's acoustic performance at Radio Branch in Cleveland, Ohio, on December 12, 1972. Previously released on CD in 2015 (ECHO 2006CD). Digitally remastered; includes insert with liner notes and photos.
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ECHO 2053CD
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Iggy Pop was no stranger to Chicago's Cabaret Metro in the 1980s, a rock and roll fixture with decades of smoke and sweat to show for its décor. The adrenaline is laid on thick and fast when Iggy walks out to greet the Metro crowd as Hanoi Rocks' Andy McCoy rips into the slicing, dumb metal of the title-track from Iggy's latest return-to-form album Instinct (1988). Iggy's plugged in for another power surge and the pace is set as the acrobatics nearly bring the ceiling down. "We're gonna rock it to ya straight -- no bullshit... Music should never be too good, too tight. It should excite you. The Stooges' music is supposed to make me feel good. And I've always had faith that if I feel good, others will." This is the complete original WXRT-FM broadcast of Iggy Pop's explosive performance at Chicago's Cabaret Metro on July 12, 1988. Professionally remastered with background liners and rare archival photos.
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ECHO 2034CD
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Aside from Joe Ely's hugely influential hold on Joe Strummer of The Clash and his own fascinating road to notoriety, the man's music remains largely unacknowledged outside of his loyal fanbase. Such savage neglect can only be met with bewilderment considering his impact on punk and country music and his rebel spirit that keeps both genres alive and interesting. KGSR-FM's broadcast of Ely's intimate solo appearance for the Austin Chamber of Commerce Star Award on December 3, 1993, survives as testament to his grueling schedule and commitment to rock and roll as not only a music form, but a way of life. Ely's fiery spirituality is in abundance in his performance here and signifies his own statement that "Muscle is muscle. Put that with riffs and wisdom and you've got something." Professionally remastered original FM broadcast with background liners and rare archival photos.
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ECHO 2023CD
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"Townes van Zandt is the best songwriter in the whole world, and I'll stand on Bob Dylan's coffee table in my cowboy boots and say that" --Steve Earle, 1995. Townes van Zandt was at the peak of his career in 1973. Fresh off releasing two of his finest albums a year earlier (High, Low and In Between and The Late, Great Townes Van Zandt), his celebrated appearances also grew in stature. Likewise, as a number of his other live performances demonstrate, the Whole Coffeehouse set features nothing but the man and his guitar, something that could stand at odds with a number of his cherished studio recordings. For a man whose own battles with the bottle were notorious (and made for an unpredictable on-stage career), his focus here is acute and laser-sharp, every syllable perfectly placed with each ephemeral note carefully conveying their purpose. This performance at the Whole Coffeehouse in 1973 is an essential addition to the late, great van Zandt discography. Whether singing a quiet, introspective country-folk song or a driving, hungry blues riff, van Zandt's lyrics and melodies were filled with the kind of haunting truth and succulent beauty that were instinctive. This was soul music; it came straight from his soul by way of a kind heart and an honest mind. Melancholic, reflective, and always pure and devout, his story is our story. This is the complete original FM broadcast of Townes van Zandt's landmark appearance at the Whole Coffeehouse in Minneapolis, Minnesota, in 1973. Digitally remastered sound; includes background liners and rare photos.
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ECHO 2028CD
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Stevie Ray Vaughan's guest slot for Robert Plant on the Non Stop Go tour was not at all representative of his worth in terms of bill position, or a true reflection of his talent, but was ultimately prestigious enough considering the continuing legacy of Led Zeppelin and their iconic front man. Vaughan and his band Double Trouble were already enjoying the formation of their own legacy, which would grow in stature on the strength of the 1986 album Live Alive, and Vaughan's past collaborations with David Bowie and Jackson Browne. The set-list performed here is in places reminiscent of the songs chosen for the 1986 album, but the relaxed mood of this 1988 performance captures the early sobriety of his formative shows and a tender ferocity, allowing for a more honest picture of the legendary guitarist. This CD includes the entire broadcast of Stevie Ray Vaughan and Double Trouble's appearance at The Spectrum, Philadelphia, on May 23rd, 1988. Originally broadcast by Washington DC FM for their Superstar Concert series, this rare recorded performance reveals a seminal artist at work. Professionally remastered FM broadcast with background liners and rare archival photos.
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ECHO 2020CD
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1975 was a bold and exciting time for Emmylou Harris, whose career itself was burgeoning with the release of her second album, Pieces of the Sky, released five years after her 1970 debut, Gliding Bird, on Jubilee. A revised energy with Reprise would inspire a third album, Elite Hotel, recorded in June 1975 and released in December of that year. Her appearance at The Amazing Grace Coffee House on May 15, 1975, consists of material drawn from her two 1975 albums. From the very beginning, Harris set high standards for herself, as well as the musicians she would work with. Her integrity and artistic ability led her to transcend the country-rock genre, becoming universally respected by fellow artists and music fans alike. Her Amazing Grace Coffee House appearance in May 1975 captures Harris at her peak. Many of the most enduring songs from both of her 1975 albums were featured in her sets from this time. Her interpretations of highly recognizable country standards, such as Buck Owens's "Together Again," Hank Williams's "Jambalaya," and Merle Haggard's "Tonight the Bottle Let Me Down" all compare favorably with the originals, proving that Harris was quite capable of taking a classic and making it her own. Echoes proudly presents the complete WXRT-FM broadcast of Emmylou Harris's May 1975 performance at The Amazing Grace Coffee House, Evanston, IL. Digitally remastered sound with background liners and rare photos.
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ECHO 2017CD
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This performance by the New Riders of the Purple Sage on March 18, 1973, at The Felt Forum (in the basement of Madison Square Garden) also boasted numerous appearances by "special friends." When The Sons of Champlin dropped out, NRPS were tapped to open for the Grateful Dead for their remaining performances at the Nassau Coliseum. The Dead returned the favor on their night off by appearing at NRPS's March 18th show, sharing the stage throughout with Ramblin' Jack Elliott, who opening for NRPS. An explosive and unique performance by two iconic American rock bands. Echoes proudly presents the entire WNEW-FM broadcast of this legendary concert. Digitally remastered with background liners and rare photos.
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ECHO 2011CD
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At a point in time when Johnny Winter had only recently recovered from past addictions and blues giant Muddy Waters faced a decline in his career brought on by illness and the 1975 collapse of Chess Records, it was Steve Paul of Blue Sky who appeared as savior to both musicians. The results of his investment soon paid off and Winter's childhood dream of playing alongside his hero Muddy Waters came to fruition on Waters' 1977 comeback album Hard Again, a return to Waters' original Chicago sound. Its raw, expressive feel harkened back to his Chess Records days, and the outstanding musicianship and intimate exuberance exceeded all expectations, earning Waters a Grammy. The Hard Again tour combined the respected powerhouse of Waters, Winter, and James Cotton with musicians from the Hard Again sessions. Although this particular collaboration was short-lived, it has provided blues fans a rare opportunity to indulge in the work of two hugely important musical figures whose respect for each other is evidently unflinching. Two live albums, Muddy "Mississippi" Waters Live and Breakin' It Up, Breakin' It Down, have allowed a glimpse of the concerts from 1977 and '78, but this Boston performance has never previously seen the light of day. Echoes proudly presents the entire WBCN-FM broadcast of a performance at the Boston Music Hall on February 26, 1977, digitally remastered, with in-depth liner notes and rare photos.
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Next >>
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