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CD
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GB 4002CD
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$17.50
PREORDER
RELEASE DATE: 8/14/2026
Wondrously uninhibited, and liberated from the added pressure of either a studio or a planned live recording, there is true magic, sparkling energy, and no lowering of intensity in this never-before-released unearthed gem. The night before Ella Fitzgerald walked into Konserthuset in Stockholm and recorded what became The Stockholm Concert, 1966, the Pablo Records live album now considered among the essential documents of her late career, she played two concerts at Falkoner Theatre in Copenhagen. Like many other Black American jazz musicians of her era, Denmark felt like home to Ella. It was a country where they found a degree of respect that the United States too often denied them. Ella's ease in her adopted home was palpable when she walked onto the Falkoner Theatre stage that Sunday. And, now the results are released on record for the first time, and with the full blessing of Ella's estate, listeners are treated to an irrepressible, unexpectedly vital addition to her canon.
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LP
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GB 4002LP
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$31.50
PREORDER
RELEASE DATE: 8/14/2026
LP version. Wondrously uninhibited, and liberated from the added pressure of either a studio or a planned live recording, there is true magic, sparkling energy, and no lowering of intensity in this never-before-released unearthed gem. The night before Ella Fitzgerald walked into Konserthuset in Stockholm and recorded what became The Stockholm Concert, 1966, the Pablo Records live album now considered among the essential documents of her late career, she played two concerts at Falkoner Theatre in Copenhagen. Like many other Black American jazz musicians of her era, Denmark felt like home to Ella. It was a country where they found a degree of respect that the United States too often denied them. Ella's ease in her adopted home was palpable when she walked onto the Falkoner Theatre stage that Sunday. And, now the results are released on record for the first time, and with the full blessing of Ella's estate, listeners are treated to an irrepressible, unexpectedly vital addition to her canon.
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GB 1531CDUS
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Originally released in 2018. This is a brand-new US version of Applewood Road's rapturously received 2016 debut album -- featuring the honey-soaked harmonies and exquisite songwriting of the trio in all its glory, with the addition of an exclusive bonus 7" single. The single contains the band's heart melting rendition of REM's "Losing My Religion," on the A Side, backed with "My Dear Companion," both recorded live at their sensational Union Chapel show in November 2016. Applewood Road is Emily Barker, Amber Rubarth, and Amy Speace. In September 2014, three songwriters met for the first time in a cafe in East Nashville. By the next morning, they had put the finishing touches to their first song, "Applewood Road," which they recorded live to tape at Nashville's all analogue studio, Welcome to 1979. The song's nostalgic air, along with the clear, sparse arrangement of three vocals accompanied by double bass, drew immediate positive response, and they decided to expand the idea into a full album. Six months later, they reconvened to write, rehearse and record songs for the self-titled album Applewood Road. The songs were again performed live around a single microphone at Welcome to 1979 and recorded to 2-track tape with minimal accompaniment from some of Nashville's finest session players, including Telisha Williams, Aaron Lee Tasjan, Josh Day, Fats Kaplin, and Jabe Beyer.
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GB 1547CD
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Originally released in 2018. After their highly praised mega work Journey to the Mountain of Forever (Urban Album of the Year: MoJo Magazine), Binker and Moses return with a blistering assault on the senses. Their third album in as many years, Binker Golding and Moses Boyd are trailblazers in arguably the most exciting jazz explosion London has ever witnessed. 10 new tracks featuring a giant wealth of talent alongside Binker and Moses themselves, (including UK free jazz legend Evan Parker and one half of Yussef Kamaal), this album captures a moments 45 minutes when spontaneity and composition combine to magical effect. Recorded live at Total Refreshment Centre, East London, June 2017. Engineering and mixing by Gareth Finnegan. Mastered and cut by Darrel Sheinman and Caspar Sutton-Jones at Gearbox Records.
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GB 1547LP
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LP version. Originally released in 2018. After their highly praised mega work Journey to the Mountain of Forever (Urban Album of the Year: MoJo Magazine), Binker and Moses return with a blistering assault on the senses. Their third album in as many years, Binker Golding and Moses Boyd are trailblazers in arguably the most exciting jazz explosion London has ever witnessed. 10 new tracks featuring a giant wealth of talent alongside Binker and Moses themselves, (including UK free jazz legend Evan Parker and one half of Yussef Kamaal), this album captures a moments 45 minutes when spontaneity and composition combine to magical effect. Recorded live at Total Refreshment Centre, East London, June 2017. Engineering and mixing by Gareth Finnegan. Mastered and cut by Darrel Sheinman and Caspar Sutton-Jones at Gearbox Records.
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GB 1530CD
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Originally released in 2015. Winner of the 2015 MOBO Award for Best Jazz Act. What Binker and Moses have effectively done it show what jazz can be. Binker and Moses are tenor saxophonist Binker Golding and drummer Moses Boyd -- two of the most exciting young jazz musicians on the thriving London jazz scene. Originally meeting through double bassist/educator Gary Crosby's Tomorrow's Warriors jazz development program, they have played together in various large and small format groups including recording and touring extensively as members of Zara McFarlane's band. Dem Ones is their debut recording as a duo, and has its roots in experiments between soundchecks and gigs while on the road with McFarlane. Over time these initial ideas and jams have become templates for improvisation, and with their echoes of late period Coltrane and Charles Lloyd, are as listenable and memorable as they are full of invention, passion and surprise. All the tracks were performed in the live room at Mark Ronson's Zelig Studio and recorded direct to Gearbox's vintage Studer 1/4" tape machine next door.
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GB 1530LTDLP
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LP version. Originally released in 2015. Winner of the 2015 MOBO Award for Best Jazz Act. What Binker and Moses have effectively done it show what jazz can be. Binker and Moses are tenor saxophonist Binker Golding and drummer Moses Boyd -- two of the most exciting young jazz musicians on the thriving London jazz scene. Originally meeting through double bassist/educator Gary Crosby's Tomorrow's Warriors jazz development program, they have played together in various large and small format groups including recording and touring extensively as members of Zara McFarlane's band. Dem Ones is their debut recording as a duo, and has its roots in experiments between soundchecks and gigs while on the road with McFarlane. Over time these initial ideas and jams have become templates for improvisation, and with their echoes of late period Coltrane and Charles Lloyd, are as listenable and memorable as they are full of invention, passion and surprise. All the tracks were performed in the live room at Mark Ronson's Zelig Studio and recorded direct to Gearbox's vintage Studer 1/4" tape machine next door.
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GB 1570LP
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Originally released in 2020. Those who know the duo will appreciate that every Binker and Moses performance is distinct in itself, characterized by a mutual spontaneity and a tireless interrogation of the infinite. This six-track recording, taken from their Journey to the Mountain of Forever album launch at the iconic Total Refreshment Centre back in 2017, is a whole new interpretation of the studio album's first disc (with the opening tune clocking in at a full 17 minutes of semi-free exploration). The audience's excitement, a sound-bed of whoops and yells, is heard intermittently throughout and only adds to the incredible vibe -- a tonic perhaps to these gig-dry, restricted times.
"Saxophonist Binker Golding and drummer Moses Boyd remain the most convincing of the new wave of London jazzers." -The Wire
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GB 1576CD
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Originally released in 2022. After some years spent roaming the Valley of the Ultrablacks and exploring the Mountain of Forever, (where they narrowly avoided the lethal traps of The Voice of Besbunu), Binker and Moses are back with a new offering. Feeding The Machine was recorded at Peter Gabriel's Real World Studios by legendary, GRAMMY-winning producer Hugh Padgham. The record features honorary third member Max Luthert on tape loops and electronics, moving their sound into an entirely new dimension that crosses into ambient, minimalism and experimental electronic territories. With the use of modular synths and sampling, traditional melody and song structures are left behind as the musicians are pushed creatively to respond and in turn, "feed the machine."
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GB 1576LP
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LP version. Originally released in 2022. After some years spent roaming the Valley of the Ultrablacks and exploring the Mountain of Forever, (where they narrowly avoided the lethal traps of The Voice of Besbunu), Binker and Moses are back with a new offering. Feeding The Machine was recorded at Peter Gabriel's Real World Studios by legendary, GRAMMY-winning producer Hugh Padgham. The record features honorary third member Max Luthert on tape loops and electronics, moving their sound into an entirely new dimension that crosses into ambient, minimalism and experimental electronic territories. With the use of modular synths and sampling, traditional melody and song structures are left behind as the musicians are pushed creatively to respond and in turn, "feed the machine."
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GB 1576CDOBI
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Japanese edition. Originally released in 2022. After some years spent roaming the Valley of the Ultrablacks and exploring the Mountain of Forever, (where they narrowly avoided the lethal traps of The Voice of Besbunu), Binker and Moses are back with a new offering. Feeding The Machine was recorded at Peter Gabriel's Real World Studios by legendary, GRAMMY-winning producer Hugh Padgham. The record features honorary third member Max Luthert on tape loops and electronics, moving their sound into an entirely new dimension that crosses into ambient, minimalism and experimental electronic territories. With the use of modular synths and sampling, traditional melody and song structures are left behind as the musicians are pushed creatively to respond and in turn, "feed the machine."
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GB 1576OBILP
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LP version. Japanese edition. Originally released in 2022. After some years spent roaming the Valley of the Ultrablacks and exploring the Mountain of Forever, (where they narrowly avoided the lethal traps of The Voice of Besbunu), Binker and Moses are back with a new offering. Feeding The Machine was recorded at Peter Gabriel's Real World Studios by legendary, GRAMMY-winning producer Hugh Padgham. The record features honorary third member Max Luthert on tape loops and electronics, moving their sound into an entirely new dimension that crosses into ambient, minimalism and experimental electronic territories. With the use of modular synths and sampling, traditional melody and song structures are left behind as the musicians are pushed creatively to respond and in turn, "feed the machine."
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GB 1537CDOBI
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Japanese Edition. When Binker Golding and Moses Boyd's debut album Dem Ones was released in Summer of 2015 it kickstarted a sensational year for the young saxophone and drums duo, who won a string of awards including 2015 MOBO Awards: Best Jazz Act, Jazz FM Awards 2016: UK Jazz Act of the Year and Breakthrough Act of the Year and the 2106 Parliamentary Jazz Awards: Jazz Newcomer of the Year. Journey to the Mountain of Forever is a story album on two discs: the first features the duo on their own while for the second they are joined by saxophonist Evan Parker, trumpeter Byron Wallen, harpist Tori Handsley, tabla player Sarathy Korwar, and drummer Yussef Dayes. The sessions took place on 21-22 July 2016, and were recorded completely live from Mark Ronson's Zelig studio direct to a 1960s Studer C37 1/4" tape machine at Gearbox's studio -- no edits, drop-ins or mixing down. So, travel from the "realm of the now" to "the realm of the infinite," meeting along the way Shamans, the great Besbunu, the Ultra Blacks and various other tribes, monsters and characters whilst immersing yourself in their strange rituals, potions, music and a world which has no end. But, beware of the Jahvmonishi plant!
br>"Is Binker Golding the new Sonny Rollins? The new Coltrane? Or both? Like those R&B-rooted sax colossi, Golding and powerhouse drummer Moses Boyd shake ass first, stroke beards second." -- MOJO (Voted #1 Urban Album of 2017)
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GB 1545CD
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Originally released in 2018. Following on from previous release Live At The Vagabond (2017) and AfroKuti: A Tribute To Fela (2018), Camden Session is a snapshot of the band's explosive energy, groove-heavy sequences, and unrivalled togetherness. Their playing is modern and innovative, yet contains rich echoes of Weather Report, Return to Forever, early Earth Wind and Fire, and Zappa. DJ Harrison is broadly seen as the visionary in an albeit egalitarian band. His keys provide the harmonic colors around which drummer Corey Fonville's (Christian Scott, Nicholas Payton) muscular delivery and bassist Andrew Randazzo's effortless cool pulsate. Multi-instrumentalist Marcus Tenney on saxophone/trumpet and Morgan Burr's guitar complete the quintet. Recorded at Mark Ronson's Zelig Studios and cut live to disc at Gearbox Records in London using an all-analogue signal path. Mixed and engineered by the legendary Tony Platt. No edits, no overdubs.
"A quintet that plays funky, frisky music equally influenced by jam bands, hip-hop D.J.s and 1970s fusion. Their star is on the rise." --New York Times
"Masters of full-on, soul-kissed, garage punk-funk and jazz grooves -- progressive rappers should be queuing out the door for their blessing." --Mojo
"The band settles into nuanced grooves with an innate respect for the past, a reverence for the Headhunters, Stevie Wonder, the Meters and the voodoo of the tape machine." --Huffington Post
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GB 1545CDOBI
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Japanese edition. Originally released in 2018. Following on from previous release Live At The Vagabond (2017) and AfroKuti: A Tribute To Fela (2018), Camden Session is a snapshot of the band's explosive energy, groove-heavy sequences, and unrivalled togetherness. Their playing is modern and innovative, yet contains rich echoes of Weather Report, Return to Forever, early Earth Wind and Fire, and Zappa. DJ Harrison is broadly seen as the visionary in an albeit egalitarian band. His keys provide the harmonic colors around which drummer Corey Fonville's (Christian Scott, Nicholas Payton) muscular delivery and bassist Andrew Randazzo's effortless cool pulsate. Multi-instrumentalist Marcus Tenney on saxophone/trumpet and Morgan Burr's guitar complete the quintet. Recorded at Mark Ronson's Zelig Studios and cut live to disc at Gearbox Records in London using an all-analogue signal path. Mixed and engineered by the legendary Tony Platt. No edits, no overdubs.
"A quintet that plays funky, frisky music equally influenced by jam bands, hip-hop D.J.s and 1970s fusion. Their star is on the rise." --New York Times
"Masters of full-on, soul-kissed, garage punk-funk and jazz grooves -- progressive rappers should be queuing out the door for their blessing." --Mojo
"The band settles into nuanced grooves with an innate respect for the past, a reverence for the Headhunters, Stevie Wonder, the Meters and the voodoo of the tape machine." --Huffington Post
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GB 1545LPOBILP
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LP version. Japanese edition. Originally released in 2018. Following on from previous release Live At The Vagabond (2017) and AfroKuti: A Tribute To Fela (2018), Camden Session is a snapshot of the band's explosive energy, groove-heavy sequences, and unrivalled togetherness. Their playing is modern and innovative, yet contains rich echoes of Weather Report, Return to Forever, early Earth Wind and Fire, and Zappa. DJ Harrison is broadly seen as the visionary in an albeit egalitarian band. His keys provide the harmonic colors around which drummer Corey Fonville's (Christian Scott, Nicholas Payton) muscular delivery and bassist Andrew Randazzo's effortless cool pulsate. Multi-instrumentalist Marcus Tenney on saxophone/trumpet and Morgan Burr's guitar complete the quintet. Recorded at Mark Ronson's Zelig Studios and cut live to disc at Gearbox Records in London using an all-analogue signal path. Mixed and engineered by the legendary Tony Platt. No edits, no overdubs.
"A quintet that plays funky, frisky music equally influenced by jam bands, hip-hop D.J.s and 1970s fusion. Their star is on the rise." --New York Times
"Masters of full-on, soul-kissed, garage punk-funk and jazz grooves -- progressive rappers should be queuing out the door for their blessing." --Mojo
"The band settles into nuanced grooves with an innate respect for the past, a reverence for the Headhunters, Stevie Wonder, the Meters and the voodoo of the tape machine." --Huffington Post
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GB 1542CD
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Dedicated to innovation, informed by a love of the past, Butcher Brown's sound is a modernist fusion, fizzing with explosive energy, rich in jazz licks and astonishing with raw musicality. Gearbox Records presents this, their first ever multi format global release. It's a hometown gig (Richmond, Virginia) and the electrifying energy reminds listeners how vital a live album should be. The players were all born after the mid-'70s, fusion's golden age, but their modern, hiphop inflected funk has rich echoes of Return To Forever and early Earth Wind and Fire. This is the sound of a band on the verge of a brilliant future.
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GB 1568LP
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Originally released in 2021. Cahill//Costello present their debut album, Offworld. Recorded during August 2020 on location in Sanna, Ardnamurchan, in the Scottish Highlands, the album captures the spontaneity and improvised nature of the immersive Scottish landscape. By fusing together minimalist music and improvisation in a "live session," Cahill//Costello chronicle their own contemporary bardic and ethnographic interpretation of modern-day Scotland.
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12"
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GB 1553EP
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Originally released in 2019. This three-track EP is an epic introduction to the one-man band that is Chiminyo. A skilled drummer and percussionist, Chiminyo is a vital part of the London music scene as a member of Maisha, Don Kipper, and Cykada. I Am Chiminyo is a departure from the jazz territory and an introduction to his electronic solo project. Each track is performed on live drums, which then trigger synth sounds - no loops or backing tracks. Evocative of drum and bass legends such as LTJ Bukem and echoing the likes of Squarepusher and DJ Shadow, this is the ultimate definition of Chiminyo's sound and style.
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GB 1563CD
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Originally released in 2020. The long-awaited debut album by percussionist and producer Chiminyo is finally here. I Am Panda weaves together a warm, enveloping tapestry of euphoric melodies, acoustic beats, and brain-burrowing bass lines, all originating from the hit of a drum. Via laboriously self-coded software, every cymbal crash and drum hit triggers a synth or sample, allowing Chiminyo complete control and creating a distinct sonic world like no other. Each track is different in tone and texture, with varying featured artists including K.O.G., Brother Portrait of Steam Down fame, and Eastern-European folk singer Dunja Botic. The new album follows on from Chiminyo's 2019 debut EP I Am Chiminyo, which served as a visceral introduction to his unique sound, and earned plaudits from the likes of Gilles Peterson, BBC 1Xtra, CLASH, Red Bull, Jazzwise, Jazz FM and more. As well as his own solo project, Chiminyo also performs and records with some of the leading figures of London's music scene, including spiritual jazz-leaning outfit Maisha and psychedelic energy bomb Cykada. He has also previously collaborated and recorded with Gary Bartz, Nubya Garcia, Shabaka Hutchings, Theon Cross, and Zara McFarlane.
"Chiminyo is one of the real hidden forces in UK jazz." --CLASH Magazine
"Another absolute brilliant album." --Gilles Peterson
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GB 1563LP
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LP version. Originally released in 2020. The long-awaited debut album by percussionist and producer Chiminyo is finally here. I Am Panda weaves together a warm, enveloping tapestry of euphoric melodies, acoustic beats, and brain-burrowing bass lines, all originating from the hit of a drum. Via laboriously self-coded software, every cymbal crash and drum hit triggers a synth or sample, allowing Chiminyo complete control and creating a distinct sonic world like no other. Each track is different in tone and texture, with varying featured artists including K.O.G., Brother Portrait of Steam Down fame, and Eastern-European folk singer Dunja Botic. The new album follows on from Chiminyo's 2019 debut EP I Am Chiminyo, which served as a visceral introduction to his unique sound, and earned plaudits from the likes of Gilles Peterson, BBC 1Xtra, CLASH, Red Bull, Jazzwise, Jazz FM and more. As well as his own solo project, Chiminyo also performs and records with some of the leading figures of London's music scene, including spiritual jazz-leaning outfit Maisha and psychedelic energy bomb Cykada. He has also previously collaborated and recorded with Gary Bartz, Nubya Garcia, Shabaka Hutchings, Theon Cross, and Zara McFarlane.
"Chiminyo is one of the real hidden forces in UK jazz." --CLASH Magazine
"Another absolute brilliant album." --Gilles Peterson
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GB 1563CDOBI
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Japanese edition. Originally released in 2020. The long-awaited debut album by percussionist and producer Chiminyo is finally here. I Am Panda weaves together a warm, enveloping tapestry of euphoric melodies, acoustic beats, and brain-burrowing bass lines, all originating from the hit of a drum. Via laboriously self-coded software, every cymbal crash and drum hit triggers a synth or sample, allowing Chiminyo complete control and creating a distinct sonic world like no other. Each track is different in tone and texture, with varying featured artists including K.O.G., Brother Portrait of Steam Down fame, and Eastern-European folk singer Dunja Botic. The new album follows on from Chiminyo's 2019 debut EP I Am Chiminyo, which served as a visceral introduction to his unique sound, and earned plaudits from the likes of Gilles Peterson, BBC 1Xtra, CLASH, Red Bull, Jazzwise, Jazz FM and more. As well as his own solo project, Chiminyo also performs and records with some of the leading figures of London's music scene, including spiritual jazz-leaning outfit Maisha and psychedelic energy bomb Cykada. He has also previously collaborated and recorded with Gary Bartz, Nubya Garcia, Shabaka Hutchings, Theon Cross, and Zara McFarlane.
"Chiminyo is one of the real hidden forces in UK jazz." --CLASH Magazine
"Another absolute brilliant album." --Gilles Peterson
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7"
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GB 1536EP
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The Reverend Eddie Bones is the esteemed American composer, pianist and instrument builder Cooper-Moore's collaboration with the songwriter and artist Ed Pettersen. This release is the second in a series of totally valve mastered recordings featuring Gearbox's vintage Decca valve mixer in association with their Haeco Scully lathe with Westrex RA1700 series amps, Westrex 3DIIA cutting head, and Telefunken U73B tube limiter.
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GB 1510CD
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This is an undiscovered, high energy hard bop live outing by arguably Britain's most important jazz combo, containing tracks not on any of their studio releases. Mastered direct from original tape -- a must for collectors and jazz lovers alike. Live from The Tivoli Restaurant & Ballroom, Morecambe, Lancashire on Wednesday, March 25th, 1959. With grateful thanks to Susan Bould, Derek Ansell, and the late Jeff Clyne. Featuring Tubby Hayes, Ronnie Scott, Terry Shannon, Jeff Clyne, and Bill Eyden. Recorded by Peter Bould Liner notes by Simon Spillett.
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GB 4003CD
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Originally released in 2025. In its entirety, this album is dedicated to Knats' loved ones; Stan's composition and single "Tortuga (For me Mam)" shows his love and appreciation of his Mam, while "Se7en," a darker tune, expresses his emotional relationship with his Dad, formerly "DJ Se7en." "Adaeze" is a tribute to King's late sister, taken from a gospel folk tune, incorporating West African percussive breaks and instrumentation. Acting as a message to all those who may know someone suffering with mental health to check on those around them and be that helping hand they might need. The Knats album represents many things, but most importantly that Newcastle is not to be overlooked. Featuring Anatole Muster, Parthenope, and Tom Ford.
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