|
|
|
|
viewing 1 To 25 of 317 items
Next >>
|
|
|
|
|
|
|
|
|
|
|
|
2LP
|
|
GET 52755LP
|
$41.00
PREORDER
RELEASE DATE: 3/14/2025
"When one makes mention of Deee-Lite, the '90s house-funk trio of Lady Miss Kier, and DJs Dmitry and Towa Tei, invariably their Billboard smash single 'Groove Is In The Heart' will come up, and for good reason. With its Herbie Hancock-sampling bassline, some classic rhymes from Q-Tip, and guest vocals by Parliament-Funkadelic legend Bootsy Collins, the song became an indelible classic of '90s music, a massive commercial hit for Deee-lite and is widely considered one of the greatest dance songs of all time. Although a massive success for the group, 'Groove Is In The Heart' led to some pigeonholing from critics and reviewers, who had specific expectations for future records. Rather than deliver more of the same free-wheeling, breezy dance music of World Clique, Deee-lite took a more politically-minded approach with their second album, spurred largely by front-woman Lady Miss Kier, who had a lengthy history of political activism prior to forming the group. 1992's Infinity Within rendered several Dance-chart hit singles, but was not as commercially or critically lauded as its forebear. Deee-lite were undaunted by their change in commercial fortune, regrouping with the addition of junglist DJ Ani, replacing the absent Towa Tei to record their third record. 1994's Dewdrops In The Garden was the result of their efforts, which struck a remarkable balance between the celebratory grooves of World Clique, and the social justice-driven Infinity Within. Lady Miss Kier had done a lot of world-traveling in the time between albums, and the material in Dewdrops was a reflection of her experiences, applying a spirit of global togetherness to their house-funk grooves. Regrettably, Dewdrops In The Garden was not a commercial success, yet it still managed to render its share of #1 Dance Chart singles; the atmospheric techno bounciness of 'Bring Me Your Love,' and the spacious funk-house track 'Call Me.' Though Deee-lite would disband soon after Dewdrops In The Garden's release, the record remains an unheralded favorite among dance music devotees for its coupling infectiously bright, and soulful melodies, with banging dance-floor grooves, and unshakably optimistic vibes."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
GET 51540LP
|
$41.00
PREORDER
RELEASE DATE: 3/14/2025
"One year after coming out of early retirement and releasing his 11th studio album Can't Stay Away, Too $hort dropped his 12th studio album You Nasty in the year 2000. With over twenty years in the game, Too $hort don't stop mackin' or rappin' and spits his pimp game over West Coast funk-laden tracks with some Dirty South influences for the Y2K. Get On Down in partnership with Sony Music's CERTIFIED is proud to present You Nasty for the first time on vinyl. The album is pressed on colored vinyl with 3 bonus instrumentals and packaged in a deluxe gatefold jacket."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
GET 52756LP
|
$30.00
PREORDER
RELEASE DATE: 2/28/2025
"When initially released in 1971, many critics panned Eddie Palmieri's album Harlem River Drive. Those critics were wrong. Regardless of critical opinion, the release was not the crossover success Palmieri and Roulette Records had hoped for, at least in the immediate. Over the years the release has developed a following among listeners, DJs, and aficionados of rare-grooves. The record may have been recorded towards the end of the Latin soul era, yet it features that genre's wonderful mix of Puerto Rican soul, Spanish Harlem Latin, and New York funk. Palmieri worked with an incredibly talented crew of Latin and R&B session musicians to create this quintessential New York vibe, a synthesis of funk and Afro-Cuban sounds. Contributors include Victor Venegas from Mongo Santamaria's band, Palmieri's brother Charlie, an accomplished musician in his own right, Bruce Fowler who went on to join Frank Zappa's band, Dick Meza who went on to great things with Tito Puente, Ray Barretto and Celia Cruz, as well as Andy Gonzalez whose pedigree includes recordings with Barretto, Johnny Pacheco, Willie Colon and even Chico O'Farrill. Also appearing Randy Brecker and one of the all-time greatest of the greats Bernard Purdy. An over-arching theme of Harlem River Drive is the thought that, as Palmieri puts it 'The U.S. is richest country, all this immense wealth, side by side with the most intense poverty, racial prejudice; how is that possible?' A question that's perhaps more even more relevant today than it was in 1971. A question that can be further explored with Get On Down's reissue of this seminal recording."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
GET 52757LP
|
$30.00
PREORDER
RELEASE DATE: 2/28/2025
"Starting in the late '60s, jazz music started to take an interesting, and very soulful turn. Influenced by the funk of the day -- from James Brown to Sly & The Family Stone -- the art form, generally not considered a funky musical genre, started to stretch out and fit into the times. It was a fertile era, and to reciprocate, funk, soul and groovy rock fans started to discover accomplished, open-minded jazz artists like Les McCann, whose tunes made sense to their ears, even if bebop hadn't grabbed them. This incredible album -- long a favorite of forward-thinking hip-hop producers and DJs -- washes over listeners from the first chords of the incredible album opener, 'Sometimes I Cry,' led by McCann's array of analog synthesizers and backed by an excellent rhythm section (Donald Dean on drums; Ralph McDonald on percussion and Jimmy Rowser on bass). Truth be told, highlights are hard to pick out, but fans never go long without returning to the fuzzed-out funk of 'The Harlem Buck Strut Dance,' 'Let's Play (Til Mom Calls)' and 'It Never Stopped In My Hometown.' These keyboard-drenched grooves sat alongside record stacks brimming with Stevie Wonder, Funkadelic, Marvin Gaye's '70s soul and, of course, Miles Davis' space funk experiments of the era (like Bitches Brew)."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
GET 52753LP
|
"Ol' Dirty Bastard aka Ason Unique, real name Russell Jones, was truly a one-of-a-kind, never-to-be-imitated emcee. As one of the founding members of the Wu-Tang Clan, Ol' Dirty Bastard released his classic RZA-produced debut solo album Return To The 36 Chambers: The Dirty Version in 1995. After the release of Wu-Tang Forever in '97, ODB had several run-ins with the law and was in and out of court and jail, but it didn't stop him from being himself. ODB got back in the studio in 1999 to record his second studio album and with a little help from The Neptunes dropped the hit single 'Got Your Money.' The video for the single was cut with scenes from Dolemite and one scene inspired the name of the album N***a Please which was released on Sept 14th, 1999, and would unfortunately be the last album to be released during Ol' Dirty Bastard's lifetime. The album is full of ODB's lyrical antics backed by a crew of producers including the RZA and Wu-Tang affiliated Tru Master and Buddah Monk along with The Neptunes and Irv Gotti. Out of print on vinyl since it was released 25 years ago, Get On Down is proud to honor the legacy of Ol' Dirty Bastard with a translucent yellow smoke and clear with smoke-colored vinyl pressing packaged in a gatefold jacket with a 25th Anniversary hype sticker."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
GET 51513LP
|
"Among hip-hop fans, Boogie Down Productions' first two albums -- Criminal Minded (1987) and By All Means Necessary (1988) -- loom very large. And for good reason: they both captured one of the late 1980s most important and influential crews at their highest powers of lyricism and musical invention. That said, too many people sleep on BDPs third LP, Ghetto Music. Released in 1989, when the hip-hop world was truly beginning to explode and reach new heights of sales and exposure around the world, the album is arguably as powerful as the group's first two. As on By All Means Necessary, in the wake of the tragic death of the founder, producer, and DJ Scott LaRock, KRS-One pushed along mightily on the production side, with help from his extended crew. Musically the sound created on albums two and three was funky, catchy, and continually innovative, giving him the perfect backdrop to build his Edutainment syllabus. Lyrically there was never a question about KRS-One's power, and on Ghetto Music he continues to impress, teach, and ask important questions. Clear cases in point are two of the album's singles, 'You Must Learn' and 'Why Is That?' but he gets even deeper on tracks like the anti-police thought-piece 'Who Protects Us From You' (still sadly relevant in 2024), 'Ghetto Music' and 'World Peace.' Out of print on vinyl since 2017, Get On Down in partnership with Sony's CERTIFIED is proud to present this '89 classic fresh for 2024! Pressed for the first time on double-colored vinyl and packaged in a gatefold jacket with a fold-out lyric sheet and two bonus remixes."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
GET 51541LP
|
"Get On Down in partnership with Sony's CERTIFIED is proud to present a recut deluxe 30th anniversary colored vinyl pressing of Resurrection that includes the original album plus three 'Resurrection' remixes with liner notes by Check The Technique author Brian Coleman and featuring track-by-track commentary from Common and No I.D., all in a beautiful gatefold jacket with a commemorative wrap-around OBI. Resurrection was released on Oct, 4, 1994. While the mainstream originally neglected the album, it has since received a great deal of critical acclaim and is now on The Source's 100 Best Rap Albums. In comparison to his debut album, Common's musical style evolved lyrically by expressing himself rather than just describing street life. With its jazz and hip hop flavors, Resurrection furthered the growth of both genres. Overall, the album is commonly perceived as an underrated Hip-Hop classic. Resurrection was produced almost entirely by No I.D., who has gone on to work with heavyweights like Usher, Alicia Keys, and Killer Mike on his Grammy Winning album Michael."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
GET 51526LP
|
"In 1996, Too $hort almost retired with album number ten, but of course, he couldn't stay away from the game. In 1999 he returned with Can't Stay Away and would pick back up his streak and release a new album every year until 2003. He had been living in Atlanta for several years and the ATL influence was growing on him as each album would feature more southern Hip-Hop artists and producers. Too $hort was starting to get crunk and made appearances on Lil Jon and The Eastside Boyz albums as their sound was growing in popularity in the early aughts. Lil Jon jumped on Too $hort's 14th album What's My Favorite Word in 2002 and would produce five songs on the 2003 follow up Married To The Game. $hort was not about to retire but took a three-year hiatus after the release of his 15th album. He returned in 2006 and dropped the hyped-up Lil Jon single 'Blow The Whistle' and followed with his 16th studio album of the same name with Lil Jon and Jazze Pha behind the boards. The album is a mix of crunk, club, classic pimp tales, and some East Oakland hyphy courtesy of Droop-E and Rick Rock. Almost 20 years later 'Blow The Whistle' can get any club or stadium bouncing and Too $hort don't stop rappin. Get On Down is proud to present Blow The Whistle for the first time on vinyl."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
GET 51519LP
|
"Reissue of the 1987 Profile Records holiday compilation in a red and white split colored pressing, with songs by Run-DMC, Dana Dane, Sweet Tee, The Showboys, The Surf M.C.s, Spyder-D, and more. Leading off with the Run-DMC smash, 'Christmas In Hollis,' this classic Christmas compilation features some of the hottest rap artists of the era, celebrating the holidays, hip-hop style. Highlights include Dana Dane's 'Dana Dane Is Coming To Town,' Sweet Tee's 'Let The Jingle Bells Rock' and even the Surf MC's' 'A Surf MC New Year,' adding a California surfer (and, ahem, Beastie Boys rip-off) twist to the proceedings. Not to be overlooked is the classic front and back cover artwork, featuring a gift-wrapped B-Boy. It remains an essential, evergreen (pun intended) holiday album to this day."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
GET 52746LP
|
"In 2014, Wiz Khalifa released his fifth studio album and his third major label release, Blacc Hollywood. The album featuring the lead single 'We Dem Boyz' debuted at #1 on the Billboard Top 200. The album was produced by frequent collaborator I.D. Labs with additional production by DJ Mustard, Ghost Loft, Choppa Boi, Jim Jonsin, Fanatik N Zac, among others. Out of print on vinyl since it was released, Get On Down presents a limited-edition pressing of Blacc Hollywood pressed on Blacc Tattoo Ink-In Clear colored vinyl, packaged in a high gloss gatefold jacket with a 10-year anniversary commemorative OBI limited to 1000 numbered copies."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
6x7" BOX
|
|
GET 56055-7
|
"In 1994, Nasir 'Nas' Jones dropped Illmatic which is regarded by many as the greatest hip-hop album of all time. Before 1994, Nas (under the name 'Nasty Nas') was rapping and making demo tapes with Large Professor, and in 1991 performed an unforgettable verse on Main Source's Live at the Barbeque. The next year Nas released Halftime for the Zebrahead soundtrack, another Large Pro cut, and signed a deal to record an album for Columbia Records. Nas was being compared to one of the lyrical greats, Rakim, and the pressure was on to drop a debut album to top all rappers. A dream team of hip-hop producers including DJ Premier, Large Professor, Q-Tip, Pete Rock, and L.E.S. was assembled to work on what would become the five-mic classic Illmatic. Not only did it establish Nas as the best rapper alive in 1994, but it also raised the stakes for hip-hop production, lyrical technique, content, and overall artistic ambition. Illmatic is the crown jewel of the mid-'90s classics that still define the genre. No filler, one intro, and nine tracks of hip-hop perfection. Every song on this album matters. From Premier's masterful 'N.Y State Of Mind' to the AZ assisted 'Life's A Bitch' and Pete Rock's piano-laced 'The World Is Yours,' Illmatic starts with a powerful trio of songs that easily could solidify this album as classic if it stopped right there. Other tracks such as 'Memory Lane' and 'One Love' show Nas focusing on his neighborhood and local legends that molded him into the person he was which made them all just as important to us. Large Professor delivers the album's first single 'It Ain't Hard To Tell' while Premier delivers the album's certified street anthem 'Represent.' Serious to a fault, and lyrically dense to an extent that has possibly never been matched, the 20-year-old Nas stood on the shoulders of his predecessors and made them proud with this one. Thirty years later the album stands the test of time, where time is truly illmatic. 7" box set. The 7"s are housed in a custom hardbound casebook that includes a 64-page book of extended liner notes by Sacha Jenkins with full lyrics, photos, and 12-inch singles discography. The casebook is housed in a premium outer slipcase, featuring the iconic album art printed in gold."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
GET 51515LP
|
"In the early 1990s, gangsta rap was becoming more popular. KRS-One took to the mic and continued to write socially conscious raps resulting in the hard-hitting 1992 album Sex And Violence which would be the fifth and final studio album under the Boogie Down Productions name. Produced by KRS-One, Pal Joey, Kenny Parker, D-Square, and Prince Paul, the album explores the darkest sides of the American urban landscape and psyche, with KRS as narrator, detailing all sides of the matrix. While singles like the alarming drum-driven 'Duck Down' and the funky-as-hell 'We In There' got most of the attention in '92, the deeper sequence reveals plenty of additional gems: the history lesson of the dark and dusty 'Drug Dealer'; 'Ruff Ruff,' with scowling MC favorite Freddie Foxxx (aka Bumpy Knuckles); the grooving 'Questions and Answers,' and the frantic record industry track 'How Not To Get Jerked.' The album kicks off with an intro skit featuring KRS-One as a DJ in panic needing vinyl which at the time was a dying format while cassettes and CDs became the dominant format. Thirty-two years later vinyl DJs and hip-hop vinyl collectors no longer need to panic. Get On Down in partnership with Sony Music's CERTIFIED is proud to bring back to vinyl this underrated gem in the BDP catalog. Featuring one of the dopest album covers by American artist Robert Williams, Sex and Violence is pressed on colored vinyl and packaged in a gatefold jacket with full lyrics."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
GET 51531LP
|
"In 1996, after 14 years in the game that started with Too $hort and Freddy B selling tapes out of the trunk of their car in East Oakland, Too $hort announced he would be retiring. On May 21, 1996, Too $hort released his tenth studio album Gettin' It with the lead single of the same name featuring Parliament Funkadelic. Retirement was more of a hiatus as Too $hort got back in the game in 1999 with the appropriately named album Can't Stay Away. If Gettin' It was going to be Too $hort's last album, he was going off on a high note by earning his sixth Platinum record. In addition to having Parliament Funkadelic contribute to two songs, Ant Banks and Shorty B are back with their laid-back Bay Area funk along with some G-Funk contributions by Colin Wolfe, L.A. Dre, and Spearhead X. Too $hort delivers another Bay Area classic full of nasty pimpin' rhymes with dope features by MC Breed, Erick Sermon, and Rappin' 4-Tay. Previously only available on promo vinyl, Get On Down in partnership with Sony's CERTIFED is proud to present a proper vinyl release of Gettin' It in an orange swirl-colored vinyl run packaged in a gatefold jacket with a foldout lyric sheet."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
GET 52743LP
|
"The Jungle Brothers' 1988 debut, Straight Out The Jungle, is important for many reasons. It is lo-fi and goofy, but had moments of real focus and social consciousness. It is a true kitchen sink record, that caught a rap fanbase enraptured by Eric B. & Rakim, Public Enemy, and Boogie Down Productions a bit off-guard. Also of note, beyond the excellence of the album itself, the Jungle Brothers were the fulcrum for what would become the Native Tongues movement -- they came first, De La Soul and A Tribe Called Quest followed, under their guidance. By 1989, the group had even more confidence, plus a Warner Bros. contract and advance in their back pocket. They used it to great advantage on the self-produced and criminally underrated Done By The Forces Of Nature, expanding their sonic palette and continuing their Afrocentric approach to music and life. Singles like 'What U Waitin 4' and 'Doin Our Own Dang'(with De La Soul and Q-Tip, alongside Monie Love) show the group's fun side. But things weren't all fun and games, as deeper, more pensive album tracks like 'Black Woman,' 'Beeds On A String,' and 'Acknowledge Your Own History' show. It was another accomplished mix of fun, frolic, and knowledge-of-self, proving that you could be serious in the rap game but still let off steam and fill the dancefloor. Done By The Forces Of Nature stands as one of the most cherished hip-hop documents of the late '80s among true-school heads. Get On Down is proud to present a new limited-edition pressing on Tri-Colored vinyl in a gatefold jacket with full lyrics and numbered OBI limited to 1000 copies."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
GET 51479LP
|
"Illmatic, the 1994 studio debut of Nasir 'Nas' Jones, was more than just a critical success for the Queensbridge-based rapper. At a time when East Coast hip-hop was increasingly being taken less seriously than their West Coast counterparts, Illmatic's raw jazz and soul-based production, dire atmosphere, and lyrics, coupled with Nas' uncompromising flow was integral in restoring interest in the East Coast as a hotbed of hip-hop artistry. Along with key releases from Wu-Tang Clan and Notorious B.I.G., it shifted attention away from the funky, dayglo synth-based G-funk coming out of California and back to the grimy streets of New York. After such an unprecedented debut record, expectations were understandably high for Nas' follow-up. The 1996 sophomore follow-up is titled It Was Written, and in contrast to the urban bleakness of his debut, has Nas dipping his toes into the world of mafioso rap. Amidst production from heavy hitters like Trackmasters, Dr. Dre, L.E.S., Havoc of Mobb Deep, and Illmatic-collaborator DJ Premier, among others, Nas weaves evocative narratives of gang warfare, downtrodden neighborhoods, drug deals gone awry, and gangsta triumph, against a backdrop of samples from Sam Cooke, Etta James, the Isley Brothers, and even Chuck Mangione. It Was Written is not hard up for top-tier guests either, featuring major guest turns from Lauryn Hill and Joel 'JoJo' Hailey of K-Ci & JoJo. It also introduced the world to The Firm, the brief Nas-led supergroup featuring rappers AZ, Foxy Brown, and Cormega. It even managed to cause some minor controversy in the hip-hop community for its collaboration with West Coast producer Dr. Dre, at a time when the East Coast/West Coast rap feud was reaching a fever pitch, briefly attracting the ire of one Tupac Shakur. Not only was It Was Written received warmly by critics, but it also became a major commercial success, reaching the top of the Billboard 200 charts, reaching platinum sales status four times, and alongside albums like Raekwon's Only Built 4 Cuban Linx, helped usher in the era of mafioso rap in the mainstream. It rendered chart hits out of singles like the Eurhythmics-mimicking 'Street Dreams,' and the Grammy-nominated 'If I Ruled The World (Imagine That),' and proved to be a major influence on artists like Kendrick Lamar, Lupe Fiasco, and many more."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
GET 52742LP
|
"Leaders Of The New School began recording their debut album late in 1989 under the watchful eye of Chuck D and the Bomb Squad. The result was their masterful 1991 release A Future Without A Past. The group's members, Charlie Brown, Dinco D, Cut Monitor Milo, Busta Rhymes complement one another, mixing classic Cold Crush Brothers style routines with a New School edge. Leaders Of The New School made an impact that had them living up to their name. Often slept on, A Future Without A Past stands as a trail-blazing release due to its mix of jazz samples with fun and creative storytelling on top of pounding Hip Hop drums. The first thing that grabs you while listening to A Future Without A Past is the unique delivery of the three rappers (Dinco D, Charlie Brown, and Busta Rhymes) in lyrical content and flow. Stand-out tracks such as 'Transformers,' 'Sound of the Zeekers,' 'International Zone Coaster,' 'Sobb Story,' and the lead single 'Case of the P.T.A.' all display the multi-talents of each MC and how they bounced off each other's style. 'Feminine Fatt' and 'My Ding A Ling' showed the group's more playful edge, while 'Show Me A Hero' and 'Teachers Don't Teach Us Nonsense' had the group trading rhymes in their rapid-fire deliveries. With a sound so fresh and new, the production on the album by the Bomb Squad's Eric 'Vietnam' Sadler, the SD50s, and members of L.O.N.S. rivaled what Public Enemy started and the Native Tongues finished. Often underappreciated, A Future Without A Past is '90s rap at its best."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
GET 51521LP
|
"Memphis rap legend Project Pat released his third studio album Layin' Da Smack Down in 2002 on CD and cassette via Loud/Columbia/Hypnotize Minds. Following up Mista Don't Play, Project Pat spits rapid-fire street tales of the dirty south over DJ Paul and Juicy J's signature Three 6 Mafia bangin' 808 beats. From rowdy club tracks to smoother pimp tales and true-to-life stories of being incarcerated, Project Pat delivers another Hypnotize Minds North Memphis classic. The album also contains the single 'Choose U' which would be reworked in 2007 for UGK's 'International Players Anthem.' Get On Down in partnership with Sony Music's Certified presents Layin' Da Smack Down for the first time on vinyl. Pressed on colored vinyl packaged in a gatefold jacket with a printed insert and numbered OBI limited to 1000 copies."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
GET 51512LP
|
"2023 marked the 50th anniversary of the birth of hip-hop and Get On Down continues to honor the artists and albums that had a significant impact on the culture. The label now presents a long overdue reissue of KRS-One's 1995 self-titled album, KRS-One. Two years after the release of Return of the Boom Bap, KRS-One got back in the studio and behind the boards and enlisted for additional production DJ Premier, Showbiz, Diamond D, Norty Cotto, and Big French Production. In August of '95 KRS-One dropped the Preemo-produced lead single 'MC's Act Like They Don't Know' with 'Represent The Real Hip-Hop' featuring Das EFX on the B-side of the 12-inch, boasting KRS-One's lyrical skills and backing up his status as one of the best live performers in the game. KRS-One knocked it out of the park on his second solo effort with another Premier single about the current state of hip-hop on 'Rappers R, N. Dainja' and straight-up Boom Bap rap on the Fat Joe assisted track 'De Automatic.' He offers political and social commentary on 'R.E.A.L.I.T.Y.,' 'Hold,' and 'Free Mumia' with Channel Live and continues to diss sucker MCs on 'Wannabemceez' with Mad Lion. Get On Down presents this deluxe reissue packaged in a gatefold jacket with a new interview by Check The Technique author Brian Coleman, complete with a foldout lyrics sheet."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
GET 51516LP
|
"Cappadonna is one of the original members of Wu-Tang Clan absent from their debut album Enter The Wu-Tang due to being locked up at the time of recording. Three years later he would get his chance to shine on Ghostface's debut Ironman. In 1997, Cappadonna was prominently featured on Wu-Tang's second album Wu-Tang Forever. The following year the spotlight was on Cappadonna for the release of his debut album The Pillage. With production overseen by the RZA and Wu producers True Mathematics, True Master, and Goldfinghaz, The Pillage dropped on March 24th, 1998 and was certified Gold one month later. From the classic opening track 'Slang Editorial' reporting on the streets to the closing track 'Black Boy' where Cappadonna spits lyrics about being a free man and rejoining the Wu, The Pillage is another classic Wu solo debut. To commemorate the 25th Anniversary of The Pillage, Get On Down presents, for the first time on vinyl since it was originally released in 1998, a limited edition pressing on double clear with black swirl colored vinyl in printed inner sleeves with a 25th Anniversary commemorative OBI limited to 2000 numbered copies."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
GET 51338C-LP
|
"In the late '90s in hip hop, all eyes were on the South -- and the Down South sound reigned supreme. Few groups were as hot as Memphis' Three 6 Mafia. CrazyNDaLazDayz was a regional scorcher when it dropped in 1999, released under the group name Tear Da Club Up Thugs, but essentially a Three 6 Mafia full-length as core Three 6 members DJ Paul, Juicy J, and Lord Infamous all contribute to the project. The record went on to be certified Gold and Three 6 Mafia went on to win an Academy Award for their contribution to the film Hustle & Flow. CrazyNDaLazDayz continues to have an impact. A cut Juicy J first pulled together while still in high school, 'Slob On My Knob,' was utilized in A$AP Ferg's hit 'Plain Jane.' In addition, the cut is interpolated into G-Eazy's most successful cut to date, 'No Limit.' Get On Down brings you this often overlooked and definitely in need of being revisited portion of Three 6 Mafia's legacy."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
GET 51511LP
|
"Pressed on blue swirl and orange swirl colored vinyl, packaged in a gatefold jacket with printed fold out lyrics sheet. Originally released in the fall of 1993, Return of the Boom Bap is KRS-One's first official solo album. The album is pure '90s hip-hop filled with KRS-One's trademark conscious raps and storytelling with boom bap beats from the man himself, DJ Premier, Showbiz, and Kid Capri. The album kicks off with a trademark intro leading into 'Outta Here,' a tale about coming up in the '80s with a message to emcees not staying true to their roots. Throughout the album KRS-One tackles corrupt police, fake emcees, religion and provides some comical relief on 'I Can't Wake Up' where he dreams about being a blunt passed around by a who's who of '90s emcees and Bill Clinton! The album was selected as one of The Source's 100 Best Rap Albums and received a four mics rating in The Source in 1993. Get On Down is presents a limited edition pressing of Return of The Boom Bap to commemorate the 30th Anniversary of the blast master's classic debut solo album. Includes the bonus freestyle track 'Hip-Hop vs Rap' that was on the original 'Sound of Da Police' 12"."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
GET 52740LP
|
"After breaking out of the Bay Area underground scene in the early '90s with I Wish My Brother George Was Here, Del The Funky Homosapien made a radical turn with his sophomore release, '93's No Need For Alarm. Casting aside the familiar G-funk vibe of his debut, perhaps as No Need was produced without the involvement of his cousin Ice Cube and The Boogiemen, he moved into a jazzier -- some would say more East Coast direction with production by the Hieroglyphics crew of Domino, A-Plus, Casual, and Del himself with contributions from the SD50s. The verbal content on No Need shifted as well, moving away from comic interludes and towards a focus on battle raps. No Need For Alarm is one of the three Hiero Golden Age releases (along with Souls of Mischief's '93 til Infinity and Casual's Fear Itself). Though some critics are harsh on No Need For Alarm and claim it's not as strong an effort as Del's debut, many disagree and see this release as being the first where Del really stood out. Regardless of which side of the fence one falls on that topic, it's without doubt that No Need For Alarm has stood the test of time and remains a challenging and uncompromising follow up from one of the most talented and eccentrically gifted artists to ever emerge from the world of West Coast hip hop. To commemorate the 30th Anniversary, Get On Down is presents a limited edition double colored vinyl pressing with a stamped numbered OBI and fold out poster."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
GET 51508G-LP
|
"2023 marked the 25th Anniversary of Big Pun's debut Capital Punishment. Big Pun was truly larger than life and sadly passed away at the age of 28, only two months before the release of his sophomore studio album Yeeeah Baby. Yeeeah Baby was released on April 4, 2000, and was executive produced by Fat Joe and a roster of producers including Just Blaze, L.E.S., Buckwild, Younglord, and Sean C among others. The album, which would be Big Pun's final release was certified Gold after three months off the strength of the first two singles 'It's So Hard' and '100%,' and eventually certified Platinum. Get On Down is presents and honors the legacy of Big Pun with a limited-edition vinyl reissue pressed on double A-Side/B-Side colored vinyl and stamped numbered OBI limited to 2000 copies."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
GET 51520LP
|
"Consisting of MCs A+, Phesto, Opio, and Tajai (with production by A+, Domino, Del the Funky Homosapien, Jay Biz and Casual), East Oakland's Souls of Mischief burst onto the scene in the early '90s with an impact that few other West Coast artists had at the time. Culminating in the release of their classic debut, they created a bouillabaisse that was most parts West Coast swagger but -- similar to The D.O.C. and Cypress Hill - with a sonic approach that could just as well have stepped off the streets of New York City. Recorded in less than two weeks at San Francisco's Hyde Street Studios, 93 'til Infinity doesn't suffer from a single freshman jitter or misstep. It's a fully-realized effort, packed from start to finish with ridiculous lyricism -- all carried out in impressive four-part, tag-team style -- and backed by a wide range of musical possibilities, from hard boom-bap to '70s CTI-jazz-sprinkled grooves. But without worthy music, the group's high-level lyricism could have fallen by the wayside. Digging deep into crates that other producers had yet to mine, the production crew gave the quartet exactly what they needed, with unpredictable rolling basslines, dusty drums and jazz keyboard and horn stabs and swirls. Get On Down is presents a 30th Anniversary pressing of this west coast hip-hop classic on cloudy blue and cloudy yellow vinyl, packaged in a gatefold jacket with liner notes and a commemorative 30th Anniversary stamped numbered OBI."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
GET 786EP
|
"One of the greatest hip-hop singles to be released in 1993 -- reissued as a limited edition 7" vinyl single. 'Down With The King' featuring Pete Rock and CL Smooth is pressed on red and clear colored vinyl in a picture sleeve with 'Come On Everybody' feat Q-Tip on the B-Side."
|
viewing 1 To 25 of 317 items
Next >>
|
|