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viewing 1 To 25 of 30 items
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GLAM 065CD
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Art For All is a collection of music-pieces curated by Stephen Bird (aka Jowe Head), based on the theme of visual artists and artworks that have inspired the musicians involved in the project. He writes: "I presented a challenge to various songwriters and musicians that I know around the world: I asked them to express their feelings about a visual artist or their artwork, in a piece of music. I had already composed and recorded material about William Blake, Louise Bourgeois, Joseph Beuys, Pablo Picasso, Joseph Cornell and Hannah Höch, so I was interested to see how other musicians would respond. I allowed them to choose artists as familiar or as obscure as they wished, in a musical setting of their choice. Styles are diverse, encompassing dirty rock and roll, joyful pop-songs, and abstract sound-pieces. Some pieces use electronica or 'found sounds'; some use lyrics, others no words at all. Some pieces are comments on the lives of the artists themselves, others responses to specific artworks. Some of the artists chosen were creating their work centuries ago; some are still alive and producing work today. Some are 'established' artists, considered by curators and art historians to inhabit the respectable world of 'fine art'? The 'Do It Yourself' aesthetic of the early punk community inspired me and others to create without inhibition; the important thing was to "do it", and to learn as we went along. It is vital that we retain the urgency of that creative impulse, without being distracted by the need to 'show off' with tiresome displays of 'cleverness' or technical expertise. The realms of art and music should not be reserved for a privileged elite! Ultimately, convenient categories such as 'pop-art', 'surrealism', or 'impressionism' are meaningless when contemplating the work of an artist whose work is transcendental and sublime in its intensity. The same applies to musical expression; in my view, often the best music is that which defies categorisation." Featuring The Callas, Woog Riots, Luke Haines, Jeremy Gluck & Don Tyler, The NoMen, Heather Leigh, Future Pilot AKA, Seven Headed Raven, SPeW, BMX Bandits, Exploding Flowers, Terry Edwards, and Woog Riots.
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7"
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GLAMS 003EP
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David J, of Bauhaus/Love & Rockers, pays tribute to his old friend Pat Fish (AKA The Jazz Butcher), who sadly passed away in October 2021. Featuring musical contributions from Dave Morgan (Weather Prophets/Jazz Butcher), Rolo McGinty (Woodentops), Max Eider (Jazz Butcher), Kevin Haskins (Bauhaus/Love & Rockets), Owen Jones (Jazz Butcher), Colin Henney (Jazz Butcher), and Raoul. The B side is "Vienna Song", a Jazz Butcher song, featuring Paul Wallfisch (Swans) on piano, Wolfgang Tschegg and Tony Green. Random color vinyl.
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GLAM 040CD
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To celebrate the 40th anniversary of the original Glass label, two years late due to Covid etc., Glass Modern present, for your entertainment, a collection of old songs made new by old friends and new, for the kids, old and young. Featuring 20 versions of old Glass classics by The Pastels, Spacemen 3, The Jazz Butcher, Jacobites, and more from former Teenage Fanclub man Gerard Love, Stephen Duffy (The Lilac Time), David J (Bauhaus/Love & Rockets), Luke Haines (The Auteurs), Rolo McGinty (The Woodentops), Jowe Head (Swell Maps), BMX Bandits, and the late Jazz Butcher. Also features Snails, wor_kspace, Kirsten Strom, Heather Leigh & Future Pilot Family Orkestra, Raqia, Matthew Shaw, Astrid Swan, Deux Filles, Dark Globes, Fawns Of Love, Richard Youngs, Ben Edge, and The Venus Fly Trap.
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LP
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GLAM 044LP
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Featuring Andre Innes, Martin Duffy and Darren Mooney of Primal Scream. "In 2018 after a particularly messy session involving Pacharan, a Spanish version of Pernod, the name and then there were four was bandied around as my fellow travelers fell by the wayside, sounded like a Spaghetti western -- and the idea was hatched. We began recording in Artesonao studios in Malaga, myself and Ed Chapman, a renowned English artist, we were ably assisted by Rachel Hewitt on violin we recorded a dozen or so tunes in a week. We recruited the services of Darrin Mooney and Martin Duffy of Primal Scream on drums and keys, Andrew Innes of Primal Scream assisted on additional guitars, celeste and bells -- lots of bells. Robert McGovern came out to Malaga to play on a few tracks also. We had the voice of Justine Petty -- Burrows a Canadian chanteuse to be a foil to my less than acrobatic voice. The record was a return to my favorite music of my youth, soaking up Dylan, Scott Walker, Tim Buckley, Tim Rose, Tim Hardin, and the soundtracks of Morricone, like an old compilation tape from 1986." --Sheer Taft, 2022
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GLAM 027LP
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The classic debut LP by Dub Narcotic Sound System, Boot Party, originally released on K Records in 1996 and unavailable on vinyl for 25 years. The oddball indie-funk collective Dub Narcotic Sound System was spearheaded by vocalist Calvin Johnson, the former frontman of the legendary Beat Happening as well as the founder of the famed K Records label. Named in honor of Johnson's own Olympia, WA-based basement studio Dub Narcotic, the project was begun in 1994 with a rapid-fire series of funk-, rap-, and reggae-influenced singles including "Bite", "Fuck Shit Up", "Booty Run", and "Shake-a-Puddin'"; from the outset Johnson was the group's sole constant member, although over the course of subsequent releases, including the EPs Industrial Breakdown (1996), Ridin' Shotgun (1995), and Ship to Shore (1996), the revolving lineup grew to include Olympia scenesters like Lois Maffeo as well as Larry Butler, Todd Ranslow, and Brian Weber, all three members of the hip-hop unit Dead Presidents. The first Dub Narcotic Sound System full-length, Rhythm Record, Vol. One: Echoes From the Scene Control Room, appeared in 1995; later efforts included 1996's Boot Party and 1998's Out of Your Mind. Sideways Soul, a collaboration with Jon Spencer Blues Explosion, followed in 1999. Trouser Press wrote that "when not delving deep into the usual sorts of ambient studio trickery, the songs hit a '60s R&B stride, bathing in the stoned soul picnic ambience with uplifting spirit." Deep red vinyl.
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GLAM 033LP
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Foot are: Don Fleming, Jim Dunbar, and Thurston Moore -- vintage analog synthesizers. This album has been remodeled by Tim Newman and his associates from the track "Early Foot", which originally appeared on the God Bless Records CD foot in 1998, recorded as part of the Canal Street Series at Jimbo's Pad, NYC in the early days of Nemocore, winter 1996. Liberated from the traditional constraints of time signature and key signature and fixed changes. Where sound responds to music. Clear vinyl.
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2LP
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GLAM 032LP
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Expanded reissue of the 1995 electronica/house/techno double-LP by Rolo McGinty of The Woodentops. Re-sequenced and remastered with three extra tracks (two previously unreleased), plus the mix of "Rockerfeller" that made a stir on Trance Europe Express 2 (1994). Excellent music composition, sequencing, layers and shifting directions on every track. Up-there with the best in house-techno. If this was by Larry Heard or Terrence Parker -- this would have been hailed a classic. Deep blue vinyl.
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7"
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GLAMS 002EP
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7" purple vinyl. The music we love passes from one generation to the next and the New York Dolls will always be a group to celebrate. Both Sonic Youth and The Pastels are not only fans but covered two of their most iconic songs a few years apart, in 1987 (The Pastels -- "Lonely Planet Boy") and 1992 (Sonic Youth -- "Personality Crisis"). Glass Modern bring these two fantastic versions together in a limited edition split 7" single with Annabel Wright cover art. New York Dolls forever.
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GLAM 029LP
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New Tradition is the debut solo album by Ben Edge, who's past musical projects include Thee Spivs and Ben Edge and the Electric Pencils. Releasing on vinyl to coincide with the exhibition of Ben Edge's paintings in June 2021 at the Crypt Gallery at the St Pancras New Church in London, in collaboration with the Museum of British Folklore. Ben, who is a painter and visual artist, has undertaken a project over the past four years in which he has obsessively been visiting, filming and painting the folk customs, rituals and ceremonies of the British Isles and this group of songs was inspired by the sights, sounds and folkloric world in which Edge has immersed himself. The cover art is one of Edge's paintings and depicts the Garland king of Castleton, Derbyshire. The album was produced by Matthew Shaw (Shirley Collins, Tex La Homa, Spectral, The Pop Group). 2021 will be a busy one for Ben Edge with the launch of his documentary film and series of paintings "Frontline Folklore" that will be exhibited in collaboration with the Museum of British Folklore and of course when the world permits playing live and performing the songs of New Tradition. Dark green vinyl.
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GLAM 031LP
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Jowe Head's first post-Swell Maps recordings from 1980 and a further session from 1982 after his first LP Pincer Movement was released in 1981. Six tracks from these recordings were released on Constrictor in Germany in 1986 alongside tracks from Pincer Movement as Strawberry Deutschmark but the other 13 here are previously unreleased. Completely remixed by Jowe Head in 2020 for Glass Modern. "I recorded these tracks in my home at Londesborough Road, Stoke Newington, between 1980-1982, using a TEAC 4-track reel-to-reel tape recorder. All instruments played by me: electric guitar, fretless bass, electric fire, typewriter, sticks, a battered trumpet and an old harmonium. Overdubs recorded at GWBB in 1983. Remixed at Perch Street in 2020. Words and music composed by me." --Jowe Head, November 2020. Deep red vinyl.
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CD
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GLAM 035CD
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A selection of tracks collected from the albums Totem, Pandora's Box, and Luna Tide, placed together as a possible alternative album in this alternate reality. Time Lapse used to refer to a method of filming, by taking a series of single pictures over a period of time and then putting them together to show the action happening quickly. Plot: Urban decay, on the concourse, escapism via drugs, machines choking the arteries. A Moscow apartment, economic refugees, the human menagerie. Zen and the art of vehicles, crucified by the highway, on the road to... Fallen statues in public parks, the prince of narcosis, to the sea of tranquility. T minus and counting, dedicated to all astronomers... keep watching the skies.
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GLAM 022LP
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Call it an "outsider-sound", it's a kind of wrong-rock, or odd-pop, confident and careful, orchestral in parts "this is purposeful modern songwriting at the coalface." Charlie Finke is prophetic and yet naïve. Justine Armatage's emotional orchestral writing unsettles as it piles over the feeling. Formed by Finke (Penthouse) and Armatage (Gretchen-Hoffner), Cesarians have evolved into a compelling seven piece outfit, (piano, violins, cello, guitar, brass, alongside a charismatic tight as f##k rhythm section) a potent live act with years of touring experience including notable support invitations from the widely varied likes of likes of Adam Ant, Lydia Lunch, and Spiritualized. Justine is the committed piano based writer and arranger, with super eclectic influences from Birthday Party to Bowie and Bach to Debussy. Charlie brings a musical ambition of Scott Walker with the realism and suave knowing groove of Ian Dury or The Fall. "We'd as soon as listen (on the tour bus) to Charlie Mingus and Judy Garland as we do to PJ Harvey or Metallica, I think that's completely normal." The writing is as livid in thought as the live experience is performance. Pulled forward by the unknown delirium, at once voodoo and caressing. Where there is certainty let us bring un-certainty. Where there is harmony, may we bring discord. Where there is contentment, let us bring disfunction. Clear vinyl.
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GLAM 018LP
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Drones & Clones by Swervedriver's Adam Franklin -- originally released as a download only in 2013, first time on vinyl on Glass Modern. Ten instrumentals, ten wordless incantations -- this instrumental album places emphasis on the sounds that usually skulk in the backgrounds of songs from the first three Adam Franklin albums. Features Jeff Townsin (drums), Locksley Taylor (guitars, piano, programming, bass, keyboards,), Josh Stoddard (bass), Mikey Jones (drums), Matt Sumrow (piano, bass) Matt Durrant (drums), and The Besnard Lakes. Produced and mixed by Charlie Francis and Adam Franklin. Blue vinyl.
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GLAM 017CD
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Original music soundtrack from the film Far From The Apple Tree by Grant McPhee -- A psychedelic pop-art fairytale. Soundtrack composed by Rose McDowall and Shawn Pinchbeck. CD version and download code includes one extra track.
"Far From the Apple Tree is an eclectic mix of ghost story, fairy tale and horror. Evocative of films like Valerie and Her Week of Wonders and The Wicker Man and with a truly magical soundtrack by Rose McDowall (Strawberry Switchblade) and Shawn Pinchbeck make Far From The Apple Tree a must-see for fans of Redemption and ethereal thrills." --Salvation
"Rose and Shawn's soundtrack adds so much colour, mood, mystery and magic to our film that it would feel empty without it. I'm delighted that it is now being released on its own, and by Glass so that it can add those same qualities to anyone who picks up a copy for themselves. " --Grant McPhee
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GLAM 017LP
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LP version. Includes download code. Original music soundtrack from the film Far From The Apple Tree by Grant McPhee -- A psychedelic pop-art fairytale. Soundtrack composed by Rose McDowall and Shawn Pinchbeck.
"Far From the Apple Tree is an eclectic mix of ghost story, fairy tale and horror. Evocative of films like Valerie and Her Week of Wonders and The Wicker Man and with a truly magical soundtrack by Rose McDowall (Strawberry Switchblade) and Shawn Pinchbeck make Far From The Apple Tree a must-see for fans of Redemption and ethereal thrills." --Salvation
"Rose and Shawn's soundtrack adds so much colour, mood, mystery and magic to our film that it would feel empty without it. I'm delighted that it is now being released on its own, and by Glass so that it can add those same qualities to anyone who picks up a copy for themselves. " --Grant McPhee
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2LP
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GLAM 014LP
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Double LP version. Solo album by David J (Bauhaus, Love And Rockets) is an intensely personal, self-deprecating, confessional song cycle and ultimately a glowing tribute to his wife of many decades. It is intended as a cyclic swan-song, the last track, "I Hear Only Silence Now" being a new version of the song which was the first on J's 1983 solo debut, Etiquette Of Violence. The new album was recorded in Prague, Berlin, and Los Angeles as well as Wellingborough, England when J revisited Beck Studios where his former highly influential band, Bauhaus cut "Bela Lugosi's Dead" in 1979. The new album features contributions from Anton Newcombe (Brian Jonestown Massacre), Toby Dammit (Nick Cave And The Bad Seeds), Paul Wallfisch (Swans), Sean Eden (Luna), Rose McGowan, Asia Argento, Emily Jane White, Annabel (lee), and the great Czech violinist Karel Holas, amongst others. J sees the album as the culmination of 36 years of solo/collaborative work. It is also a "coming home" of sorts as the label behind the release is the London based Glass Modern (the newly reactivated Glass Records) which originally released some of J's earliest critically acclaimed works.
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GLAM 014CD
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Solo album by David J (Bauhaus, Love And Rockets) is an intensely personal, self-deprecating, confessional song cycle and ultimately a glowing tribute to his wife of many decades. It is intended as a cyclic swan-song, the last track, "I Hear Only Silence Now" being a new version of the song which was the first on J's 1983 solo debut, Etiquette Of Violence. The new album was recorded in Prague, Berlin, and Los Angeles as well as Wellingborough, England when J revisited Beck Studios where his former highly influential band, Bauhaus cut "Bela Lugosi's Dead" in 1979. The new album features contributions from Anton Newcombe (Brian Jonestown Massacre), Toby Dammit (Nick Cave And The Bad Seeds), Paul Wallfisch (Swans), Sean Eden (Luna), Rose McGowan, Asia Argento, Emily Jane White, Annabel (lee), and the great Czech violinist Karel Holas, amongst others. J sees the album as the culmination of 36 years of solo/collaborative work. It is also a "coming home" of sorts as the label behind the release is the London based Glass Modern (the newly reactivated Glass Records) which originally released some of J's earliest critically acclaimed works.
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GLAM 015LP
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Much anticipated and final studio album by Future Pilot AKA, the brainchild of Indo-Caledonian bassist/bandleader Sushil K Dade. Nine years in the making this album was not originally intended to be released via the conventional format of an album release. Initially the individual recordings were hidden in the elements by the artist (shorelines, hills, wind farms, islands, and lochs) as part of a #soniktreasurehunt sound/research project across Scotland. After all the hidden tracks were discovered by music fans via clues/co-ordinates shared on social media by the artist, Dade decided to "curate" a one-off edition of these recordings in the format of a picnic hamper as a conclusion to the #soniktreasurehunt. This was discovered at a bus-stop near Faslane Nuclear base. After several years since the discovery of the "one-off edition" Glass Modern bring together these tracks and finally present these in the classic format of "the album". Future Pilot AKA music is highly collaborative and Dade's previous recordings have featured contributions from a range of artists including Philip Glass, Damo Suzuki, Mikey Dread, The Pastels, The Go-Betweens. Featured on Orkestra Digitalis are contributions from Soft Machine legend Robert Wyatt (he posted Dade a cassette of his vocals lines), Ethiopian jazz master Mulatu Astatke (making his vocal debut on a tribute to Charles Mingus), Brian Eno collaborator Leo Abrahams, Canadian singer-songwriter Ron Sexsmith, Scottish artists Emma Pollock (Delgados), RM Hubbert, Craig Armstrong, and Turner Prize Award Winning Artist Martin Boyce, who meditates on a quote from an Orange Juice classic.
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GLAM 013LP
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Repressed. Glass Modern present an LP reissue of Matthew Sweet's Kimi Ga Suki * Raifu, originally released on CD in Japan in 2003 as a love letter and thank you to his Japanese fans. Recorded at home, produced, engineered, and mixed by Matthew Sweet (bass, guitars, vocals) with the classic Girlfriend (1991) era lineup of Ric Menck (drums), Greg Leisz (guitars), and the genius electric lead guitar of Television's Richard Lloyd. The sleeve art is by renowned artist Yoshimoto Nara. In the liner notes, Sweet describes the album's title as an attempt at reverse English: "If I did it correctly, the title should seem a little strange or wrong, but still meaningful! The true definition is supposed to be a 'love you' life, one devoted to loving someone or something, even life itself!" "... an excellent modern guitar pop album, filled with great hooks and harmonies and irresistible ringing six-strings." --Allmusic "Kimi crackles with Girlfriend's energy, as Lloyd and Sweet's guitars provide antagonistic foils as they did more than a decade before on cuts like 'Tonight We Ride'." --Rolling Stone Red vinyl.
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GLAM 016CD
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A reissue of Mars, the debut album by The Venus Fly Trap from 1988. Personnel: Alex Novak - vocals; Tony Booker - guitar; Dave Freak - percussion and vocals; Chris Evans - bass; John Novak - guitar; Tim Perkins - violin, guitar, and keyboard. Formed in Northampton, UK (famous for Bauhaus and Alan Moore) after parting company with electronic outfit Attrition in the late 1980s. Early releases came out via French label Danceteria that led to tours of France, Belgium, Germany. European interest has always been strong, leading to further albums being released by Azyl (Czech Republic), Spectre (Germany), Soundbuster (Germany), and SPV(Germany/Poland). There have been many tours taking in France, Belgium, Holland, Germany, Czech Republic, Slovakia, Italy, Hungary, Austria, Poland, and Finland. Remastered by Martin Bowes of Attrition at The Cage, 2019.
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GLAM 008LP
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RSD 2019 release. Glass Modern present a reissue of the Prolapse's second album Backsaturday, originally released in 1995. Backsaturday saw them experimenting with both repetitive grooves and ambient soundscapes, krautrock, and kitchen sink drama. They feature dueling vocalists Mick Derrick and Linda Steelyard, who play out an intense soap opera over a ferocious triple guitar assault and pummeling rhythm section. The classic 15-minute track "Flex", has been remixed by current bass player and former Julian Cope associate, Donald Ross Skinner. 180 gram vinyl; Duck egg blue vinyl.
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GLAM 011LP
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RSD 2019 release. Glass Modern present a reissue of the debut solo LP from 2006, by Vaselines founding member Frances McKee, originally only released in Japan on CD in 2004. Following a post-Vaselines break, she began making music with Vaselines bass player James Seenan, writing material of a more-mellow flavor. These songs were released under the name Suckle, initially coming out on 4AD offshoot Detox Artefacts. The Vaselines of course reformed in 2008, tour regularly and have released two albums on Sub Pop. Frances features in the 2017 documentary Teenage Superstars. All songs by Frances McKee except by "You Know Who I Am" by Leonard Cohen. Remastered. 180 gram vinyl; blue vinyl.
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GLAM 007LP
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Dissident is Richard Youngs's strong follow up to 2018's Belief and Endless Futures (REDUX 015LP, 2018). Youngs is also a member of Amor. Youngs on the recording: "Dissident is a hallucination of a legendary lost Samizdat-style recording of the legendary lost Richard Youngs Band. It's not clear to me that it is against anything in particular, and as such it is not literally dissident. In fact, I'm a little lost how or why it is dissident, save for being informed by the imagined provisional recordings of pre-Glasnost protest. Perhaps the wordless scratch vocals are voicing dissent, but I remember having fun. So much so, I couldn't stop myself from fleshing out the rough nylon guitar songs to a full band arrangement, recorded in multiple spaces." 180 gram vinyl.
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GLAM 006LP
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Glass Modern present the first vinyl issue of Thurston Moore and Tom Surgal's Klangfarbenmelodie.. And The Colorist Strikes Primitiv. Originally released on CD in 1995 only in New Zealand by the Dead C's Bruce Russell on his Corpus Hermeticum label. Edited by Bruce Russell for this Glass Modern release. New liner notes by Bruce Russell. 180 gram, white vinyl.
"A 1995 release from the famed Sonic Youth guitarist, this recording sees him paired with free jazz drummer Tom Surgal for a blistering noise set, in keeping with New Zealand noise label Corpus Hermeticum's aesthetic. The listener should not expect the sweet psychedelic pop of his Psychic Hearts album of the same year; rather, Moore explores his interest in freeform improvisation on this live set recorded in 1994. The recording is lo-fi, but that adds to it's candid charm, as his guitar thrashing reaches peaks of noise only hinted at in early Sonic Youth. The duo works along lines that are more akin to the Blue Humans -- with whom drummer Surgal began -- and also seems influenced by such underground acts as Fushitsusha and the Dead C. Moore's guitar is so distinct, however, that many parts here could be mistaken for a live Sonic Youth recording from that band's more heady and chaotic '80s period." --Dean McFarlane, AllMusic
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GLAM 005CD
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A collaboration by David J (Bauhaus, Love & Rockets) and Detroit's psych prog garage rock n' rollers Duende. CD version comes in a six-panel card sleeve. "This is dark psych, crow winged, pulp rock at its finest" --Damien Youth.
David J on the collaboration: "This exciting collaboration with Detroit's stalwart psych garage band, Duende came about when they approached me to work with them on a couple of new tracks for a forthcoming EP. These turned out extremely well and when I played them to my pal, genius songwriter/hermetic music guru, Damien Youth, whose opinion I rate most highly, he enthusiastically insisted that we develop the project into a full-blown album. This we did. Recorded and mixed in one week at Tempermill Studio in Ferndale, MI, I regard it as one of the most vital sounding and inspired recordings of my career. We also pulled in some additional stellar local talent in Warren DeFever (His Name Is Alive) and also Joshua James (Theatre Bizarre Orchestra) to add yet more tasty ingredients to the swampy spiked mojo soup."
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