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CD
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HMC 905273
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"Nearly 40 years ago, Djamchid Chemirani made his first recording for harmonia mundi (reissued this month). Since then, his career has blossomed, and he performs now with his sons Keyvan and Bijan at his side. Both separately and together, each has explored various universes of sound and honed their craft as musicians. But Trio Chemirani has constantly returned to the shared magnum opus: the elaboration of a universal rhythmic language. Dawâr fuses the spirituality, diverse cultural experiences and historical sensitivity of these three great artists."
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2CD
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HMC 902017
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Performed by: Alexandre Tharaud (piano), Juliett e Noureddine (vocals), Jean Delescluse (tenor), Eric Le Sage (piano), Isabelle Faust (violin), David Guerrier (trumpet). "With this recording, Alexandre Tharaud aims to serve justice to Erik Satie -- the real Erik Satie. Chock full of surprises and humor, Tharaud strives to reveal the coherence between Satie's life and music. The first CD is devoted to piano solo works. The second offers a selection of duos, many of which are world premiere recordings. Featuring well-known artists such as chanson singer Juliette, violinist Isabelle Faust, pianist Eric le Sage, trumpet player David Guerrier and tenor Jean Delescluse, this album will also include a private Internet access code to listen to bonus tracks and discover more about Satie's life and work." "My aim in these two discs has been to offer the richest possible panorama of Satie's piano and chamber music, ranging over his whole lifetime... Immersed in the world of Satie, we were touched, often deeply moved by the trust he shows in his interpreters." -- Alexandre Tharaud
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CD
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HMC 901985
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"Both György Ligeti and Dutch composer Robert Heppener belong to the generation born in the 1920s that formed the basis for the post-war avant-garde. The 1966 premiere of Ligeti's Lux Aeterna (now best known from its use by Stanley Kubrick in his film 2001: A Space Odyssey) marked nothing short of the birth of a new musical language. His later 'Sonata For Solo Viola' simultaneously evokes the polyphony of the 14th century and certain varieties of ethnic music. Written in the 1990s, it continues to emphasize complex mechanical rhythms, but in a less densely chromatic idiom. Heppener's 'Im Gestein,' a cycle of lieder to poems by Paul Celan that won Heppener the Matthijs Vermeulen Prize in 1993, is here recorded for the first time."
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