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HUNG 32594CD
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...Composers For Cimbalom. Featured works: Ilona Mesko (*1981): Mill Songs; Short Pieces; Poesie. Peter Zombola (*1983): Preludium; Institutio I/A. Mate Bella: Message; Messag 02. Balazs Horvath (1942 ? 2006): Gritty Street - for the 65th anniversary of Z. Jeney; Further Series. Daniel Dinyes: Ouverture, Air, Double. Marton Kerekfy: Rhapsody. Performed by Beáta Móri, cimbalom, Krisztina Dobner, flute, Zsolt Bartek, clarinet. "It was the 20th century when the international fame and recognition of the cimbalom started to grow exponentially. Today, a wide choice awaits musicians ranging from being an independent soloist of a concerto to playing in the most varied chamber ensembles. The relationship between composers and musicians works ideally; new compositions are played by outstanding experts and, in turn, cimbalom players abound in new pieces. What is more, as it is also demonstrated by our present recording, it is still possible to say something new through the cimbalom. Here, eleven pieces composed by six young composers will have been heard in the rendition of Beáta Móri, who -- despite her youth -- can already take pride in having several dedications."
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HUNG 17390CD
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The first Omega CD, 2003 edition. "Formed in 1962, Omega began releasing singles in 1966 which featured covers of The Rolling Stones, The Hollies and Herman's Hermits as well as their own original material which reflected these and other Western influences. By 1968, they had briefly toured England and released an album on the UK Decca label under the title Omega Red Star From Hungary, which included some of these singles as well as other tracks which were to appear on Trombidas Fredi es Rettenetes Emberek, their first Hungarian release on the government-owned label, Hungaroton. The themes and messages in the songs were typically '60s, about love & peace and had various approaches to the contemporary '60s rock composition, some sounding like Peter, Paul & Mary ('If I Were The Wind') others like early Rolling Stones ('A Girl Hasn't Gone Home') with trippy guitars and the title track even having a ragtime feel with a honky-tonk sounding piano and a horn section. For the most part though, the album is drenched in psychedelia." --Ian Gledhill, Prog Archives
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HUNG 12855CD
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1994 release, featuring compositions by István Marta, John Cage, Steve Reich & George Hamilton Green. "The Amadinda Percussion Group, the first professional percussion group in Hungary, was formed in the spring of 1984. The group was formed at a time when a great many questions were being discussed concerning composers and the relationship between modern music and the public ... These were the conditions that helped bring about the formation of the Amadinda Percussion Group with artistic objectives easily comprehended. Firstly, the performance both at home and abroad of pieces by Hungarian composers, together with others not yet known in Hungary, including works ranked abroad today as classics. These prescriptions we have tried to follow while selecting the music for this recording. The ensemble has a serious interest in African folk music and jazz, and in this manner the record came to include the programme often given in concerts. Particularly interesting are the Green ragtimes, which the composer -- himself an outstanding percussionist -- wrote originally for xylophone with piano accompaniment. The version for xylophone and two marimbas was done on the basis of the original. Of the two Hungarian compositions on side one, the piece by Istvan Marta was written for the Amadinda Group. These two pieces, we feel, serve to complete the picture of the first two years of the ensemble which we wanted to present." -- From the liner notes. Tracklist: "Doll's House Story" by István Marta (1985), "Pebble Playing in a Pot" by Laszlo Sary (1978), "Second Construction" by John Cage (1978), "Piano Phase" by Steve Reich (1967), "Traditional African Music", "Log Cabin Blues (Blue Fox Trot)," "Charleston Capers" by George Hamilton Green, "Traditional African Music," and "Jovial Jasper (A Slow Drag)" by George Hamilton Green. Performed by Amadinda Percussion Group (Karoly Bojtos, Zoltan Racz, Zsolt Sarkany, & Zoltan Vaczi) with István Marta (Roland JX-8P synthesizer) and Gyorgy Racz.
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HUNG 31868CD
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2000 release. "The present recording contains the works of 7 composers written in quite different stylistic trends. What connects them is that they have all been composed at the request of the Ear group: all were written for the specific apparatus of the group (4-8 instruments and synthesizer/s) between 1992 and 1999 ... the name of the ensemble is the abbreviation of electroacoustic research. It aims at exploring new connections between instruments, electronics and acoustics through concerts and recordings, and utilizing these in compositions." --From the liner notes. Endre Olsvay: "Allegory" (1996); Bèla Farago: "Lux Perpetua" (1997-99); Máté Hollos: "L'EAR-A" (1992); Iván Madarasz: "J.J's Games" (1995); László Thanyi: "Nereid" (1995); István Szigeti: "ChambEAR Music" (1993); Miklós Sugár: "Dreams" (1997-98). Performed by the EAR Ensemble, conducted by Miklós Sugár & Bèla Farago.
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