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viewing 1 To 10 of 10 items
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LP
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KYE 050LP
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"Kye is proud to announce the release of HH the new LP by Gabi Losoncy. HH bundles two sides of psychologically dense nothingness into one perfectly realized whole. Clear vinyl. Losoncy-designed packaging. Final Kye release. The coffin lid comes down on the rainbow. Edition of 300 copies."
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LP
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KYE 048LP
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"Kye is proud to present Being Small, the new LP by Matthew Revert. Lovely collection of Matthew's philosophies, worldviews and wisdom recorded cheaply at his home in Melbourne, Australia. Being Small arrives in a Matthew Revert designed sleeve with matching labels in an edition of 300 copies."
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CD
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KYE 046CD
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"Kye is proud to announce the release of Sacred Balinese Soundies, Mauro's Song, the third installment in Moniek Darge's travelogue Soundies series following on from Crete Soundies (2010) and Indian Soundies (2014). 'Mauro's Song is dedicated to the boy child, whose journey in this world lasted only three years, and was so short he learned just one song - Mauro's Song - to be sung amidst the sounds of the universe. Mauro's journey can be likened to the life span of a single day, from dawn to sunset, with its meditative qualities seducing the listener into perfect sleep.' --Moniek Darge Sacred Balinese Soundies, Mauro's Song arrives in a full color high gloss 6-panel digipak in an edition of 300 copies."
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LP
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KYE 044LP
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"Kye is proud to present Lend An Ear, Leave A Word the new LP from Glasgow's Mark Vernon. 'The pieces composed for this album combine field recordings of contemporary Lisbon with found tape recordings from the past; reel-to-reel tapes, micro-cassettes and Dictaphones collected from the Feira de Ladra market, a popular and lively flea market in the Alfarma district. Each tape recording is an audio snapshot of a specific time; a family album in sound, a musical performance, a compilation of treasured music, or even just the fun of playing around with a tape recorder captured for posterity. Every thoughtless edit or push of the record button teleports us to a different time and place. The musical material extracted from the tapes is also an evocative signifier that locates it within a specific era. The interesting thing is how the tapes accumulate different strata of time even within a single side. There are consecutive chronological recordings but also sequences with unexpected breakthroughs where the user has carelessly fast-forwarded through the tape, randomly 'dropping-in' new recordings. These accidental edits create instantaneous new collages of sounds and voices. I have endeavored to retain the essence of these unintentional edits and unexpected outbursts in the pieces I have assembled here. The noisy whir and clicking of the various tape mechanisms is evident on many of the found recordings. As the material is sped up and slowed down it acts as an internal clock, a continuous, steady marker of time, almost like the second hand of a timepiece. All of the pieces contained here within explore one particular environment - the city of Lisbon. Field recordings by their very nature are time-based but the introduction of found tapes into the mix expands the time-scale of these studies from just the short period spent in the city making recordings, backwards to possibly forty or more years in the past. It is a portrait in time *and* place, an archaeology of sound. The result of the audio flotsam and jetsam washed up on the shores of low commerce in the flea markets of Lisbon.' --Mark Vernon. Lend An Ear, Leave A Word arrives in a full color matte stock sleeve with insert and download card that features additional pieces left off the LP due to time constraints. Mastered by Jason Lescalleet in an edition of 400."
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LP
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KYE 041LP
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"Kye is proud to present Home of the Blues, the latest LP by Dan Melchior, and his sophomore effort for the label following 2012's now legendary Excerpts (& Half-Speeds). For Home of the Blues Dan agreed to undergo a series of exercises aimed not only at destabilizing his natural songwriting process, but also testing the durability of the blues idiom when placed under stress. As one would expect, Dan met the challenge with aplomb, hoisting the project beyond some one-dimensional art-school prank, toward a sincere and multi-faceted presentation of damage and survival as sound. Home of the Blues arrives in a full color, high gloss sleeve featuring original artwork by Dan, with an accompanying 18" x 24" foldout poster, in an edition of 400 copies."
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LP
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KYE 039LP
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"The latest LP from veteran fluxus composer Philip Corner. OM Entering. and Once Enterd comprises four previously unreleased recordings with the Barton Workshop, taken from performances in the Netherlands, and South Korea, between 2000-2007. 'OM ENTRANCE. OM ENTERTRANCE. which one does....because the performance is a real "passage from the material to the spiritual" unless the "real" world is just as spiritual already which i like to think it is. As perhaps an everyday awareness is already to be entranced which i have been told it is, really. To the facts: musicians' coming-in already the performance of everything has to be done to get ready from unpacking to tuning and all that is done in the concentrated and exalted spirit of real music. Multiplicity moves noise to instrument possibilities with virtuosity show-offs slowing down to a perfect tuning in a quiet circle from where there is nowhere else to go but the sustaining of a quiet long tone. My old friend and colleague also great composer Jim Fulkerson is there as he has be, as he was even at the first performance way back must be almost 50 years by now joining the Creative Associates at the University of Buffalo on his initiative as likewise these performances in Holland with his group he calls The Barton Workshop and for sure he is there playing trombone too. The movement from SANG/TEH (SITUATIONS). Guard duty in a cold Korean winter. This piece was a major turning-point in my work. My life too you-could-say. "Of Ancient Times and Modern Sounds" i wrote then: a better world---much much better---than being in the American Army. The heterophonic melody-only texture learned from their "Ah Ahk" court music ("Soo Je Chun" the most beautiful music in the history of the world!) imposed on a thoroughly modern chromatic note structure. Occidental instruments absorbing the traditions of subtle sound colours so-long absent from the West. Public performance in Seoul. That must have been the Spring of 1961 just before they "shipped me out", to bring all that back home. Before that the wonderful and exceptional opportunity to "run through" some of it with the indigenous instruments of the Koog Ahk Wun (National Music Institute) thanks to the cultural open-mindedness of the classical kayageum master Byungki Hwang. And Jim has not only played the 3rd movement often, but brought if back to Korea once at the Pan Music Festival. But my long-waiting-for performance in Korea on native instruments has yet to take place. The CHOPIN PRELUDE piece is one of two, reworking passages from his D Major Prelude for piano, and a part of the "as a revelation" series which "looks into" moments from the classics which usually go by too fast. Begun with Mozart, the series has "got a lot of mileage" out of Satie, as well as including Buxtehude, Bach, Rimsky-Korsakoff, Verdi, Ives, Berlioz,, and others.' (Philip Corner, 2015)"
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LP
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KYE 037LP
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"Kye is proud to announce the release of Moonrise, the brand new solo LP by Michael Morley. After a 30-odd year history cutting electric music with the likes of Wreck Small Speakers on Expensive Stereos, The Dead C, and Gate, Morley opens a new chapture with Moonrise, being the first readily available document of the man in solo acoustic mode. "Moonrise was recorded as an experiment in my newly established recording studio to see what might happen if I played acoustic instruments only, with an ear to some early Spanish guitar music and the Persian oud. After 30 years of playing the acoustic guitar in private for no good reason, I decide to record the activity." (Michael Morley). Moonrise arrives in a full color Morley designed matte stock sleeve, with complimentary inner bags, in an edition of 500 copies."
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LP
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KYE 034LP
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"Kye is proud to present Full Circle Sounding, the brand new LP by Montréal-based composer, improviser and violinist Malcolm Goldstein. Full Circle Sounding comprises the complete recording of Goldstein's headline set at the 2014 Kye Festival, which took place at Issue Project Room in Brooklyn, NY: 'Judson Piece #6 (with improvised violin extensions)', 'but one bird sang not,' and 'Sheep Meadow (with improvised violin extensions),' plus an additional new studio improvisation 'Soundings,' recorded specifically to complement the Kye Festival set. Full Circle Sounding arrives in a monochrome matte stock sleeve featuring original Goldstein graphic art, and comes with a booklet of program notes/recollections. 'I follow the line, am molded by it, yielding, as I mold it like a brook after rain pours through dirt, rocks, trees and grass, finding new subtle twists and turns as things moved, are moved in the flow.....' (Malcolm Goldstein). Edition of 500 copies."
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LP
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KYE 032LP
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"Kye is proud to present the first fully authorized collection of sound work by esteemed Australian novelist Matthew Revert. Not You takes Revert's diaristic/voyeuristic narrations and casts them against a loose-footing of home-recorded 4-track scrabble, iPhone overload, and migratory acoustic dreamsong. These constituent parts combine and flourish in a creative rite of passage that affirms Not You as both hermetic tour-de-force, and masterpiece of primitive self-expression. Mastered by Jason Lescalleet at Glistening Labs, Not You arrives in a high-gloss Matthew Revert designed sleeve, with accompanying insert, in an edition of 400 copies."
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2LP
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KYE 025LP
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"Kye is proud to announce the release of Rules Of The Universe, a fully authorized anthology of archival audio work by the renowned Dutch artist Anton Heyboer (1924-2005). Heyboer's stature in visual arts is well-known and internationally celebrated, but documentation of his audio work is scant and difficult to locate. Heyboer's only previous vinyl release -- 1976's ill-fated She And She As One LP (EMI) introduced a music so resolutely personal and uncommercial in nature that EMI ordered the unsold bulk of the pressing withdrawn and destroyed. Further recordings of Heyboer's anomalous music eventually trickled out via a string of private press micro-edition CDs/CDRs through the Anton Heyboer Foundation in the 1990's. Released with full approval from VOF Heyboer and overseen by Lotti Heyboer, Rules Of The Universe draws from over seven hours of surviving archival tapes, restoring the cream of the CDR editions and supplementing it with a selection of previously unheard tracks. Rules Of The Universe offers a fresh reappraisal of a lesser-known - but no less important field of creativity from one of the 20th Century's most original artistic minds. Rules Of The Universe arrives in a full color high gloss gatefold sleeve, with an accompanying fold-out color poster, in an edition of 500 copies."
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