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viewing 1 To 6 of 6 items
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LP
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LOV 099LP
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"Sometimes, the best things take time to finish. In 2012, two of the founding members of the seminal punk trio Bats & Mice stepped into the studio to start work on their follow-up to 2010's Back In Bat EP. Then, between babies and careers, life happened, and the project went dark for almost a decade. Bats & Mice is a band that has quietly crept through the music world. Three members of Sleepytime Trio originally formed the band: Jonathan Fuller (Engine Down, Denali), Dave NeSmith (Rah Bras, Committees) and Ben Davis (MileMarker, Committees). They began writing songs together in a new style that pursued their hardcore roots coupled with a more dark and winding sense of melody. However, the music still maintained the energy and drive of their previous efforts. This line-up produced Bats & Mice's first work, a self-titled EP released on Lovitt Records in the fall of 2000, to critical acclaim. Friends Daron Hollowel and Ash Bruce from the band 400 Years joined for a stint in which 'Bats' wrote and released the full-length album entitled, Believe It Mammals, on Lovitt in the spring of 2002. That line-up toured to support the LP across the US, playing with Fugazi, Ted Leo and the Pharmacists, 90 Day Men, Denali, and Gregor Samsa. In 2004, Luke Herbst joined the band on drums, and the band toured Europe in support of a new EP titled A Person Carrying a Handmade Paper Bag is Considered as a Royal Person. Jonathan Fuller rejoined the group and helped write and record the Back In Bat EP, released in 2010. Soon after, Mark Oates (from Wailin' Storms) took over the drums for Jonathan and helped write new songs as the band headed into the studio to record the basic tracks for an LP in 2012. Bats & Mice then shelved the material as life, marriages, children, and Covid ate away the years. In early 2023, the band reconvened in Chapel Hill's Warrior Sound to rework the original tracking and finish a ten-song full-length record. Named PS: Seriously, the finished LP is finally coming to light."
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LP
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LOV 098LP
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"Emerging in the late 1990s, Division of Laura Lee quickly established themselves with a unique blend of post-punk and alternative indie rock. Celebrating their rich musical heritage, Lovitt Records presents the 25thanniversary edition of their seminal 1999 album, At the Royal Club. This special edition is a thoughtfully curated compilation of tracks from the band's first two years, inviting both long-standing fans and new listeners to experience the album's visceral intensity and the band's trailblazing spirit. Previously only available on CD, this reissue of At the Royal Club has been expertly remastered for vinyl, bringing a renewed vibrancy to the original recordings. Limited-edition clear coke bottle with black blob vinyl. This release not only breathes new life into an iconic collection of tracks but also honors the enduring spirit and influence of Division of Laura Lee."
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LP
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LOV 097LP
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"Paddan's Sigtryggur Baldursson and Birgir Mogensen are lifelong friends from Kópavogur, Iceland, who started as mates on the local football team, then graduated to making music together as teenagers, and even later as young men doing time in the experimental punk collective KUKL, from 1983-1986. KUKL was populated by survivors of the post-punk scene in Iceland in the early '80s, which is well documented in the film Rock in Reykjavik from 1982. The band was released by the Crass collective in London and featured members, apart from Birgir and Sigtryggur, like Guðlaugur Óttarsson, Einar Melax, Björk and Einar Örn, some of whom would become better known later in outfits like the Sugarcubes and their respective solo work and other collaborations. Sigtryggur has a long career in music, having worked with among others, Emiliana Torrini, Howie B, Les Negresses Vertes, Tomas R. Einarsson, Petur Ben, KK, Kaktus Einarsson, and many others. He also produces an award-winning documentary music show for RUV called Hljómskálinn. Birgir Mogensen is a classically trained classical guitarist and bass player who has worked through the years with artists ranging from KUKL to Killing Joke to Spilafifl and Inferno5. Birgir and Sigtryggur formed Paddan during the 2010s, and now present Fluid Time, which has been inspired by their perception of time and space. Birgir Mogensen says, 'As a duo, we trusted our musical intuition and were guided by allowing the first idea to remain unchanged during the recording process.' Recorded, produced, and arranged by the pair, Sigtryggur and Birgir play basses and drums along with various other instruments. All recordings are played on live instruments except a modular synth which is programmed in the background of two tracks The duo is joined by the great harmonica and lap steel player Gaukur Davidsson on 'Vaguely' and 'Bug,' and trumpet player Eirikur Orri Ólafsson on 'Splash,' not to mention the mixing expertise of Vaccines bassist Arni Hjörvar Árnason on 'Bug,' 'Splash,' and 'Kokka,' and sound-mixer Albert Finnbogason on 'Vaguely.'"
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7"
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LOV 096EP
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"Amidst various musical projects, Shelby Cinca reached out to his former bandmates with the idea of creating and instrumental album in the style of Frodus -- a desire that had never materialized during the band's active years. Despite the challenges of life and logistics, the project began to take shape as Nate and Shelby brainstormed and organized their ideas. They recalled an offer from their fellow DC friend and prolific musician, Aaron DC Edge, to provide raw drum tracks. Shelby accepted Aaron's offer to kickstart a rhythmic foundation, and soon the project came to life. Some tracks remained faithful to the original demos, while others underwent substantial editing. Eventually, songs began to take form in an organic manner, despite the geographical distance between the collaborators. Conceptually, the group aimed to craft a soundtrack for a post-human world, inspired by a cryptic phrase hidden in the artwork of Frodus's last album: 'when man dies, we become wolves again.' These songs conjure images of overgrown and ruined cities, the return of wildlife, and the interplay of light and darkness, peace and savagery, coexisting in the aftermath of humanity's downfall. Without the prominent narrative of anguished vocals, the vistas emerge in the mind's eye without barriers, allowing for a more subtle and profound exploration of the themes. This is Wolves Again."
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LP
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LOV 094LP
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Red vinyl. "Known for her delicate compositions, soaked in dream-like surrealism, Icelandic musician Sóley has attracted a huge following since launching her solo career back in 2010. Her 2012 single 'Pretty Face' went on to generate an enormous amount of buzz, and quickly became a viral sensation. Now, with three solo LPs under her belt, Sóley is preparing to debut a completely new sound via the release of her new concept album, Mother Melancholia . . . The new album sees Sóley move away from the indie-pop of her previous releases. She began by experimenting with writing songs on the accordion, allowing her a new sense of freedom in her writing. The process allowed her to broaden her horizons even further and experiment with a whole range of new and exciting sounds . . . Album opener 'Sunrise Skulls', one of the most cinematic moments on the album, was inspired by the Me Too and SlutWalk movements and tells the story of a group of women who rise up and fight the patriarchy. 'Blows Up', a track that would be at home on any horror soundtrack, is a sarcastic love letter from the Earth to humans. Standout track 'Desert' is an incredibly moving song dedicated to the next generation. 'It's about the guilt you feel, as a mother, for having children and leaving them on the frontline. My daughter, for example, will take over this inevitable war' explains Sóley. In true soundtrack style, the album flows through the end of the world in chronological order, closing with the Earth's final moments. 'Sundown' is a dark piano ballad detailing human kind's final day on Earth. 'And everyday, I dig my own grave, and as I dive in you´ll hold my hand' she sings, over twinkling piano and swirling synths. We then hear the world end on 'XXX', a dark and swirling soundscape that swells before fading to silence. On 'Elegía' the silence then turns to the sound of the ocean, as we hear the Earth, like a woman finally free from a violent relationship, healing on her own. Mother Melancholia is the mark of an artist confidently striding into more experimental territory. With a lengthy and successful career behind her, Sóley felt compelled to try something new and express the real her. The music might be shrouded in darkness but it's a move that fills her with joy and freedom. 'I hope that people not only enjoy the new sound, but also that Mother Melancholia might raise some questions in people, particularly women' she says. 'I'm under no illusions that this album will change the world but I hope that people can connect with the idea.'"
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LP
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LOV 091LP
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"Almost every song on Of The Sun -- the magnetic fifth album from the Polish quartet Trupa Trupa -- lands like an anthem, with barbed hooks driven by an italicized rhythm section and a chimera of crisscrossing harmonies. Throughout its propulsive 12-song sequence, this is an album that never lets up. From the relentlessly pulsing 'Long Time Ago' to the deep glisten of 'Longing,' Of The Sun is an unbroken string of hits in Trupa Trupa's idiosyncratic, self-made universe. The setting of Gdańsk is a crucial philosophical and aesthetic touchstone for Trupa Trupa. A city with a convoluted history of German and Polish rule and self-sovereignty, it is itself a living testament to the turnover of human toil. Of The Sun is a portrait of great effort and pathetic failure, of strain sublimating into nothing. Along with the notions of Beckett, hints of Syd Barrett, and the knotty complications of Wire, these emotions ripple through Of The Sun, a radiant album about the damnation of mortality. Trupa Trupa has grown inordinately in both confidence and execution during the last half-decade. Spurred on by a democratic process, where no one is the real leader and all ideas and influences are funneled into the same rich sound, Trupa Trupa channel a multiverse of feelings into captivating four-minute spans. Throughout Of The Sun, they stare into the dark and summon a light of their own, making the struggle feel not just tolerable but deceptively triumphant. Of The Sun was recorded, produced and mixed by Michal Kupicz during October and November 2018 in Gdańsk, Poland at Custom 34 studios. Trupa Trupa is Grzegorz Kwiatkowski (vocal, guitar), Wojciech Juchniewicz (vocal, bass guitar, guitar), Rafał Wojczal (second guitar, keys), and Tomasz Pawluczuk (drums)."
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