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viewing 1 To 6 of 6 items
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LUCKYDOG 017CD
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In early 2011, Tindersticks were commissioned by the In Flanders Fields World War One Museum in Ypres, Belgium to create the soundscapes for the new permanent exhibition commemorating the centenary of the Great War and beyond. Tindersticks' response was to write, record and produce a continuous, orchestral score to accompany the visitor on their emotional journey through the unique story of Ypres in the Great War. The score evolves through the different, distinctive spaces and sections of the museum, punctuated with private contemplative spaces where the music was allowed to be more poetic. Made from a series of interlocking orchestral loops, the music flows seamlessly all day, everyday, without beginning, middle or end. The aim, for Stuart Staples, was for the soundtrack to "become the sound of air within the museum." Ypres was the epicenter of the Western Front in The Great War and was virtually destroyed by the conflict. It has since, only relatively recently, been rebuilt to its original plans. The museum is housed in the rebuilt cloth hall that stands in the center of the town and was once the hub of the town's industry. Hundreds of thousands died in Ypres and the surrounding area, with allied cemeteries and graves scattered everywhere. In keeping with the perspective of the new museum, Staples felt it crucial to "bring the essence of the experience to a personal level. To somehow loosen it away from the images we have all become accustomed to." Inspiration for the work was found in the quiet, dignified German memorial garden of Vladslo and Kathe Kollwitz' famous "Grieving Parents" statue that resides there. Stuart Staples and Dan McKinna worked closely to compose the score and felt the museum building resonated with a key of F. The starting point for the music became a musical cluster of E flat, F and F sharp. The recording was presided over by long-time collaborator and orchestra leader Lucy Wilkins. The orchestral recordings were made at the Church in Crouch End, London and were then taken back to Le Chien Chanceux studio in France to prepare for the installation. In collaboration with London Sound designers "Sound Intermedia," a bank holiday weekend in May 2012 was spent meticulously building the soundscape for every individual space. The In Flanders Field Museum re-opened its doors with Tindersticks' soundtrack on June 11, 2012. Now Tindersticks are releasing the recording of the soundtrack via Lucky Dog Recordings.
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LUCKYDOG 017LP
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LP version on 180 gram vinyl with download code.
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LUCKYDOG 016LP
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LP version. 180 gram vinyl with a poly-lined inner sleeve. Continuing a long and fruitful creative relationship, Tindersticks have completed their 7th original film score for renowned director Claire Denis, for her provocative thriller Les Salauds (trans. "Bastards"). The film premiered at Cannes in Un Certain Regard and offers confirmation, were it needed, of Denis' status as one of the most exciting and innovative filmmakers currently working, and of one of the most consistent and unique partnerships existing between a director and a group of musicians. Marking a fundamental stylistic departure for the band, the hypnotic electronic score resonates with the darkly sensual and dream-like rhythms of the film's revenge narrative, featuring a new twist on the Hot Chocolate classic "Put Your Love in Me." The soundtrack for Les Salauds is released on the band's Lucky Dog label. On the creative process Claire Denis says: "Stuart read the screenplay, which I believe upset him a little. It took him time to find his bearings and start composing. I told him the film began in the rain, and suggested echoing this with dissonant electronic music. I had in mind Tangerine Dream's music for Michael Mann's Thief. We worked together as we're accustomed to: I'd go and see him in his studio in Creuse, he'd come to Paris to make me listen and we'd talk." Stuart Staples adds, "We talked about sailors and their relationship with dry land; an unreal place where the worst of things can happen... and inevitably do, a world of nightmares. I started to experiment with synthetic sounds -- a strange environment, I felt like that sailor, surrounded by equipment and ideas that I didn't understand. The idea to use Hot Chocolate's 'Put Your Love in Me' was an early point of connection for me, to shift the desperation in that song into a different space, to give me something to hold on to and to grow from." 2013 is a landmark year for Tindersticks who turn 21. The band are celebrating this special milestone with a plethora of exciting new music and art projects across 2013 including their 10th studio album Across Six Leap Years, and the autumn UK release of the book Singing Skies, the first collaboration between Staples and his wife, artist Suzanne Osborne.
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LUCKYDOG 015CD
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2013 is a landmark year for Tindersticks, who turn 21. In this time they have recorded nine studio albums, composed music for films, museums, fashion shows and installations, have toured the world, played with various orchestras, collaborated with many great singers and musicians, lost their desire, split up, rearranged, reformed, re-kindled their musical passion and in 2012 made what they, and many critics consider to be one of their finest albums, The Something Rain. Tindersticks wanted to mark this special anniversary year in some way, to connect this history with what they have become. After much discussion, they entered the legendary Studio 2 at Abbey Road and between the 6th and 9th of April 2013 recorded Across Six Leap Years, their 10th studio album; 10 new versions of songs from throughout their history. Across the years some songs were "lost along the way." For one reason or another, they never became how they were imagined to be in their recorded form, until now. Across Six Leap Years brings together these previously-unrealized tracks as part-celebration, part-reinvention. "Recording these songs again was not so much about righting past mistakes or inadequacies, but more about the power of now. It's something that's been growing since the film shows, something that made us recognize how we feel now, and connecting that to our past feels important. Walking up to Abbey Road, it could easily have overcome us. But it had nothing to do with its past. We weren't there to take photos on the crossing. I didn't think about playing the 'Lady Madonna' piano. I'd like to say it was just another studio, but sadly, that's not true anymore. It's one of the only studios of its kind left. And it wasn't about our past either. These songs feel like cover versions. Someone else's music we feel we had something new to bring to." --David Boulter, 2013
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LUCKYDOG 015LP
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2015 repress; LP version, on 180 gram vinyl. Includes download coupon. 2013 is a landmark year for Tindersticks, who turn 21. In this time they have recorded nine studio albums, composed music for films, museums, fashion shows and installations, have toured the world, played with various orchestras, collaborated with many great singers and musicians, lost their desire, split up, rearranged, reformed, re-kindled their musical passion and in 2012 made what they, and many critics consider to be one of their finest albums, The Something Rain. Tindersticks wanted to mark this special anniversary year in some way, to connect this history with what they have become. After much discussion, they entered the legendary Studio 2 at Abbey Road and between the 6th and 9th of April 2013 recorded Across Six Leap Years, their 10th studio album; 10 new versions of songs from throughout their history. Across the years some songs were "lost along the way." For one reason or another, they never became how they were imagined to be in their recorded form, until now. Across Six Leap Years brings together these previously-unrealized tracks as part-celebration, part-reinvention. "Recording these songs again was not so much about righting past mistakes or inadequacies, but more about the power of now. It's something that's been growing since the film shows, something that made us recognize how we feel now, and connecting that to our past feels important. Walking up to Abbey Road, it could easily have overcome us. But it had nothing to do with its past. We weren't there to take photos on the crossing. I didn't think about playing the 'Lady Madonna' piano. I'd like to say it was just another studio, but sadly, that's not true anymore. It's one of the only studios of its kind left. And it wasn't about our past either. These songs feel like cover versions. Someone else's music we feel we had something new to bring to." --David Boulter, 2013
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LUCKYDOG 016CD
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Continuing a long and fruitful creative relationship, Tindersticks have completed their 7th original film score for renowned director Claire Denis, for her provocative thriller Les Salauds (trans. "Bastards"). The film premiered at Cannes in Un Certain Regard and offers confirmation, were it needed, of Denis' status as one of the most exciting and innovative filmmakers currently working, and of one of the most consistent and unique partnerships existing between a director and a group of musicians. Marking a fundamental stylistic departure for the band, the hypnotic electronic score resonates with the darkly sensual and dream-like rhythms of the film's revenge narrative, featuring a new twist on the Hot Chocolate classic "Put Your Love in Me." The soundtrack for Les Salauds is released on the band's Lucky Dog label. On the creative process Claire Denis says: "Stuart read the screenplay, which I believe upset him a little. It took him time to find his bearings and start composing. I told him the film began in the rain, and suggested echoing this with dissonant electronic music. I had in mind Tangerine Dream's music for Michael Mann's Thief. We worked together as we're accustomed to: I'd go and see him in his studio in Creuse, he'd come to Paris to make me listen and we'd talk." Stuart Staples adds, "We talked about sailors and their relationship with dry land; an unreal place where the worst of things can happen... and inevitably do, a world of nightmares. I started to experiment with synthetic sounds -- a strange environment, I felt like that sailor, surrounded by equipment and ideas that I didn't understand. The idea to use Hot Chocolate's 'Put Your Love in Me' was an early point of connection for me, to shift the desperation in that song into a different space, to give me something to hold on to and to grow from." 2013 is a landmark year for Tindersticks who turn 21. The band are celebrating this special milestone with a plethora of exciting new music and art projects across 2013 including their 10th studio album Across Six Leap Years, and the autumn UK release of the book Singing Skies, the first collaboration between Staples and his wife, artist Suzanne Osborne. CD is housed in a 2-pocket sleeve in a high-quality 300 gram card, including a 10-page concertina booklet on agrippina paper. Packaged in its own inner sleeve.
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