MONK - Forced Exposure

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Artist	Title	Format	Label	Catalog #

CALLOWAY, BLANCHE	Without That Gal!	LP	MONK	MK 341LP
$19.50 IN STOCK Blanche Calloway was the sister of both famous jive bandleader Cab Calloway and the lesser-known performer Elmer Calloway, one of the best jazz vocalist of the era, the recordings are all in chronological order and recorded in various location where the artist was performing.

Artist	Title	Format	Label	Catalog #
MCTELL, BLIND WILLIE	Scarey Day Blues	2LP	MONK	MK 309LP
$25.00 NOT IN STOCK "William Samuel McTier was born in Georgia in 1898 (according to some sources), and despite his blindness was a talented musician since early childhood. He began his recording career in 1927 for Victor Records in Atlanta and is credited with having created an entire blues sub genre by mixing the hard roots of the Delta style with the more refined East Coast style (Piedmont Blues). His unique 'country blues' can be heard on the grooves of this double LP collection brought to you by Monk records." Limited stock.

Artist	Title	Format	Label	Catalog #
RODGERS, JIMMIE	Blue Yodel No. 1	LP	MONK	MK 342LP
$19.50 LOW STOCK LEVEL The Father of Country Music, among the first country music superstars and pioneers of the era, his yodel has become famous to everyone, the recordings are all in chronological order.

Artist	Title	Format	Label	Catalog #
SNOW, VALAIDA	Until The Real Thing Comes Along	LP	MONK	MK 343LP
$19.50 IN STOCK Valaida Snow might well be counted among the greatest entertainers of the early 20th century, her voice has enchanted the audience of America and Great Britain, 16 tracks in chronological order.

Artist	Title	Format	Label	Catalog #
ELLINGTON & HIS ORCHESTRA, DUKE	Jubilee Stomp	LP	MONK	MK 334LP
$17.50 NOT IN STOCK "During a career spanning half a century, Duke Ellington and his orchestra composed enough songs to keep jazz musicians busy for the next half. During this time he also popularized jazz as a legitimate form of music to white audiences through his nightly performances at Harlem's legendary Cotton Club, beginning in 1927. 1927 was a watershed year for Duke Ellington, not only did he land the prestigious Cotton Club gig (and the nationwide radio broadcast that went along with it), but it was also the year that Ellington signed a lucrative deal with agent Irving Mills. Mills introduced Ellington to an even wider audience, getting him recording sessions with Victor, Columbia and Brunswick. His reputation grew and by 1929 he was starring in the groundbreaking all-African American RKO short film Black And Tan. These recordings, all from 1927 and 1928, mark those significant years when Ellington was a swiftly rising star." Last copies, deleted item.

Artist	Title	Format	Label	Catalog #
BLIND BLAKE	That Will Happen No More	LP	MONK	MK 331LP
$17.50 NOT IN STOCK "After their success with Blind Lemon Jefferson, Chicago's Paramount was scouting for more male blues talent, and they found it in 1926 in a man called Blind Blake (1893-1933), a sophisticated guitar player who was the antithesis of Delta blues. Like many, he played his guitar like a piano but few did it with the talent of this man. Called the 'King of Ragtime-blues', no one had fingers as fast as Blind Blake, but by 1933 he was dead (some say his drinking killed him). These recordings taken from 1927-28 are a collection of Blind Blake's early material, showcasing the man at his musical peak, before alcohol began to take its toll."

Artist	Title	Format	Label	Catalog #
VA	Travelling With My Portable Electric Phonograph Volume 1	LP	MONK	MK 402LP
$26.00 LOW STOCK LEVEL "What did South Africa and South East Asia of the 1940s and 50s have in common? In both places the local population was trying to gain independence from British colonialism. Although colonialism is never a good thing, there are always some positive outcomes when two cultures collide, especially when it comes to music. The Zulu of South Africa are the largest ethnic group in the country and are well known for their rich musical traditions. In the 1940s, however, Zulu musicians began fusing traditional Zulu choral music (often sung by migrant mine workers), like Mbube and Isicathamiya, with the instruments and rhythms of Western jazz. A continent away in India, we see that the same kind of musical revolution was taking place during this same period. Calcutta in particular became a musical hotbed beginning in WWII, when it became one of the major ports for the South East Asian Theatre of the War. The jazz scene was mainly centered on the house bands from the various luxury hotels and British social clubs, with these bands often recording for the South East Asian division of E.M.I. Interestingly, one of the hottest stars on this scene during the 1940s was Teddy Weatherford, an African American 'expat' from the Chicago jazz scene. Beginning in 1942, following the Japanese invasion of Burma (Myanmar), hundreds of thousands of refugees poured into India, among these great jazz musicians like Reuben Solomon (of Iraqi Jewish descent) of 'The Rangoon Gymkhana Club' fame. Batuk Nandy, on the other hand, was a well-known steel guitar player who rose to fame by making 'filmi' music for Bollywood films, while Bismillah Khan was an Indian shehnai (a traditional flute-like instrument) master, and one of only three classical musicians to have ever won the Bharat Ratna prize, the highest civilian prize in India. Khan was also one of the few musicians to perform at Delhi's Red Fort in 1947 for India's Independence celebrations. Despite the obvious negative outcomes, different cultures and religions forced together in the face of economic and political adversity has historically been a recipe for great music, and as this album testifies, India and South Africa were no different."

Artist	Title	Format	Label	Catalog #
BOGGS, DOCK	When My Worldly Trials Are Over	LP	MONK	MK 319LP
$17.50 NOT IN STOCK 2010 release. "Pioneering singer / banjo player Dock Boggs (b. 1898) got his start playing (while working) in the coal mines all over the poverty-stricken Appalachian region. His earliest recordings, a blend Appalachian old-time music and early blues, come from 1927-1929. During this time Boggs was fairly popular and able to make a living with his music, much to the dismay of his wife who, like many others at the time, considered secular music a sin. By 1930, however, the Great Depression had forced Boggs to pawn his banjo and go back to selling moonshine and working in the coal mines. This would have been the end of Boggs' career had he thankfully not been rediscovered by folk revivalist Mike Seeger in the 1960s and subsequently recorded some great records for Smithsonian Folkways. This record is comprised of some extremely rare alternate takes (recorded between 1927-1929) of some of his greatest songs."

Artist	Title	Format	Label	Catalog #
REINHARDT, DJANGO	The Last Years Of Peace (1936-1937)	LP	MONK	MK 102LP
$17.50 NOT IN STOCK "The British Decca company, who had distributed the early Ultraphone sides in England, was attracted by the sudden success of the band and decided to start, in the autumn of 1935, with new recording sessions, now at the enhanced Polydor studios in Paris. Although dealing with such musicians was often quite challenging for the German Polydor technical engineers, some of the results were musically remarkable, despite some low figure sales. Even during his Polydor-Decca phase Django recorded for other companies, including French Gramophone, and in November 1935 he met modern pianist Garnet Clark and US trumpeter Bill Coleman. Packaged in 78 rpm style deluxe plain cardboard sleeve."