|
|
|
|
viewing 1 To 4 of 4 items
|
|
|
|
|
|
|
|
|
|
|
|
CD
|
|
FJORD 008CD
|
"The first psychedelic percussion album since Hal Blaine!"Mavens of The Good Life unite! Toby Dammit is a master percussionist who has here made one of the most compelling albums in recent memory. Layered, melodic, insane music where Hal Blaine meets trance, where Martin Denny blends with Ennio Morricone, where symphonic percussion instruments are filtered through 1960's spy movie soundtrack sensibilities and rubbed up against Vampyros Lesbos. Is he the unfathomable link between Edgar Varese and Senor Coconut? Between Harry Partch and Harry The Bastard? Between the deep mysteries of Swedish sexcrime and psychedelic Krautrock sambas?! You have to feel the weight of his tympani storage facility to understand the glimmer of his glockenspiel. Currently a U.S. Resident, he travels the world in an ever-changing magical orchestra pit. His beats collide, and the children unanimously scream in the ecstasy. Throughout the history of late twentieth-century popular music, the cries have been heard in song titles: 'Hear the Drummer Get Wicked', 'Give the Drummer Some', 'Bring that Beat Back'. Perhaps these are all responses to jazz drummer Max Roach's enigmatic question: does the beat lie in the drum beats or between them? Musical provocateur Toby Dammit, whose work at the fringes of U.S. popular music, leaves unanswered that question. But in doing so, insists on the central role of percussion and drums, making a path-breaking record in the process. Drums and percussion are too often consigned to the background, as drum fills or a 4-4 kick drum installed to keep metronomic time. But there are few artists who bring percussion to the foreground, and Toby Dammit's music occupies that rare position of the artist who works solely with percussion to create extraordinarily complex yet deceptively simple tracks. Think of this record also as the perfect DJ tool. Those in search of often-redundant breaks, beats, and loops records will find this album perfectly suited to heavy turntable rotation. The opening track, 'Number One Famous', and 'Roadblocks Here and Here' see Dammit picking up the gauntlet thrown down by Adrian Sherwood's stunning On-U Sound ventures with Creation Rebel, Tackhead, and Mark Stewart. Dammit's work also immediately brings to mind the hard, crisp techno of contemporary artists such as Surgeon, Ben Sims, Oliver Ho, Adam Beyer, and Regis, who never permit a bass line anywhere near their music. 'Jolly Coppers on Parade' is a dense, glowering piece with decaying, percussive fragments buzzing around the mix like an agitated hummingbird. Even when the percussion is attenuated to the point of a click track and hi-hat, Dammit keeps the sense of space and suspense intact. The uneasy 'Malmo Nocturne (Mansson's Theme)' is the record's moment of relative serenity, wherein North African motifs and drumming slow the pace of this fast moving record. But even here, the tough sound of the drum machine returns to interrupt the calm. You can pretend to ignore the call of the drum. But, finally, it is the rhythmic force which drives all records which utilize it. Most drummers are competent at best; able to use the kit to keep the beat moving. And then there are percussive artists like Toby Dammit who understand that the place of the drum is so much more than simply keeping time. It is the stepping off point for a vast range of compelling musical adventures. It is the latter that the listener will find on Top Dollar." --Tim Haslett
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
FJORD 008LP
|
LP version in full color sleeve.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
FJORD 011EP
|
"Headphone Junkies & Disco Citizens Unite! Following hot on the heels of Tricatel's ultra-limited Clear-Vinyl 10-inch, 'Gopher Edits', the countdown to the release of the Top Dollar full-length continues apace with another tasty nugget of Bertrand Burgalat-produced percussion insanity from Mr. Toby Dammit! You get: Side A: Super-Fi version of 'Modus Operandi'. Side B: Bonus Beats: 4 distinct segments extracted from 'Modus Operandi' an ideal DJ tool. (a) 'Whiskey In The Bar' (b) 'Sole Walewska' (c)'House Akvavit' (d) 'Coffee And A Shot Of Se've Fournier'. Both sides are 45RPM for the maximum BASS Possible. But wait, there's more: There is a secret story behind Toby's titles on this 12". 'Modus Operandi' itself comes from the dreaded phrase that irritates detective Martin Beck so deeply in Murder At The Savoy by the Swedish crime writers Maj Sjowall and Per Wahloo. The stately titles on side B are Beck's final meal at the Savoy Hotel in Malmo at the closing of the same story. Toby often highly recommends the 10 consecutive Martin Beck mysteries!!"
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
FJORD 006CD
|
SAAB Songs are Brian Degraw and Harmony Korine. Think Cro Magnon, Vertical Slit, early Ralph Records, early Nurse With Wound. This glorious flow of tonal and atonal mixes up damaged, fractured noises with faint glimmers of Appalachian hillbilly snuck in. "So. I walk into the record store Other Music in lower Manhattan, this store is owned by my partner in Omplatten, the illustrious Jeff Gibson, and I head straight for the water cooler adjacent to Jeff's office where I get involved in a conversation with one of his co-workers. I can't concentrate much on the chat, however, since some quite messed up and wondrous music is flowing out of Jeff's office. I can't place the music, and I know that as soon as I enter Jeff's space I am in for some serious oneupmanship if I can't figure out what I am hearing. It is sounding pretty great. Damaged, fractured sounds, not unlike the glorious flow of tonal and atonal that the con-e-sewer would enjoy on Meet the Residents, Nurse With Wound's Chance Meeting On A Dissecting Table Of A Sewing Machine And An Umbrella, Deep Freeze Mice, or even the Homosexuals' more atmospheric stuff. I am just about to place the material as coming from the U.K. in the late 70's. Some sort of wonderful Rough Trade/Recommended/Fuck Off Records release that I'd missed out on, and then I catch myself and think that what I am hearing has to be American; faint glimmers of Appalachian hillbilly flow through the din. Some sort of connection to Ralph Records maybe? Unheard material by Cro Magnon? The Parasites of the Western World? Mike Rep? Vertical Slit? Debris?I give up. "Hey Jeff, what are you listening to? - "Do you like it?" - "Yeah! It sounds like prime homemade mid-70's slop!" - "It is Harmony Korine and his pals." - "Wow." - "Do you think we should put it out?" - "Yeah, why the hell not!" - "I think so too." After spending some quality time with Harmony and his dopest ghost, Brian Degraw, Jeff and myself sorted out the logistics of this release. To give our close personal friends in the media some more meat on their proverbial bones, we did a brief Q&A with Mr. Korine which follows here: Q: Who are the other players? A: Most of the players involved are prepared to die. Some pick up their instruments in order to fix a plate, others wonder in with hope on their shoulder. Hope that they will disappear into that which isn't. Die off. Played down under the nations fallen. Q: Have the musicians played in any other bands? A: Yes. I can't remember which ones, but very popular music they play. Q: Have you done music before? A: Yes, in secret. Q: What made you guys decide to record this? A: We have recorded many pieces, all the music sounds different. The songs depend on the state of the players. Are they healthy? Are they sick? Are they drunk? Are they fouled up to begin with? Most of the time they sing in affluent tones and horse shoe vomit. Q: Any influences you want to mention? A: Uncle Dave Macon and the Smiths mainly. Q: Are there going to be live gigs? A: We will play live in gay lands. Q: Do you want to mention anything about upcoming records? A: It was made out of desperation and unhealthy lads abound. Note: Clever ears will recognize that a few passages sound suspiciously like much of the incidental music in Korine's cinematic masterpiece Gummo A second SSAB release will follow early in 2000. Look for some (no doubt) handsome live performances n the New York area this Fall." -- Johan Kugelberg.
|
|
|
|