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QDK 056CD
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This might be the final chapter of QDK Media's releases from Zambia (unless they find an unknown album which is as good as this one). Chrissy Zebby Tembo is the drummer of the Ngozi family. This time, the album is under his name and Paul Ngozi is his guitarist. This album is so great, QDK left the best for the last zam-rock release. Wild fuzz guitars all over, African beats and extra-cool vocals -- completely stoned music. People say it is easily one of the best African psychedelic rock albums ever recorded -- raw, rough, with a gaping charm and tons of front-and-center fuzz guitar over basic, ultra-catchy rock/pop tunes reminiscent in style to The Velvet Underground. The songs are sung in English. Original albums on Chris Edition are rare as gold dust.
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QDK 055CD
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Paul Ngozi ("Nogozi" means danger) with his band gave a popular voice to what later was called "Zamrock," a cool fusion of older African rhythms and '70s rockish underground modes -- never too polished, but with a tightness that might have made Anglo groups up in London sit up and take notice. The guitars are razor-sharp here, which sounds great next to the harder rhythms at the bottom, and the album's mix of English and Zambian lyrics. Paul Ngozi recorded at least 10 albums -- another one which is famous among collectors is Chrissy Zebby Tembo & Ngozi Family. You will love this one if you liked The Witch and Amanaz. Great album, great artwork, a masterpiece from Zambia.
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QDK 054CD
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Question Mark recorded this album in 1974 in Kenya, the land of safari parks, of elephants & lions. Five musicians, all English vocals, heavy fuzz guitar, 8 freakin' tracks. If you think BLO and Witch were great African albums, you will love this one. Right up there with Ofege, Chrissy Zebby Tembo & Ngozi Family, Rikki Ililonga and Mack Sigis Porter, with mostly Western-style songs with great and heavy guitar sounds all over and a strong African touch, of course. Finally out on CD for the first time, ever. This CD version includes a massive interview with the band in the booklet.
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QDK 052CD
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Tirogo is another great sample of lost African psychedelic music. It was recorded in Nigeria in 1977 and originally released on EMI, same as the great album BLO-Chapter One. This Nigerian psych-rock band Tirogo is similar to bands such as Ofege, Blo, Founders 15, Doves, and Aktion. Great African songs covered with wild guitar solos, spooky organ, great beats and strong vocals. There are four guys pictured on the cover, but six young men were actually in the band. It is getting harder and harder to find lost African bands these days, since there has been a big resurgence in the international music scene to hunt for good material. With the massive help of collectors and Now Again Records in the USA who actually went to Nigeria to sign the boys, QDK Media are able to present this amazing album to you. It will suit the same music lovers who enjoy Amanaz, Witch!, Question Mark and Blo. Band members include: Wilfred Ekanem (bass, percussion, lead vocals); Elvy Akhionbare (lead guitar, percussion); Wilfred Iwang (drums, vocals, percussion); Fumi Onabolu (keyboards, percussion); Godwin Debogie (conga, percussion, vocals).
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QDK 053CD
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QDK Media presents the stellar first album from Zambian psych-rockers Witch -- originally privately-pressed on a small local label in 1973. Another out-of-nowhere African '70s rock discovery in the Blo mold, this five-piece electric band plays in a strong, electric African underground style. Introduction features tons of wah-wah fuzz guitar on every track, African-style beats and vocals and all original songs. After the successful release of the other Witch album Lazy Bones!! (QDK 050CD), here is Introduction, with crazy and wild fuzz guitars all over and chanting -- as good as it gets. An incredibly cool and stoned album from Africa. If you're feeling depressed, low, disturbed, out-of-sorts, sad, frustrated or demented, then folks, we suggest you seek out a quiet place, indulge in some soothing meditation and cut away that headache by listening to this inspirational album. Band members include: Chris Mbewe (lead guitar, vocals, acoustic guitar); John Muma (rhythm guitar, vocals); Gedeon Mulenga (bass); Boidi Sinkala (drums); Emanyeo Jagari Chanda (vocal, percussion).
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QDK 051CD
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QDK Media releases an official reissue of Africa by Zambian heavy psych rockers Amanaz, licensed from band member Keith Kabwe. Amanaz was formed in 1973, and this record came out in 1975. Three of these songs are in the native language Bemba, and 9 songs are in English, recorded in Kitwe, the third biggest city in Zambia up North. Musically, it goes in the same direction as Blo, The Witch, and Question Mark, but this album is way cooler and more stoned with amazing fuzz guitar all over which sounds like an African version of early Cream. The cover makes it look very traditional, but after a few spins, you realize that this one is very special. It's sooo cool, sooo tightly-produced and easily comparable with UK underground albums with a touch of African beats. Still completely unknown, so this album has not been scored yet by the collector's scene. A real surprise -- extremely heavy yet extremely groovy in spots, too.
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QDK 050CD
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QDK Media releases an official reissue of Zambian psych-rockers Witch, with their ridiculously good Lazy Bones!!, originally released in 1975. By the mid 1970s, the South African nation known as the Republic of Zambia had fallen on hard times. The new Federation found itself under party rule. Zambia's then-president engaged what was then Southern Rhodesia (now Zimbabwe) in a political fencing match that damaged his country's ability to trade with its main partner. The Portuguese colonies of Angola to the west and Mozambique to the east were fighting their own battles for independence; conflict loomed on all sides of this landlocked nation. This is the environment in which the catchy -- if misleadingly-titled "Zam Rock" scene that flourished in 1970s Zambian cities such as Lusaka and Chingola emerged. Though full of beacons of hope for its numerous musical hopefuls, it was a tumultuous time, and it's no wonder that the Zambian musicians taken by European and English influences gravitated to the hard, dark side of the rock and funk spectrum. From the little of the Zambian '70s rock and funk music that has been spread via small blogs and bootlegs -- the likes of Chrissy Zebby, Paul Ngozi and the Ngozi Family, and the devastating Peace -- we learn that fuzz guitars were commonplace, driving rhythms as influenced by James Brown's funk as Jimi Hendrix's rock predominated, and the bands largely sang in the country's national language, English. The European and North American compilers that had, say, fallen in love with the wonders of Nigeria's '70s scene via an introduction by Afro-Beat maestro Fela Kuti and decided to journey to Lagos to investigate further never even bothered to visit Zambia. Only a small number of the original Zam Rock godfathers that remained in the country survived through the late-'90s, when the music recorded in Zambia became the next frontier for those global-psychedelic rock junkies searching for the next fix. Normal Records, in conjunction with Los Angeles' Now-Again Records and Zam Rock pioneer Rikki Ililonga licensed this album from the last remaining member of Witch, Emmanuel Jagari Chanda. Hopefully, the music he and his late compatriots created will now reach a larger audience. One that they truly deserve. Another out-of-nowhere African '70s rock discovery in the Blo mold, privately pressed on a small local label, this five-piece electric band plays a strong electric African underground style. Tons of wah-wah fuzz guitar in every track, African-style beats and vocals and all original songs. If bands from Nigeria such as Blo and Ofege and bands from Zambia such as Rikki Ililonga and Chrissy Zebby are all traveling on the psychedelic highway at 100 mph, the Witch overtakes them with 120.
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QDK 049LP
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Limited 2022 restock; LP glossy gatefold heavy sleeve; 180 gram pressing. The Love, Peace & Poetry series from QDK continues in Chile, with 17 tracks culled from some of the lost treasures of the psychedelic music scene of the 7-year period between 1967-1973. In 1973, the Chilean dictatorship banned most rock bands and most musicians had to stop or leave the country, or take it underground. The ban extended to the retroactive destruction of many master tapes for many of the albums included here, which only just stopped as recently as the 1980s. Kissing Spell represents with "Yellow Moon" taken from their 1970 album Los Pajaros, as well as Embrujo who released their self-titled LP in 1971. Los Jaivas' debut LP was pressed privately in 1971 in a small edition of 500 copies, making this track extra-rare. Los Vidrios Quebrados were one of the real South American psychedelic classics -- their Byrds-like jangle-pop coming through clearly on their track. Aguaturbia were pioneers of psychedelic rock in Latin America, who also generated considerable controversy over their album covers. Los Blops released three now very rare and very sought-after LPs between 1970 and 1973, and their sound was focused on their guitarist's electric 12-string guitar (an unusual instrument in Chile at the time). Sacros were among the first electric folk-rock bands to perform during Catholic mass -- their recording was almost destroyed by the military and only a handful of copies survived. Los Macs' 1967 masterwork, Kaleidoscope Men, is rightfully considered by many collectors to be one of the finest examples of '60s psychedelia from South America and original copies are impossibly rare. Los Beat 4 was one of the most successful groups of the national scene in the mid-'60s and both of their rare LPs are represented here. Tumulto was respected for being non-commercial, and their track is taken from their rare debut album. Escombros released their sole LP in 1970 and are a gem in the psychedelic progressive folk style. Congregación released their sole LP on the IRT label in 1972, and El Congresso's sound is the result of a unique blend of contemporary elements and Andean roots. Chilean psychedelic music was produced during a time of great cultural change and social turmoil and is exceedingly rare and very special.
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QDK 049CD
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The Love, Peace & Poetry series from QDK continues in Chile, with 17 tracks culled from some of the lost treasures of the psychedelic music scene of the 7-year period between 1967-1973. In 1973, the Chilean dictatorship banned most rock bands and most musicians had to stop or leave the country, or take it underground. The ban extended to the retroactive destruction of many master tapes for many of the albums included here, which only just stopped as recently as the 1980s. Kissing Spell represents with "Yellow Moon" taken from their 1970 album Los Pajaros, as well as Embrujo who released their self-titled LP in 1971. Los Jaivas' debut LP was pressed privately in 1971 in a small edition of 500 copies, making this track extra-rare. Los Vidrios Quebrados were one of the real South American psychedelic classics -- their Byrds-like jangle-pop coming through clearly on their track. Aguaturbia were pioneers of psychedelic rock in Latin America, who also generated considerable controversy over their album covers. Los Blops released three now very rare and very sought-after LPs between 1970 and 1973, and their sound was focused on their guitarist's electric 12-string guitar (an unusual instrument in Chile at the time). Sacros were among the first electric folk-rock bands to perform during Catholic mass -- their recording was almost destroyed by the military and only a handful of copies survived. Los Macs' 1967 masterwork, Kaleidoscope Men, is rightfully considered by many collectors to be one of the finest examples of '60s psychedelia from South America and original copies are impossibly rare. Los Beat 4 was one of the most successful groups of the national scene in the mid-'60s and both of their rare LPs are represented here. Tumulto was respected for being non-commercial, and their track is taken from their rare debut album. Escombros released their sole LP in 1970 and are a gem in the psychedelic progressive folk style. Congregación released their sole LP on the IRT label in 1972, and El Congresso's sound is the result of a unique blend of contemporary elements and Andean roots. Chilean psychedelic music was produced during a time of great cultural change and social turmoil and is exceedingly rare and very special.
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QDK 048LP
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LP version, deluxe gatefold jacket.
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QDK 048CD
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Oslo-based band Ping is comprised of Jørgen Greiner, Mattis Janitz, Alexander Lindbäck, Tore Hofstad and Hans Fredheim. Ever since their debut offering in 2000, It's a Picnic, Ping has rollercoasted through a variety of different styles, gliding past musical boundaries and turning the laws of harmony upside down. The Zappa-esque ride continues with The Castle Massacre, in a dense prog/electro/punk/jazz mix. The opening song "Bow To The Beagle" seams to quote electronic pioneer Bruce Haack. "Anyway But Now" juggles around prog-rock motifs like Ween used to. "Blue Velvet Rope" dances at a '70s funk pace. The title track reminds of early Genesis, "The Skating Hall" recalls 10cc and "Comoneverybody" uses the jazzy flute and space-funk grooviness of Captain Beefheart. "Manuales" rips Kraftwerk, "Inside A Rock" swings with a reggae vibe and "Konstantinopel" recycles old vaudeville traditions. All these influences, together with a powerfully distinguished sound, make this Ping album a truly exhilarating experience. But in spite of all these daring combinations of different styles, Ping don't drift away into artificial avant garde spaces. The core of their songs is almost always an outstanding pop melody. Ping has earned enthusiasm from critics all over Scandinavia and it's time for the rest of the world to get just as excited.
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QDK 047CD
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This is the ninth volume in the impressive Love, Peace & Poetry compilation series, following America, Latin America, Asia, UK, Japan, Brazil, Mexico and Africa. In Turkey, as the 1950s became the 1960s, just as in cities and towns across Britain and America, countless musical groups began to spring up as young people felt the pull of a growing youth movement. The music that would come from Turkey would blend European and Asian influences unique to that country and essential to the cultural synthesis of Turkish folk and Western rock music that emerged in 1967-1968. The great Delta blues players like Robert Johnson created music with one acoustic guitar in much the same way that traditional türkü arrangements were played originally on one saz (traditional Turkish instrument). If you consider the ways in which classic Delta blues songs were later given electric rock arrangements by musicians like John Mayall, Eric Clapton, The Rolling Stones and others you will have a fuller understanding of the Turkish rock/pop music of this era. Artists featured include: Moğollar (described as "Anadolu pop" or "Anatolian pop" -- the essence of the ancient and mystical soul of Turkish folk music; known as the "Turkish Pink Floyd"); Selda (politically-themed music, a transformation of traditional Turkish folk music and poetry into more contemporary rock-based music similar to the transformation of traditional folk-blues in the West); Özdemir Erdoğan (well-known jazz guitarist, vocalist and arranger; his track was originally a well-known türkü by Asik Veysel, one of the most revered Turkish folk poets); Erkin Koray (the most psychedelic Turkish rocker ever, made his best recordings between 1970 and 1974 -- the song here was recorded in 1971 with his band, Erkin Koray Supergroup). Edip Akbayram (a türkü arranger and singer -- one of the last examples of the best Turkish rock music of the 1960s-1970s, as there was a definite shift away from those traditions after the beginning of the 1980s). Cem Karaca (another important rock singer known for his political stance); Üç Hürel (Turkish rock group formed in 1970 by three brothers; unique for designing their own instruments: drums created from traditional Turkish percussion instruments, a double-necked stringed creation that had an electric saz on one half and an electric guitar on the other); Bülent Ortaçgil (songwriter and singer who released his debut LP in1974, an album which has become a Turkish pop classic recently reissued on CD; Ortaçgil is unique because of the absence of Eastern influences in his music, sounding more Western as a result). As the smoke from the hookah rises around you and the intricate patterns in the finely-woven carpet open upon new worlds of meaning, breathe in the music deeply and enjoy.
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QDK 046CD
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"This is volume eight of the Love, Peace & Poetry series. Many records on this compilation are from South Africa, but it also covers countries such as Nigeria, Ghana, Kenya and Zambia. As in the other six volumes of this series the tracks are only taken from rare LP's and some fetches prices over $1500 for an original. The biggest problem with original records from African countries are finding them in good condition. The turntables where very very poor and the hot and humid climate does not preserve records very good. Sometimes termites eaten away complete record covers. In addition earthquakes, sandstorms, floods, wars, revolutions and other heavy influences made it hard to release albums and keep them in good shape since the late 60's. All this makes this compilation very special beside the amazing good music. The Bands: Abstract Truth / A-Cads / Flames / Freedoms Children / McCully Workshop / Third Eye / Those Five / Suck / Otis Waygood Ten Light Claps / Wildebeest / Mack Sigis Porter / Blo / Ofege / Quentin E Klopjaeger / Rikki Ililonga / Chrissy Zebby Tembo & Ngozi Family.
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QDK 045CD
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"The most recent volume of the Love, Peace & Poetry series, Mexican Psychedelic Music, takes as its focus what was one aspect of our second collection in this series, Latin American Psychedelic Music. While there are some parallels between the evolution of rock and roll in the US and Mexico, the stories are out of synch with each other in interesting ways. In the US, the first wave of rock and roll presented a challenge to longstanding racial divisions and repressed sexuality that was fought off (by 1960 Elvis was in the Army, Jerry Lee Lewis in exile, Chuck Berry in prison and Little Richard turned to Jesus) and replaced by the mostly bland and neutered pop of singers like Fabian, Dion, Paul Anka, Frankie Avalon and Pat Boone (if you've ever wonder what music might sound like in Hell listen to Pat Boone's covers of Little Richard; possibly the most frightening music ever made). The history of Mexican pop music remains calm and fairly controversy free through the 1950s and into the late 1960s. The economic prosperity that fueled the Baby Boom generation in the United States didn't exist for Mexican youth, nor was Mexico as racially volatile or sexually repressed. In the 1950's the culture of the United States was far more shook up by Elvis and his gyrating army than was Mexico. Rock and roll became dangerous in Mexico when it began to be mixed with a challenge to the political status quo. Tracks from rare LPs by The Flying Karpets, Grupo Ciruela, Los Ovnis, La Onda De Survival, and Nahuatl help complete our tour through the various climates of 1960s-1970s Mexican psychedelia, and readily demonstrate the origins of a musical culture that continues on into contemporary times in the many bands that make up the active Mexican music scene here in the new century."
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QDK 045LP
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2016 repress. LP version, full color gategold sleeve. "The economic prosperity that fueled the Baby Boom generation in the United States didn't exist for Mexican youth, nor was Mexico as racially volatile or sexually repressed. In the 1950's the culture of the United States was far more shook up by Elvis and his gyrating army than was Mexico. Rock and roll became dangerous in Mexico when it began to be mixed with a challenge to the political status quo. Tracks from rare LPs by The Flying Karpets, Grupo Ciruela, Los Ovnis, La Onda De Survival, and Nahuatl help complete our tour through the various climates of 1960s-1970s Mexican psychedelia, and readily demonstrate the origins of a musical culture that continues on into contemporary times in the many bands that make up the active Mexican music scene here in the new century."
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QDK 044CD
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"The Village Voice said this in 1973: 'James Cuomo's Zetos... is more sensitive. By this time a great variety of colors could be programmed, and this short piece has some lovely splashes of notes. Less was left to chance here, and the material and its sequence all make normal musical sense. In 'The Computer and Music', Columbia University Press 1972, is found: Zetos 2,...,2* based on the jazz blues form, consists of twelve 12-measure choruses. Probability changes are substituted for harmonic changes. Parameters so controlled include rhythm, octave choices, timbre, density, and instrumentation. The tape part was written to conform with the instrumental parts, and was prepared with the ILLIAC II system. Early 60's recording of pure Jazz (Bebop) with massive electronics composed on a huge computer, music concrete, from the mastermind of Spoils Of War & Mormos. Real swinging but scary'."
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QDK 043CD
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"Music, and the arts in general, in the 1960s provided first hand experience with freedom and creativity of thought and ideas that stretched far beyond the confines and borders set by oppressive regimes and repressive political leadership in general. In Brazil the musical artists of the 1960s and 1970s blended rock, tropicalia, classical, jazz, eastern music and regional music with everything available to create an amazing music universe that we have just skimmed the surface of in this collection." Artists include: O Brando, Os Brazões, A Bolha, Liverpool, Bango, The Buttons, Assim Assado, O Têrço, Spectrum, Módulo 1000, Os Lobos, Rubinho E Mauro Assumpção, Sound Factory, Terço, Paulo Bagunça, Lula Côrtes E Zé Ramalho, Marcos Valle, Hugo Filho, Marconi Notaro.
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QDK 042CD
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Reissue of an obscure electronic music album, originally released in 1968, with bonus tracks. Another historic event for fans of experimental exotica: Martin Denny, Bruce Haack, Pierre Henry, Dick Hyman, Perrey & Kingsley, etc., described as "a synthetic sound revolution with great songs, like Bruce Haack with a Psychedelic touch." From the LP's original liner notes: "The Weinberg Method of Non-Synthetic Electronic Rock (or the Electronic Rock Method of Non-Synthetic Weinberg) is a revolution in sound (or sound in revolution). To be more precise, the W.M.N.S.E.R., as it is affectionately known, is a way of taking the sounds of common musical instruments (twang), sounds of every day life (beep-beep), sounds of the human body (hic-cup) and altering them electronically to create a totally new concept of recording. In the hands of Mr. Weinberg, the human heart-beat becomes a bass drum, an ambulance siren becomes a slide trombone and the sound of a secretary filing her nails becomes a 24 piece string section. Undoubtedly, Fred Weinberg is the first man in history to orchestrate an alka-seltzer fizzing, a computer-card computing and a toilet flushing. When Mr. Weinberg leads his orchestra, the whole world is in the pit. One of his earliest experiments in sound was the time he recorded an ant walking on sand. Unfortunately, the experiment was cut-short by a myopic ice-cream vendor. Of course, this is not to say that Fred Weinberg was the first man ever to discover that the sounds of every day life can be more harmonious than the sounds of traditional music. For instance, George Bernhard Shaw once said, 'Nothing soothes me more, after a long and maddening day of pianoforte recitals, than to sit and have my teeth drilled.' (Shaw? Didn't he used to be the lead singer with the Del-Vikings?) To sum up, then, The Electronic Weinberg Rock of Non-Synthetic Method is simply an assortment of natural sounds that are slowed-down, speeded-up, turned upside-down and inside-out. Sound like sound never sounded before."
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QDK 042LP
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LP version, gatefold sleeve.
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QDK 041LP
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2015 repress. LP version in deluxe full color gatefold sleeve. Fifth volume in this phenomenal series of compilations focusing on the weirdest and most uncommon records from the late 60s/early 70s, this time focusing on underground UK releases. "Not just another collection of rare singles tracks, this series is designed to introduce you to a large box of albums you may have heard of but have never heard; designed to show you that there was a bit more Love, Peace and Poetry around than you might have thought." --Stan Denski. Artists include: Red Dirt, Gary Walker & The Rain, Andwellas Dream, Dark, Dogfeet, Tony, Caro & John, Candida Pax, Pussy, Mark Fry, Motherlight, Light Years Away (Astral Navigations, aka Bill Nelson), Bodkin, Forever Amber, Oliver, Parameter.
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QDK 041CD
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Fifth volume in this phenomenal series of compilations focusing on the weirdest and most uncommon records from the late 60s/early 70s, this time focusing on underground UK releases."Not just another collection of rare singles tracks, this series is designed to introduce you to a large box of albums you may have heard of but have never heard; designed to show you that there was a bit more Love, Peace and Poetry around than you might have thought." --Stan Denski. Artists include: REd Dirt, Gary Walker & The Rain, Andwellas Dream, Dark, Dogfeet, Tony, Caro & John, Candida Pax, Pussy, Mark Fry, Motherlight, Light Years Away (Astral Navigations, aka Bill Nelson), Bodkin, Forever Amber, Oliver, Parameter.
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QDK 035CD
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Low-priced sampler of music from the QDK & Shadoks catalogs. Featuring selections from QDK's Betty Page & Russ Meyer CDs, Pepperisms comp, Love, Peace & Poetry Latin American, Asian and American psychedelic comps, Electronic Toys collections of 70's synthesizer music, plus Bruce Haack, Spoils of War, Maitreya Kali, Butterfingers, Simla Beat, etc. 18 tracks, booklet of the entire QDK catalog.
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QDK 040LP
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2016 repress. LP version in deluxe full color gatefold sleeve. "Japanese psychedelic music of the 1960s & 1970s is very heavily invested in a hard rock aesthetic and much of what we've chosen to include here features some phenomenal over the top electric guitar excess. Many Japanese records from this period are either very heavy psychedelic rock, or they are very experimental and avant garde with little in the way of classic UK & US Sixties 'underground' psychedelia to be found. Unlike most compilations which focus on rare singles tracks, the Love, Peace & Poetry series collects tracks from the world's rarest and most obscure psychedelic albums believing that, no matter how passionate a music fan you might be, you shouldn't be too surprised to find that you may have missed at least a few things along the way.." -- Stan Denski. Artists included: The Mops, Yuya Uchida/Flowers, The Happenings Four, Foodbrain, Apryl Fool (Haruomi Hosono), Speed, Glue & Shinki, Blues Creation, Shinki Chen & Friends, The Jacks, Tokedashita Garasubako, Justin Heathcliff, Masahiko Sato & Sound Breakers, Kuni Kawachi & His Friends, The Beavers.
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QDK 040CD
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Fourth volume in this phenomenal series of compilations focusing on the weirdest and most uncommon records from the late 60s/early 70s. After volumes of American (QDK 021), Latin American (QDK 022) and Asian (QDK 029) obscurities, here comes Japan. "Right up front I think it's only right to note that anyone allergic to heavily distorted blues-based psychedelic lead guitar may very well not survive this disc. Japanese psychedelic music of the 1960s & 1970s is very heavily invested in a hard rock aesthetic and much of what we've chosen to include here features some phenomenal over the top electric guitar excess. Many Japanese records from this period are either very heavy psychedelic rock, or they are very experimental and avant garde with little in the way of classic UK & US Sixties 'underground' psychedelia to be found. As a result, while Japan and the United Kingdom released a comparable number of records during this period, there are a great many rare and expensive Japanese records that remain virtually unknown on this side of the globe. A few of the top rarities are only now finding their way to these shores. The LP by Ceremony creates a musical trip based upon a Buddhist mass, employing exotic instruments and building to a guitar assault but is impossible to really excerpt a small piece of for our purposes here. Only two or three Japanese collectors own the $4,000 original album. My American and European friends who have visited Japan almost unanimously describe the experience as what they imagine visiting another planet might be like. A very friendly and inviting planet, but disorientingly different in many ways. I think what they are describing is really the experience of a first encounter with a non-Western culture and imagine the experience of a Japanese traveler's first encounter with, for example, Arizona or New Mexico, would resemble an even greater interplanetary experience. Unlike most compilations which focus on rare singles tracks, the Love, Peace & Poetry series collects tracks from the world's rarest and most obscure psychedelic albums believing that, no matter how passionate a music fan you might be, you shouldn't be too surprised to find that you may have missed at least a few things along the way. Our intent is to make the claim that the world is a bigger place than you first thought, and to provide some convincing evidence to back that up. So here's a little Love, a little Peace, and a little Poetry to get you by until next time." -- Stan Denski. Artists included: The Mops, Yuya Uchida/Flowers, The Happenings Four, Foodbrain, Apryl Fool (Haruomi Hosono), Speed, Glue & Shinki, Blues Creation, Shinki Chen & Friends, The Jacks, Tokedashita Garasubako, Justin Heathcliff, Masahiko Sato & Sound Breakers, Kuni Kawachi & His Friends, The Beavers.
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LP
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QDK 031LP
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LP version in full color gatefold sleeve.
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