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CD
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RA 040CD
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$16.50
PREORDER
RELEASE DATE: 2/14/2025
New Georg Graewe & Sonic Fiction Orchestra CD on Random Acoustics. Recorded at Kammerspiele (Schauspielhaus Bochum), October 31, 2022. Featuring Frank Gratkowski (clarinets), Maria Gstättner (bassoon), Martin Siewert (guitars, electronics), Sara Kowal (harp), Joanna Lewis (violin), Laura Strobl (viola), Melissa Coleman (cello), Peter Herbert (double bass), Els Vandeweyer (vibes, percussion), Gerry Hemingway (drums, percussion), and Georg Graewe (piano).
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CD
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RA 033CD
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Recorded live May 3, 2018 at Porgy & Bess, Vienna. Recorded by Wolfgang Racher and Gerald Domjan, mixed and mastered by Martin Siewert. Personnel: Georg Graewe - piano; Konrad Bauer - trombone; John Lindberg - double bass.
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2CD
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RA 031-32CD
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"It happened to be my birthday, that day in October 1992 when I had the great fortune of listening to the first incarnation of Frisque Concordance at the Ruhr Jazz Festival in Bochum (Germany), ingeniously curated by Martin Blume, who also played the drums in this quartet along with Hans Schneider on bass, offering his wonders . . . Here, on Distinct Machinery, Georg Graewe and John Butcher, the Concordance's core, team up with Wilbert de Joode and Mark Sanders, both another two constants in the wider Graewe universe for quite some time. Structurally the four-some and its two realizations is to be understood as a pars-pro-toto for how exactly this universe operates and evolves. Schneider was one of the very early members of this poly-centric bundle, dating back to the legendary FMP releases from 1976 and 1978 by Graewe's first quintet, a group the pianist had formed only a few days before his 18th birthday. Butcher, a collaborator for 30 years now, is (along with Frank Gratkowski) the most congenial horn counterpart to Graewe's fuid ways of sublime bridge-building. This is just a small sample of the ways in which Graewe develops his work: long-standing relationships perform expeditions into uncharted territories and then sometimes do it again, years later, offering Proustian moments of recognition plus, always, things never heard before. Continuities and disruption, known and unknown, frisque concordance and contenance angloise, as Martin Le Franc described the 15th century new distinctive style of Dunstable-English music. Distinct Machinery is just that. The combination of a studio and a live set very much distills all these qualities into diamonds, nuggets, and land-slides of sound ever unfolding. You buy one and you get two, but these two give you all. And it is not like these two are easily peg-holed sides of one coin. Listen to the drive and the dynamics of 'Hot and cold' in its two iterations here, studio- and live-setting, and you immediately realize this is not about simple dichotomies. There is a distinct romanticism in the abstract, there are planes of Ayleresk layers in the physical feel of Butcher's sometimes almost silent sound, there are distinct single-notes in Graewe's waves of still energy. There are the endless great plains of Sanders' roaring thunder filled with the warm hues of metallic star-breath-cymbal colors, there are de Joode's interstellar pulse-like sheets of legato, grounding and multi-mirroring it all..." --Markus Müller, Berlin November 2020
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CD
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RA 034CD
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Recorded in Vienna, January-July 2020. Personnel: Frank Gratkowski - clarinet; Maria Gstättner - bassoon; Sara Kowal - harp; Martin Siewert - guitar; Joanna Lewis - violin; Laura Strobl - viola; Asja Valcic - cello; Georg Graewe -piano; Peter Herbert - bass; Wolfgang Reisinger - drums.
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CD
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RA 028CD
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"Right from the start, stills and stories, pianist Georg Graewe's first solo disc in more than a decade, proves one thing: this man's brain works quicker than yours. So do his fingers. His feet, hands, and inner life just might as well. Not that speed counts, mind you. But when you dive into this dense, elusive, and, ultimately, riveting 2010 recording from Bochum, Germany, you sense that Graewe, back in his hometown, is pushing things to the limit: his own resources, his listener's ability to absorb art, and, at 79 minutes, the limitations of the compact disc itself." --Greg Buium, Point of Departure (June, 2015)
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CD
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RA 029CD
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This concert recording by the Georg Graewe Quartet from October 1998 at Amsterdam's Stedelijk Museum has just recently re-emerged from Graewe's private archives. The group's performance was recorded by Ernst Reijseger and was transferred and mastered by Martin Siewert in his Vienna studio. The quartet was active from 1997-2001. So far there was only one CD available, their debut on OKKA Disk Melodie und Rhythmus from 1997. The cover features original photos by Francesca Patella and liner notes by John Corbett: "I was present at the first meetings. Over the course of a few years, I was able to hear the quartet in many contexts, at home and abroad. It was beyond. Beyond beyond." Personnel: Frank Gratkowski - alto sax, clarinet; Georg Graewe - piano; Kent Kessler - double bass; Hamid Drake - drums.
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