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viewing 1 To 25 of 33 items
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LP
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REC 163LP
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Since their signature on Record Makers in 2005, the three boys from Hypnolove have never followed any rules and made everything possible to make their fans dance, with no disregard for '80s pop music, considered at the time far too cheesy. Eurodance, Italo, sweet space disco, boogie-funk: all these styles and subgenres that have somehow become respectable and craved by diggers today are part of Hypnolove's sound. After Eurolove thirteen years ago, a first LP considered by the band as a thrilling compilation of singles mixing new-wave and Italo, Hypnolove was back on stage (and in clubs) helped by genius producer Mickey Moonlight. Ghost Carnival (REC 098LP), their second album was then focused on zouk, exotica music and Italian disco. For their third album entirely recorded in a proper studio for the first time, Hypnolove was forced to more coherence in their sound. They decided to follow a clear line: make a 100% French record inspired by the French dance music made in France during the '70s and '80s, when a handful of studio heads were driven by the ambition of conquering the world by re-appropriating the emerging new genre that was funk at the time. Slap basslines, silly erotic hip-hop-ish lyrics, edgy guitar grooves... This new version of funk invented by some French ambitious musicians found its identity under the name of French boogie. The record also recalls their all-time favorite soundtracks composed by Serge Gainsbourg, Pierre Bachelet, Francis Lai, or Vladimir Cosma. Plexus is a joyful record, full of irony and sublimated by wet voices dipped into a cocktail of Isabelle Adjani's "Pull Marine" and Corryne Charby's music. A record in which the band dives feet first in the groovy bass lines, the Macumba disco, the "Paris Latino-like" boogie, the disco balls and the luminous dancefloors, the '80's and 2020s...
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12"
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REC 150EP
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Cola Boyy, aka Matthew Urango, is a 28-year-old musician, coming from Oxnard, California. His deviant disco songs talk about love and the happiness it breeds, while letting the rage of a rather different-looking militant crooner go. "Penny Girl" is the soon-to-be 2018 disco hit telling the story of a crime of passion. "Have You Seen Her" is the kraut-disco curiosity from the EP, halfway between the Ghetto Brothers' rage and the funkiness of a Kurtis Blow's instrumental.
"Buggy Tip" involves disco strings and catchy choruses to sing along to -- Cola Boyy turns it into a banger.
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REC 145LP
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Dita Von Teese sings about the power of seduction and the ecstasy of letting go in an album bearing her name, written and composed by Sébastien Tellier. "I've collaborated with artists I admire that have invited me, such as Monarchy and Die Antwoord," recalls the Michigan native. "But nothing compares to this project with Sébastien Tellier. . . . When we began recording, he offered to let me to write some lyrics, but I preferred the feeling of letting go, of making a Sébastien Tellier record. I had a fantasy about having a modern Brigitte Bardot and Serge Gainsbourg moment. To describe the album is difficult; perhaps it's me with less make-up." Sébastien Tellier has long dreamt of composing for a woman, but was not inspired by any professional singers. "I was looking for someone both beautiful and unique. When I saw Dita dance to a piece of music I had written for her, I had a feeling that her physical presence and her personality were a perfect fit with my music . . . My wife, Amandine de La Richardière, wrote some sexy pop lyrics to balance the melodrama of my tragic vision that love always ends -- in my songs -- in bitterness and regret." Recorded in Sydney, Los Angeles, and Paris, Dita Von Teese owes much to the talents of composer Sébastien Tellier, the singing of Dita Von Teese, and the art of two instrumentalists -- the programmer and keyboard player John Kirby (Solange, Blood Orange, Money Mark) and drummer Daniel Stricker (Midnight Juggernauts) -- who coproduced the album with Sébastien Tellier, under the name of Mind Gamers. Listening to "Sparkling Rain" a futuristic calypso shot through with angels choirs and the syncopated rhythms of marimbas; "Rendez-Vous", a robotic reggae which Grace Jones would not have disdained; or the bewitching "My Lips On Your Lips" and "Bird Of Prey" which, despite their air of inoffensive TLC-like silky ballads, promise a thousand erotic raptures, one notes that women of the night definitely make wonderful muses. Woven with powerful heartbeats, waves of liquid pianos, guitars cracking like whips, Chinese sounding motifs, and synthetic steel drums, Dita Von Teese asks to be lured into its intoxicating wake, as if the singer who had crossed invisible and tormented worlds had found the path leading to divine ecstasy. Pink colored vinyl; Printed inner cardboard sleeve; Gatefold sleeve.
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REC 136LP
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Tristesse Contemporaine - Act III, Scene 1. After the first album, the self-titled Tristesse Contemporaine (DL 017LP, 2012) which was a form of a declaration of independence, and the second album Stay Golden (REC 101LP, 2013) rising above the rest, their third, Stop And Start will come to close the existing trilogy, and begin a new cycle. The trio at the head of this veritable voyage through time and space is a motley crew that found each other in Paris: Narumi from Japan, Maik from England via Jamaican roots, and Leo from Sweden. The essence of what they play as Tristesse Contemporaine is two chords, minimal instrumentation, all mixed with maximum reverb. This is a particular idea of "less is more" which is more applicable to pop music. Abandoning "the middle of the road", the band focused on ten tracks where they put their cards on the table and the petal to the metal. Comes with a download card.
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REC 138LP
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With their extraordinarily epic and artful musical poetry, Maud Geffray and Sébastien Chenut - the two sonic warheads who make up the electronic music group Scratch Massive - have always been able to enrich sensory experience in a way that brings together the fringe and the extremes, the here and there, the past and the future, with a never-disappointing desire to express the blues of the soul and the blues of the world. The Parisian DJ/producer duo have made their mark with icy grooves and epic productions, a perfectly-executed musical path that has led them to become one of the driving forces of French electronic music since the '90s. After the dark and melancholic convulsions of its studio album Nuit De Rêve (2011), Scratch Massive invites the listener to intimately explore new heights through the sublime images and existential travels presented in Day Out Of Days - the 2015 film by director Zoe Cassavetes. This intense musical duo has undertaken a veritable revolution, giving body and soul to their latest project. Day Out Of Days is a troubling and enraptured vision of "The California Dream" - the one that always seems to slip away at the last moment from under the feet of the film's disappointed heroine. On this album, Scratch Massive trades in its somber ways and the dark beauty of its electronic odes for a new pop sensibility nourished by the grand air of the Pacific Ocean and the frenetic rhythm of a city that never sleeps. From the wide-eyed pop song "Turn Away" that opens the album, the new wave mirages that inspire the superb "Frolic Spleen" and "A New Deal" and the infectious magic of "Paris" (an electro-pop hit carried by the irresistible voice of Daniel Agust, former lead singer from Icelandic cult band GusGus), Day Out Of Days brings together an elegant, out-of-control bacchanal evoking dreams snuffed out by the stark realism of the daily grind, shady sunsets reflecting undetectable fears too heavy to bear. Could this be the sound of "California Dreamin" under modernity's magnifying glass? Quite simply, with Day Out Of Days, Scratch Massive have made a modern electronic album, perfectly at ease with the influence of pop as a way to revisit and reexamine its clichés, its stylistic effects, and the hungry nostalgia for the 1980s. "Turn Away" features Tobias Buch.
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REC 127LP
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Sébastien Tellier's music has always fused perfectly with images. Many directors have come to Tellier for original scores -- including Gilles Lellouche and Tristan Aurouet for their 2004 film Narco -- and Tellier's music has been included in soundtracks for many memorable films, including Sofia Coppola's Lost in Translation (2003) and Daft Punk's Electroma (2006). Sébastien Betbeder asked Tellier to compose the music for his 2015 film Marie et les naufragés (Marie and the Castaways), starring Eric Cantona. For this score, Tellier chose a retro-futuristic electronic path in the tradition of Giorgio Moroder's music, mirroring the free and off-the-beaten-path tone of the film. With the help of friend and fellow musician John Kirby, Tellier diffuses the film's languid themes with tributes to Marvin Gaye and Ennio Morricone. Instrumental music with a deeply sensual twist. Includes download code.
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REC 122LP
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He is not so easy to find. One has to follow the kilometers of pipes down and along a labyrinth of corridors to enter the basement den of Romain Turzi. This once cavernous space has metamorphosed into a recording studio for the purpose of completing the trilogy begun with A (2007) and B (REC 055CD/REC 062LP, 2010). Closed off from the world, without natural light and water supply, but full of consoles, synthesizers, and old guitars, Turzi cocooned himself here to perfect his music and sonically construct the soundtrack that is C, with tracks named after nine types of birds, to glide in a treasure hunt through the complexities of his musical mind. Closed off from the world in a place where he could do only one thing -- make music -- Turzi was able to gain the greatest luxury: time. The time necessary to experiment and work on each tone; make musical discoveries and explore apparent accidents; use archaic samplers, with their 5¼-inch floppy disks full of aural triggers to those that have come before; use the striking images from F. W. Murnau's 1922 film Nosferatu to allow a fresh origin of sound exploration; and, of course, play loud, very loud -- the ultimate pleasure. Turzi has always been mesmerized by repetitive compositions, adventurous electronic music arrangements, the organic pulses of real drums, and the sensual attacks of an electric guitar. Early reviews attempted to categorize his style as krautrock, but Turzi knew that this genre, even coupled with psychedelia, was too simplistic as a musical label. He is open, and nothing is ruled out, and all manifests in his music, including the boogie of ZZ Top; linear and funky Hamilton Bohannon; an imaginary thread between Can and Fela; Alessandro Alessandroni as his definitive hero; a classical guitar theme from Heitor Villa-Lobos; Ennio Morricone and Angelo Badalamenti; love (yes, love, even if he invokes it in the manner of an old bluesman, with words creating their own meanings). Simply put, Turzi makes Turzi. Played by Louis Laurin: bass; François Desmoulin: snare drum, big drum, toms, cymbals, hi-hat; Judah Warsky: organs, sampler; Lori Shönberg: gyro, bongo, trumpet, clavinet; Clemens Hourrière: Fender IV guitar, EMS Synthi AKS modular synthesizer; Caroline Vallain: soprano; Mila Turzi: scream; Romain Turzi: guitars, E-mu Emulator II sampling keyboard, ACX Synth P-sequencer. Presented in metal-coated silver sleeve with black inner sleeve. Includes download code.
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REC 120EP
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Taken from his album L'Aventura (REC 115LP), Sebastien Tellier releases a remix EP for "Aller Vers Le Soleil," with contributions from Tom Furse (The Horrors) and Hercules & Love Affair. The EP also includes the "Ricky l'adolescent" single with remixes by Principle Of Geometry and Walter. Artwork by Valentine Reinhardt.
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REC 022EP
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"La Ritournelle" is undoubtedly the biggest song of all of Sébastien Tellier's catalog. A real love anthem, the song crossed the world and affected thousands of hearts and lovers. Comprised of 7:40 minutes of the cult melody, a sensual and mesmerizing piano rhythm, accompanied by Afro-beat master Tony Allen at the drum kit, this piece has become Tellier's reference-point. The composer's genius and his sharpness of writing reflects his musical talent placing him among the best French artists of his generation.
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REC 111EP
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The glowing introduction and cornerstone of Stay Golden (REC 101LP), the second album by Tristesse Contemporaine, "Fire" reveals an attitude très pop from the Paris-based trio. This is what happens when they choose to play with matches and burn our fingers. Dark, sexy, and catchy, "Fire" has inspired four distinguished remixers to give us their vision of this very contagious song: house and soul from Clément ASWF, Hispanic and cinematic from Daniel Maloso, tropical and funky from Hypnolove, electro and dreamy from Kasper Bjørke.
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REC 109LP
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Confection is an album from the talented composer Sebastien Tellier. Apart from one song, Confection is an entirely instrumental piece that Sebastien conceived like a motion picture score. Several romantic musical themes are showcased in different versions, orchestral and acoustic. Their sequence brings the listener on a succession of subtle climaxes, creating powerful emotions and leaving room for fantasized images. The very team that helped Tellier create his cult classic song "La Ritournelle" was reunited for the occasion: Tony Allen of Fela Kuti fame on drums, Robin Coudert, keyboardist for Phoenix, Emmanuel d'Orlando on string arrangements, and Philippe Zdar, who mixed the record. He is also responsible for mixing albums for Phoenix, Cat Power, Beastie Boys, and Kindness. The album artwork and "L'amour naissant" video are from Jean-Baptiste Mondino. Confection is an album as close as possible to Tellier's soul, a testimony of his deep musical skills. It showcases his outstanding composer talent as rarely before. Confection is a love letter for a film that doesn't exist yet. Housed in a gatefold sleeve; includes mp3 download.
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REC 042LP
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2013 repress, originally released in 2007. French electronic artist Sébastien Tellier recorded this 40-minute long score in 2004, for French feature Narco, a film by Gilles Lellouche and Tristan Aurouet, with Guillaume Canet, Benoit Poolevoorde, Zabou Breitman and François Berléand. It features epic orchestral music and vintage electronics; tender music and lush arrangements in the great tradition of French composers from the '70s. Includes mp3 download code.
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REC 101LP
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A stateless trio (Narumi is Japanese, Maïk is English, and Leo is Swedish), Tristesse Contemporaine chose Paris as their battleground. The sound of their first self-titled album, produced by Pilooski (Discodeine) in 2012 (DL 017LP), was immediately praised among the music scene and critics -- raw and minimal, catchy yet mesmerizing, both poppy and spleen-heavy. Equally inspired by the ghosts of shoegaze, Krautrock and Madchester, they aimed to write the soundtrack of an era that got lost into the nights. Songs like "I Didn't Know," "Daytime Nighttime," "In the Wake," and "Hell is Other People" set catwalks (Chanel) on fire along with the music press and live venues, as much in France (where they opened for Pulp at the Olympia) as elsewhere, including Russia and Eastern Europe. After the Woodwork EP, which announced the start of a new collaboration with the label Record Makers (and their original home, Dirty), Tristesse Contemporaine returns with a second album, Stay Golden, where the trio reaffirms with nine thrilling songs which stay close to the original DNA while daring to reveal new secrets of their identities. The uplifting pop of "Fire," the abrasive rock "I Do What I Want," through to the surgically-precise house of "Going Out," Stay Golden points the Tristesse Contemporaine projectors to the city skies as well as the twisted dancefloors.
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REC 107EP
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Kavinsky's "Odd Look" is one of those songs which will haunt you for a long time after hearing it, one of his acclaimed Outrun highlights, for sure, featuring vocals by The Weeknd. The deep, raw and soulful instrumental brings a cinematic sound which has the power to literally put you in a virtual movie just listening to the music. And Sebastian's vocal part on top is a unique rendering, somewhere between Stevie Wonder and HAL. Remixes by A-Trak, Surkin, Prince 85, and Midnight Juggernauts.
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REC 105LP
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One of Australia's most fearlessly independent, individual, and inventive bands, Midnight Juggernauts are back bearing gifts with Uncanny Valley. In robotic engineering and CGI, the uncanny valley is a hypothesis -- coined by legendary roboticist Masahiro Mori in 1970. He wrote in his work Bukimi no Tani Gensho: "I have noticed that, in climbing toward the goal of making robots appear human, our affinity for them increases until we come to a valley, which I call the uncanny valley." This "uncanny valley" is a phenomena in which human acceptance of robots grows more welcoming the more human their appearance, until they become too human, in which there's suddenly a precipitous plunge from acceptance to revulsion. The dark depths of this philosophical valley is a space the trio -- Vincent Vendetta, Andrew Szekeres, and Daniel Stricker -- have long explored. Running traditional rock instruments (guitar, keyboards, drums) through samplers, pedals, patches, and assorted effects, they pervert the familiar into slightly-off forms; robotic sounds made by human hands, with the waft of unsettling horror-soundtracks keeping things forever on edge. Since forming in Melbourne in 2004, the band has forged a unique path, pressing themselves firmly into the popular and unpopular consciousness, refusing to be bound by boundaries of genre, convention, or expectation. Eschewing an easy parochial path, Midnight Juggernauts have instead been international; taking their psychedelic Soviet-sci-fi pop to listeners near and far, around the corner and around the globe. Uncanny Valley is 43 minutes of warm-hearted cold wave, interstellar harmonies, early 1950s house, steeped in the darkness of dusty giallo soundtracks, audio spomeniks at once futuristic and rustic, a bold musical future envisaged through a soundtrack to a forgotten Eastern Bloc Tarkovsky film, sifting through the ruins of LPs past.
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REC 102LP
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Acid Washed, a duo that arose from the second wave of French house, are bringing back everything that house music comprises, including its political, social, utopian, and more subversive matters. Legendary club culture, with its heroes and its secret stories, is where Andrew Claristidge and Richard d'Alpert found the ideas of pretty much everything that they wanted to inject into Acid Washed. Considered a return to the origins of house and techno music after a euphoric first album, House of Melancholy proposes a synthetic cocktail -- a highly idiosyncratic return to the origins of their own house and techno. Those who only see Acid Washed as a pair of skillful technicians of vintage synths and references are in for a surprise. Recorded after traveling twice around the world, House of Melancholy is the soundtrack of Claristidge and d'Alpert's lives, following the leap into the void. As Richard says, ''My melancholy always travels with me,'' and it's especially the emotional paradox of electronic music as it resonates in our hearts that reveals itself here. Without ever getting to the shores of electro-pop, the duo puts a little more of real, heavy pop, of '70s Italian variety, of Morricone, or Philip Glass soundtracks, and very pure electronica in their dance music. Particularly, Andrew and Richard surrounded themselves with friends to celebrate better: the exceptionally-gifted Joakim at the production board, as well as Yan Wagner, Miss Kittin, Ahmad Larnes, Hypnolove, Turzi, and La Mverte. House of Melancholy is a human adventure and an ode to music which unites bodies and souls. Housed in a gatefold sleeve.
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REC 103EP
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This EP is the first taste of new material from Midnight Juggernauts. Situated at a self-styled nexus between genre and era, their new output may be described as warm-hearted cold wave, interstellar harmonies, and early 1950s house, steeped in the darkness of dusty giallo soundtracks, audio spomeniks at once futuristic and rustic -- a bold musical future envisaged through a soundtrack to a forgotten Eastern Bloc Tarkovsky film, sifting through the ruins of LPs past.
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REC 098LP
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Electro-pop mish-mash, menagerie of French horn and ante-Raphael-ish harps, counter-tenor male trio and female voices escaping from the room over there, at the end of the hallway. It's the carnival of the phantoms, a Day of the Dead in Mexico, with the Consul as an ill guide. At the helm, the Hypnolove trio, based in the south of France but with wide origins: French, Portuguese, German. Their first album, Eurolove and the hit "Mademoiselle" was released in 2006. Since that time, music has remained a passion: a group of true musicians, who perform for pleasure before everything, as if they were still teenagers infatuated with electro-pop, New Order or Pet Shop Boys, or, years later, sharing obscure bands, strange and stranger cryptic producers, uncertain records. Produced by Mickey Moonlight, the English ambassador to Ed Banger Records -- it had to take a scatterbrain like him to properly channel the trio. Nine titles in all, and above all else, a pop odyssey. Cover artwork by Yazbukey. Featuring guest appearances by Findlay Brown, Puro Instinct, and Freya Parry.
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REC 099EP
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The Woodwork EP is the second episode of the Tristesse Contemporaine story. This is a definition of their DNA in four new tracks: "Waiting" -- obsessive, haunted, elegiac -- the art of making dead people dance. "Vampires" -- in the shadow of new wave giants, a minimal prayer to make ghosts go away. "Woodwork" -- sun-drenched and languid, this is Tristesse Contemporaine's very own version of a praise for patience. "Low Tide" puts things back on the dancefloor for a perverted, drug-induced nursery rhyme.
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REC 037EP
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2016 repress, originally released in 2007. 1986 is the year Kavinsky mysteriously crashed his Testarossa. 1986 is also the year he eventually came back to life as the living dead. Includes a remix by Sebastian.
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REC 024EP
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2013 repress, originally released in 2005. Kavinsky's "Testarossa Autodrive" could be easily described as "heroic house" -- a fierce, edgy, powerful track that is getting the remix treatment from Mr. Oizo. Once again, expect the unexpected, but you can dance to it. To complete the package, find a remix from Detroit-based Arpanet (aka Dopplereffect). "Arpanet Nightdrive" is a must for true electro lovers.
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REC 088EP
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RSD 2013 release. "In the Crew of Tea Time" is a duet between Sebastien Tellier and Caroline Polachek (singer of the band Chairlift) singing for the first time together. Air France fell in love with this magical collaboration and featured the video of this song on their website for their Air France Music campaign. Now released for the first time on a 7'' including a dub by Mr. Dan. Make sure to order your copy.
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REC 086LP
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2017 repress. Nicolas Winding Refn's film, Drive (2011) operates on a level of cool that's hard to articulate with just words; it takes a snippet from the movie -- take the opening credits backed by Kavinsky's "Nightcall" -- to really grasp its effortless debonair. Since the film's release, this single's Youtube video has climbed to over 30 million views, and has been on repeat across an expanse of playlists, always fueling the after-after party with the slow burn of glossed synth echoes. Kavinsky is not all about "Nightcall." He died in a car crash in 1986, while driving his beloved Testarossa. He re-appeared as a zombie in 2005, with his 12", Teddy Boy. Since then, he has shown up all around the globe, playing his music to fellow humans. Crowds gathered to witness the miracle: despite being dead, Kavinsky was still alive. In 2007, he released his second 12", "1986." This is when his French robot-mates in Daft Punk invited him to join their "Alive Tour," and A-Trak put together an American tour. After discovering the world with his red eyes, Kavinsky retreated to his base camp to release "Nightcall' in 2011. Kavinsky now presents his long-awaited debut album OutRun produced by SebastiAn, including appearances by Havoc (Mobb Deep), Tyson & SebastiAn. 1x LP 12" -- gatefold glossy coated + 12" printed inner sleeve.
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REC 095EP
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Kavinsky's track "ProtoVision" is the new single taken from his debut album OutRun, here remixed. The mix by Red Sky is a vinyl exclusive that takes "ProtoVision" to another dimension. Boys Noize put his hands on "Protovision" and turned it in into a nervous and elegant club hit. Blood Orange gives a fresh and girly feel to the original track, transforming it into a groovy pop ballad. The Sébastien Tellier version is also a vinyl exclusive and highlights hypnotic strings and heroic guitars.
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REC 085EP
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Sébastien Tellier's album My God Is Blue has won some notable proselytes, each bringing their personalities to their remixes of the hypnotic disco bliss that is the single "Cochon Ville." The Magician, formerly of Aeroplane, offers a disco-meets-new-wave space-jam, complete with Depeche Mode-esque bass licks and CZ-101-esque synth coos. Brodinski's cut transports us to day three at an Ibiza festival, tropical drums ringing behind walls of saturated bass and rave-ready know-how. Dimitri From Paris pushes the funk factor, pressing all things disco to their limit.
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