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viewing 1 To 7 of 7 items
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12"
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RLV 003EP
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$30.00
PREORDER
RELEASE DATE: 9/26/2025
"The latest installment in the Reloved series brings together producer extraordinaire Clap! Clap! (Cristiano Crisci) and the rich catalog of library music from Four Flies Records. A lifelong enthusiast of Italian soundtracks and library music, the acclaimed Florence-born producer continues to refine his unique vision, this time delving into original tracks by Giuliano Sorgini, Oscar Rocchi, Fabio Fabor, and Enzo Minuti. By engaging in a creative dialogue with these masters, he expands his compositional approach, seamlessly blending jazz, funk, boom bap, electronica, and vocal elements to create an imaginative and experimental groove. This bold and exciting project not only reimagines the library music masters for today -- the essence of the Reloved series -- but also takes things a step further. Thanks to Clap! Clap!'s brilliance, select gems from Four Flies' catalog are transformed into a new sonic art form."
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7"
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RLV 002-7
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"Italian library gem reimagined by beatmaker Koralle and rapper Illa J. Four Flies presents a new installment in the RELOVED series, New Levels/Chartreuse, with an original track from late-'70s Italian ensemble Modern Sound Quartet and a rework from producer and beatmaker Koralle featuring iconic rapper Illa J. In keeping with the aim of the series, which is to put a modern and urban spin on tunes from Italian golden age soundtracks and library music, Koralle has used the unique jazz-funk sound of the original sample to create a smooth and stylish beat to which Illa J adds irresistible swag and coolness. More than a remix, 'New Levels' is a new composition that takes 'Chartreuse' into the world of contemporary hip-hop. Lorenzo Nada, aka Koralle, is a musician, beatmaker and producer from Bologna, Italy. Nada is best known for his project Godblesscomputers. Firmly rooted in hip-hop, Koralle is taking his jazz crates and field recordings to the studio. Equipped with an array of synths, Rhodes and bass, he creates deeply textured tracks that touch mind, body and soul. Rapping on Koralle's beat is Detroit artist Illa J. Raised in a musical family (his father played piano, his mother sang, and his older brother is the late hip-hop producer J Dilla), he grew up surrounded by jazz, gospel and soul, before building a name for himself as a rapper with a distinctive flow and timbre, but also as a singer and songwriter. Illa J has said of his approach to lyric writing that 'the melody comes first, then I bring the words in, even when I'm rapping, you know rhythmically. I'm a singer, so melody comes first, but in terms of the subject matter, the music tells you.' The Modern Sound Quartet was an ensemble led by Milanese pianist and composer Oscar Rocchi. It included Rocchi on keys, Andrea Surdi on drums, Ernesto Verardi on guitars, and Luigi Cappellotto on bass. 'Chartreuse' (written by Cappellotto) comes from their 1976 library LP Cocktail Bar -- a collection of jazz-funk/jazz-rock/fusion tunes, each named after a famous spirit. While little known to the general public, Cocktail Bar is highly sought after by diggers, DJs and beatmakers."
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12"
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RLV 002EP
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"Tema di Susie is one of the main themes from the soundtrack composed by Alessandro Alessandroni for the 1976 Italian noir Sangue di sbirro, known in English as Blood and Bullets, as well as Knell, Bloody Avenger. At once sweet and sentimental, haunting and melancholic, Tema di Susie stands out from the other tracks in the film, which are more action oriented. Like the rest of the score, however, it exemplifies the way in which, during the '70s, Italian film composers created their own version of the sound of American blaxploitation cinema, with its groovy blend of funk, jazz, and soul. It is no coincidence that the film's director, B-movie specialist Alfonso Brescia, specifically requested music in the style of Shaft, the iconic film that defined that sound in 1971. Though seemingly simple, Tema di Susieí is a perfect example of Alessandroni's style -- in particular his unique ability to effortlessly blend groove and melody, funk and feeling, into one musical piece. So, Reloved invited different artists with different backgrounds, influences and approaches to bring their individual take on this elegant and now timeless tune. Neapolitan duo Fratelli Malibu have taken Alessandroni's melodic theme and woven it into a mesmerizing tapestry of rhythmic beats, world percussion and ethereal atmospheres. Drawing inspiration from funk/Afrobeat, synth-pop and Italo-disco, they've conjured a psychedelic-tinged, afro-cosmic groove that's bound to transport you to another dimension. As the music unfolds, you'll feel like you've stepped into a vibrant, fantasy world. The breaks, outro, and intro are woven with a psychedelic thread that leaves you yearning to return once the final note fades away. And that's not all -- they've injected an irresistible pop sensibility into the track with the use of drum machines and synths. The result? A rework that not only amplifies the dreaminess of the original but also seamlessly marries the past with the future. Reloved loves the track so much that they decided to double the fun with a vocal retouch version, courtesy of the Italian funk/soul collective Banda Maje. Their vocalists, Chiara Della Monica and Cristina Cafiero, elegantly infuse cinematic and Balearic vibes into the mix, paying a wonderful homage to Fratelli Malibu's exquisite arrangement."
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7"
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RLV 003-7
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"Tema di Susie is one of the main themes from the soundtrack composed by Alessandro Alessandroni for the 1976 Italian noir Sangue di sbirro, known in English as Blood and Bullets, as well as Knell, Bloody Avenger. At once sweet and sentimental, haunting and melancholic, Tema di Susie stands out from the other tracks in the film, which are more action oriented. Like the rest of the score, however, it exemplifies the way in which, during the '70s, Italian film composers created their own version of the sound of American blaxploitation cinema, with its groovy blend of funk, jazz, and soul. It is no coincidence that the film's director, B-movie specialist Alfonso Brescia, specifically requested music in the style of Shaft, the iconic film that defined that sound in 1971. Though seemingly simple, Tema di Susieí is a perfect example of Alessandroni's style -- in particular his unique ability to effortlessly blend groove and melody, funk and feeling, into one musical piece. So, Reloved invited different artists with different backgrounds, influences and approaches to bring their individual take on this elegant and now timeless tune. With his characteristic style, enigmatic French producer Mounika has spun Alessandroni's dreamy melody into a remix that resonates with the soul. Right from the first note, Mounika sets the stage for an uplifting journey. The track's opening, with its hauntingly isolated piano, lays the foundation for what's to come. As the music swells, you'll feel an irresistible surge of positivity and motivation, culminating in a joyous crescendo that celebrates the heart of the composition. Along the way, he weaves in elements that are reminiscent of the French touch sound and the bold beats of the late '90s, all while steering clear of overpowering rhythms or any hint of nostalgic retro vibes. What emerges is a remix that's nothing short of a breath of fresh air. It's the kind of music that not only makes you move but stirs something deep within. Mounika's touch is like a painter's brush, layering sonic texture and dynamics to bring new emotional depth to Alessandroni's masterpiece. The Reloved series is co-curated with fellow independent label Little Beat More."
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7"
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RLV 004EP
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"The second instalment in the 45 RELOVED series sees acclaimed world-electronic duo Dengue Dengue Dengue diving into the most intriguing side of Giuliano Sorgini, an undisputed heavyweight of Italian library music with cult soundtracks under his belt, such as The Living Dead at the Manchester Morgue and Zoo Folle. The original 'Oasi Nella Giungla' (which translates as Oasis in the Jungle) comes from the highly sought after Africa Oscura (Dark Africa), a sublime collection of tracks originally intended for use in television, all of which were recorded by Sorgini in the mid-70s by overdubbing synths, drums (both acoustic and electronic), a wide variety of percussion instruments, and field recordings. Back in 2019 Four Flies paid tribute to Africa Oscura with two EPs of remixes by Italian producers from the cosmic/Balearic electronic scene. Four years later, Dengue Dengue Dengue's mind-blowing rework of 'Oasi Nella Giungla' offers a great opportunity not only to go back to the fantastic sound of that album, but to fully appreciate the tribal element in Sorgini's music. In the hands of the Peruvian duo, the sonic geography of 'Oasi Nella Giungla magically shifts from the depths of Africa to those of the Amazon rainforest, and the tribal percussions of the Savannah turn into an equatorial cumbia full of mystery and mystical echoes. The result is a mesmerizing fusion of tropical rhythms, dub, house and psychedelia, with an ancestral vibe that is perhaps even more pronounced than in the original track."
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7"
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RLV 001-7
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"With the release of Piero Umiliani's Discomania Four Flies launched RELOVED, a vinyl series where contemporary DJs and producers rework tunes from Italian golden age soundtracks and library music. The aim of the series is to spark a conversation between past, present and future, joining the dots between Italy's great film and library-music tradition and a global scene of forward-thinking producers. The 7" releases are co-curated by fellow independent label Little Beat More -- in their own words: 'We're giving new life to music from some of the greatest Italian composers of the past. It's all about sampling, and that's why we decided to involve not only electronic producers but also highly talented beat makers, and we decided to focus mostly on the 7-inch format which is so popular among hip hop lovers. First in line is the 7" Autumn 2001/Autumn 2021, with an original track from Italian jazz pianist and electronic music pioneer Gianni Safred and a rework from Free The Robots. 'Autumn 2001' comes from the 1978 Italian library LP Futuribile (The Life To Come), a retro-futuristic masterpiece by Gianni Safred, one of the great pioneers of Italian electronic music. Chris Alfaro, aka Free the Robots, is a musician, beat maker and DJ known for his ability to jump in and out of different sonic worlds, creating a unique signature sound blending electronic, hip hop, jazz and psychedelia. Free The Robots says about the release: 'The sounds used back in the '60s and '70s are partly where I model my own sound and many Italian bands from the era played a big role in the inspiration of my music.'"
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12"
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RLV 001EP
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"Discomania rework launches new Four Flies series aimed at bringing the legacy of Italian film and library music into the world of international clubbing. One of Piero Umiliani's most dance-y tracks ever is finally available again on 12" vinyl, both in its original version and in a special edit retouched by Jolly Mare that further increases its dancefloor potential. 'Discomania' was recorded by Umiliani in 1978 under the moniker Rovi (one of the many aliases he used at the time to avoid saturating the Italian library music market with his name), and sounds wonderfully in tune with the then-emerging cosmic disco scene. Moreover, 'Discomania' enjoys a special place in Italian pop culture, having entered the collective imagination of national TV viewers between 1981-1987, when it was used as the closing theme song for RAI television football program 90° Minuto. This single launches Reloved, a new series from Four Flies in which accomplished DJs and producers rework tunes from Italian golden age soundtracks and library music. Choosing Piero Umiliani for the first release in the series was almost inevitable. And who better than Jolly Mare, one of the label's greatest friends and collaborators, to put a contemporary spin on Umiliani's original track."
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